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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 228 144 it is the complementary color RGB 81 27 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 228 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 228 144: RGB 179 228 139, RGB 196 246 158, RGB 213 255 177, RGB 230 255 196 and RGB 247 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 228 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 228 144: RGB 174 228 144, RGB 157 210 125, RGB 140 192 106, RGB 123 174 87 and RGB 106 156 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

Complementary color

CMYK 27 / 76 / 0 / 56

HEX #511B6F

RGB 81 27 111

HSL 278.57, 0.61%, 0.27%

LAB 22.59, 39.75, -37.67

 

CMYK 21 / 0 / 39 / 11

HEX #B3E48B

RGB 179 228 139

HSL 93.03, 0.62%, 0.72%

LAB 85.47, -31.09, 38.39

 

CMYK 20 / 0 / 36 / 4

HEX #C4F69E

RGB 196 246 158

HSL 94.09, 0.83%, 0.79%

LAB 91.74, -31, 37.28

 

CMYK 16 / 0 / 31 / 0

HEX #D5FFB1

RGB 213 255 177

HSL 92.31, 1%, 0.85%

LAB 95.51, -26.7, 32.99

 

CMYK 10 / 0 / 23 / 0

HEX #E6FFC4

RGB 230 255 196

HSL 85.42, 1%, 0.88%

LAB 96.95, -18.04, 25.56

 

CMYK 3 / 0 / 16 / 0

HEX #F7FFD7

RGB 247 255 215

HSL 72, 1%, 0.92%

LAB 98.51, -9.26, 18.25

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 25 / 0 / 40 / 18

HEX #9DD27D

RGB 157 210 125

HSL 97.41, 0.49%, 0.66%

LAB 78.89, -32.3, 36.69

 

CMYK 27 / 0 / 45 / 25

HEX #8CC06A

RGB 140 192 106

HSL 96.28, 0.41%, 0.58%

LAB 72.44, -32.4, 37.87

 

CMYK 29 / 0 / 50 / 32

HEX #7BAE57

RGB 123 174 87

HSL 95.17, 0.35%, 0.51%

LAB 65.88, -32.47, 39.07

 

CMYK 32 / 0 / 56 / 39

HEX #6A9C44

RGB 106 156 68

HSL 94.09, 0.39%, 0.44%

LAB 59.21, -32.48, 40.24

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 30 / 0 / 37 / 11

HEX #A0E490

RGB 160 228 144

HSL 108.57, 0.61%, 0.73%

LAB 84.47, -36.91, 34.37

 

CMYK 36 / 0 / 37 / 11

HEX #92E490

RGB 146 228 144

HSL 118.57, 0.61%, 0.73%

LAB 83.76, -41.38, 33.31

 

CMYK 37 / 0 / 32 / 11

HEX #90E49B

RGB 144 228 155

HSL 127.86, 0.61%, 0.73%

LAB 83.85, -40.24, 27.8

 

CMYK 37 / 0 / 26 / 11

HEX #90E4A9

RGB 144 228 169

HSL 137.86, 0.61%, 0.73%

LAB 84.11, -37.8, 20.92

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 25 / 0 / 38 / 91

HEX #12180F

RGB 18 24 15

HSL 100, 0.23%, 0.08%

LAB 7.37, -4.65, 4.5

 

CMYK 24 / 0 / 37 / 71

HEX #394B2F

RGB 57 75 47

HSL 98.57, 0.23%, 0.24%

LAB 29.68, -13.17, 14.45

 

CMYK 24 / 0 / 37 / 51

HEX #607E50

RGB 96 126 80

HSL 99.13, 0.22%, 0.4%

LAB 49.48, -19.88, 21.66

 

CMYK 24 / 0 / 37 / 31

HEX #87B170

RGB 135 177 112

HSL 98.77, 0.29%, 0.57%

LAB 67.85, -26.21, 28.81

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 37 / 0 / 6 / 11

HEX #90E4D6

RGB 144 228 214

HSL 170, 0.61%, 0.73%

LAB 85.13, -28.61, -1.23

 

CMYK 0 / 37 / 9 / 11

HEX #E490D0

RGB 228 144 208

HSL 314.29, 0.61%, 0.73%

LAB 70.17, 41.02, -19.64

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 37 / 24 / 0 / 11

HEX #90AEE4

RGB 144 174 228

HSL 218.57, 0.61%, 0.73%

LAB 70.73, 2.83, -30.42

 

CMYK 0 / 37 / 24 / 11

HEX #E490AE

RGB 228 144 174

HSL 338.57, 0.61%, 0.73%

LAB 69.11, 35.72, -2.29

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 37 / 0 / 6 / 11

HEX #90E4D6

RGB 144 228 214

HSL 170, 0.61%, 0.73%

LAB 85.13, -28.61, -1.23

 

CMYK 14 / 37 / 0 / 11

HEX #C590E4

RGB 197 144 228

HSL 277.86, 0.61%, 0.73%

LAB 67.59, 35.1, -34.94

 

CMYK 0 / 37 / 31 / 11

HEX #E4909E

RGB 228 144 158

HSL 350, 0.61%, 0.73%

LAB 68.69, 33.53, 6.04

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 37 / 5 / 0 / 11

HEX #90D8E4

RGB 144 216 228

HSL 188.57, 0.61%, 0.73%

LAB 82.19, -19.42, -13.02

 

CMYK 14 / 37 / 0 / 11

HEX #C590E4

RGB 197 144 228

HSL 277.86, 0.61%, 0.73%

LAB 67.59, 35.1, -34.94

 

CMYK 0 / 32 / 37 / 11

HEX #E49B90

RGB 228 155 144

HSL 7.86, 0.61%, 0.73%

LAB 70.84, 25.94, 16.87

 

Description

Color code: RGB 174 228 144 | qconv.com Color code: RGB 174 228 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 228 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 228 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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