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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 228 143 it is the complementary color RGB 68 27 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 228 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 228 143: RGB 192 228 138, RGB 209 246 157, RGB 226 255 176, RGB 243 255 195 and RGB 255 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 228 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 228 143: RGB 187 228 143, RGB 170 210 124, RGB 153 192 105, RGB 136 174 86 and RGB 119 156 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

Complementary color

CMYK 39 / 76 / 0 / 56

HEX #441B70

RGB 68 27 112

HSL 268.94, 0.61%, 0.27%

LAB 20.76, 37.26, -41.37

 

CMYK 16 / 0 / 39 / 11

HEX #C0E48A

RGB 192 228 138

HSL 84, 0.63%, 0.72%

LAB 86.27, -26.53, 40.08

 

CMYK 15 / 0 / 36 / 4

HEX #D1F69D

RGB 209 246 157

HSL 84.94, 0.83%, 0.79%

LAB 92.53, -26.53, 38.97

 

CMYK 11 / 0 / 31 / 0

HEX #E2FFB0

RGB 226 255 176

HSL 82.03, 1%, 0.85%

LAB 96.34, -22.26, 34.74

 

CMYK 5 / 0 / 24 / 0

HEX #F3FFC3

RGB 243 255 195

HSL 72, 1%, 0.88%

LAB 97.84, -13.59, 27.42

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 19 / 0 / 41 / 18

HEX #AAD27C

RGB 170 210 124

HSL 87.91, 0.49%, 0.65%

LAB 79.67, -27.74, 38.35

 

CMYK 20 / 0 / 45 / 25

HEX #99C069

RGB 153 192 105

HSL 86.9, 0.41%, 0.58%

LAB 73.21, -27.75, 39.52

 

CMYK 22 / 0 / 51 / 32

HEX #88AE56

RGB 136 174 86

HSL 85.91, 0.35%, 0.51%

LAB 66.66, -27.72, 40.69

 

CMYK 24 / 0 / 57 / 39

HEX #779C43

RGB 119 156 67

HSL 84.94, 0.4%, 0.44%

LAB 59.98, -27.61, 41.82

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 30 / 0 / 37 / 11

HEX #A0E490

RGB 160 228 144

HSL 108.57, 0.61%, 0.73%

LAB 84.47, -36.91, 34.37

 

CMYK 36 / 0 / 37 / 11

HEX #92E490

RGB 146 228 144

HSL 118.57, 0.61%, 0.73%

LAB 83.76, -41.38, 33.31

 

CMYK 37 / 0 / 32 / 11

HEX #90E49B

RGB 144 228 155

HSL 127.86, 0.61%, 0.73%

LAB 83.85, -40.24, 27.8

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 17 / 0 / 38 / 91

HEX #14180F

RGB 20 24 15

HSL 86.67, 0.23%, 0.08%

LAB 7.56, -3.84, 4.78

 

CMYK 17 / 0 / 37 / 71

HEX #3E4B2F

RGB 62 75 47

HSL 87.86, 0.23%, 0.24%

LAB 30.06, -11, 15.03

 

CMYK 18 / 0 / 37 / 51

HEX #677E4F

RGB 103 126 79

HSL 89.36, 0.23%, 0.4%

LAB 49.94, -17.28, 22.92

 

CMYK 18 / 0 / 37 / 31

HEX #91B16F

RGB 145 177 111

HSL 89.09, 0.3%, 0.56%

LAB 68.47, -22.65, 30.27

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 37 / 0 / 12 / 11

HEX #90E4C8

RGB 144 228 200

HSL 160, 0.61%, 0.73%

LAB 84.78, -31.68, 5.64

 

CMYK 0 / 37 / 3 / 11

HEX #E490DE

RGB 228 144 222

HSL 304.29, 0.61%, 0.73%

LAB 70.67, 43.45, -26.6

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 37 / 18 / 0 / 11

HEX #90BCE4

RGB 144 188 228

HSL 208.57, 0.61%, 0.73%

LAB 74.51, -4.83, -24.63

 

CMYK 0 / 37 / 18 / 11

HEX #E490BC

RGB 228 144 188

HSL 328.57, 0.61%, 0.73%

LAB 69.52, 37.8, -9.5

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 37 / 0 / 12 / 11

HEX #90E4C8

RGB 144 228 200

HSL 160, 0.61%, 0.73%

LAB 84.78, -31.68, 5.64

 

CMYK 20 / 37 / 0 / 11

HEX #B790E4

RGB 183 144 228

HSL 267.86, 0.61%, 0.73%

LAB 66.22, 30.92, -37.17

 

CMYK 0 / 37 / 25 / 11

HEX #E490AC

RGB 228 144 172

HSL 340, 0.61%, 0.73%

LAB 69.05, 35.43, -1.26

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 37 / 0 / 1 / 11

HEX #90E4E1

RGB 144 228 225

HSL 177.86, 0.61%, 0.73%

LAB 85.43, -26.08, -6.6

 

CMYK 20 / 37 / 0 / 11

HEX #B790E4

RGB 183 144 228

HSL 267.86, 0.61%, 0.73%

LAB 66.22, 30.92, -37.17

 

CMYK 0 / 37 / 36 / 11

HEX #E49092

RGB 228 144 146

HSL 358.57, 0.61%, 0.73%

LAB 68.4, 32.04, 12.35

 

Description

Color code: RGB 187 228 143 | qconv.com Color code: RGB 187 228 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 228 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 228 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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