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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 155 142 it is the complementary color RGB 68 100 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 155 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 155 142: RGB 192 155 137, RGB 209 173 156, RGB 226 191 175, RGB 243 209 194 and RGB 255 227 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 155 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 155 142: RGB 187 155 142, RGB 170 137 123, RGB 153 119 104, RGB 136 101 85 and RGB 119 83 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

Complementary color

CMYK 40 / 12 / 0 / 56

HEX #446471

RGB 68 100 113

HSL 197.33, 0.25%, 0.35%

LAB 40.47, -7.97, -11.02

 

CMYK 0 / 19 / 29 / 25

HEX #C09B89

RGB 192 155 137

HSL 19.64, 0.3%, 0.65%

LAB 66.87, 11.08, 14.64

 

CMYK 0 / 17 / 25 / 18

HEX #D1AD9C

RGB 209 173 156

HSL 19.25, 0.37%, 0.72%

LAB 73.44, 10.52, 13.63

 

CMYK 0 / 15 / 23 / 11

HEX #E2BFAF

RGB 226 191 175

HSL 18.82, 0.47%, 0.79%

LAB 79.91, 10.03, 12.7

 

CMYK 0 / 14 / 20 / 5

HEX #F3D1C2

RGB 243 209 194

HSL 18.37, 0.67%, 0.86%

LAB 86.28, 9.59, 11.83

 

CMYK 0 / 11 / 16 / 0

HEX #FFE3D5

RGB 255 227 213

HSL 20, 1%, 0.92%

LAB 92.13, 7.41, 10.33

 

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

CMYK 0 / 19 / 28 / 33

HEX #AA897B

RGB 170 137 123

HSL 17.87, 0.22%, 0.57%

LAB 59.77, 10.4, 12.25

 

CMYK 0 / 22 / 32 / 40

HEX #997768

RGB 153 119 104

HSL 18.37, 0.19%, 0.5%

LAB 52.91, 11.04, 13.34

 

CMYK 0 / 26 / 38 / 47

HEX #886555

RGB 136 101 85

HSL 18.82, 0.23%, 0.43%

LAB 45.9, 11.8, 14.55

 

CMYK 0 / 30 / 45 / 53

HEX #775342

RGB 119 83 66

HSL 19.25, 0.29%, 0.36%

LAB 38.73, 12.72, 15.93

 

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

CMYK 0 / 13 / 24 / 26

HEX #BCA38F

RGB 188 163 143

HSL 26.67, 0.25%, 0.65%

LAB 68.66, 5.99, 13.76

 

CMYK 0 / 10 / 24 / 26

HEX #BCAA8F

RGB 188 170 143

HSL 36, 0.25%, 0.65%

LAB 70.47, 2.19, 16.3

 

CMYK 0 / 5 / 24 / 26

HEX #BCB28F

RGB 188 178 143

HSL 46.67, 0.25%, 0.65%

LAB 72.57, -2.1, 19.21

 

CMYK 0 / 2 / 24 / 26

HEX #BCB98F

RGB 188 185 143

HSL 56, 0.25%, 0.65%

LAB 74.43, -5.8, 21.75

 

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

CMYK 0 / 17 / 24 / 7

HEX #EEC5B5

RGB 238 197 181

HSL 16.84, 0.63%, 0.82%

LAB 82.62, 12.18, 13.47

 

CMYK 0 / 18 / 24 / 87

HEX #221C1A

RGB 34 28 26

HSL 15, 0.13%, 0.12%

LAB 10.89, 2.49, 2.46

 

CMYK 0 / 18 / 24 / 67

HEX #554641

RGB 85 70 65

HSL 15, 0.13%, 0.29%

LAB 31.1, 5.48, 5.39

 

CMYK 0 / 17 / 24 / 47

HEX #887167

RGB 136 113 103

HSL 18.18, 0.14%, 0.47%

LAB 49.52, 7.37, 8.92

 

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

CMYK 12 / 0 / 24 / 26

HEX #A6BC8F

RGB 166 188 143

HSL 89.33, 0.25%, 0.65%

LAB 73.58, -15.65, 20.33

 

CMYK 24 / 21 / 0 / 26

HEX #8F94BC

RGB 143 148 188

HSL 233.33, 0.25%, 0.65%

LAB 62.21, 7.04, -21.34

 

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

CMYK 24 / 0 / 17 / 26

HEX #8FBC9C

RGB 143 188 156

HSL 137.33, 0.25%, 0.65%

LAB 72.37, -21.45, 11.39

 

CMYK 17 / 24 / 0 / 26

HEX #9C8FBC

RGB 156 143 188

HSL 257.33, 0.25%, 0.65%

LAB 61.95, 14.04, -21.65

 

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

CMYK 12 / 0 / 24 / 26

HEX #A6BC8F

RGB 166 188 143

HSL 89.33, 0.25%, 0.65%

LAB 73.58, -15.65, 20.33

 

CMYK 24 / 7 / 0 / 26

HEX #8FAFBC

RGB 143 175 188

HSL 197.33, 0.25%, 0.65%

LAB 69.56, -7.93, -10.24

 

CMYK 12 / 24 / 0 / 26

HEX #A58FBC

RGB 165 143 188

HSL 269.33, 0.25%, 0.65%

LAB 62.74, 16.99, -20.37

 

CMYK 0 / 17 / 24 / 27

HEX #BB9B8E

RGB 187 155 142

HSL 17.33, 0.25%, 0.65%

LAB 66.49, 9.84, 11.25

 

CMYK 19 / 0 / 24 / 26

HEX #99BC8F

RGB 153 188 143

HSL 106.67, 0.25%, 0.65%

LAB 72.71, -20.34, 18.99

 

CMYK 24 / 7 / 0 / 26

HEX #8FAFBC

RGB 143 175 188

HSL 197.33, 0.25%, 0.65%

LAB 69.56, -7.93, -10.24

 

CMYK 5 / 24 / 0 / 26

HEX #B28FBC

RGB 178 143 188

HSL 286.67, 0.25%, 0.65%

LAB 63.95, 21.32, -18.42

 

Description

Color code: RGB 187 155 142 | qconv.com Color code: RGB 187 155 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 155 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 155 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 24 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 24% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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