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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 23 / 11 it is the complementary color CMYK 65 / 23 / 0 / 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 23 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 23 / 11: CMYK 0 / 17 / 27 / 9, CMYK 0 / 15 / 24 / 2, CMYK 0 / 10 / 18 / 0, CMYK 0 / 3 / 11 / 0 and CMYK 0 / 0 / 4 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 23 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 23 / 11: CMYK 0 / 15 / 23 / 11, CMYK 0 / 17 / 26 / 18, CMYK 0 / 19 / 29 / 24, CMYK 0 / 21 / 33 / 31 and CMYK 0 / 24 / 38 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

Complementary color

CMYK 65 / 23 / 0 / 69

HEX #1C3E50

RGB 28 62 80

HSL 200.77, 0.48%, 0.21%

LAB 24.55, -6.1, -14.62

 

CMYK 0 / 17 / 27 / 9

HEX #E8C1AA

RGB 232 193 170

HSL 22.26, 0.57%, 0.79%

LAB 80.85, 10.52, 16.78

 

CMYK 0 / 15 / 24 / 2

HEX #F9D3BD

RGB 249 211 189

HSL 22, 0.83%, 0.86%

LAB 87.19, 10.03, 15.83

 

CMYK 0 / 10 / 18 / 0

HEX #FFE5D0

RGB 255 229 208

HSL 26.81, 1%, 0.91%

LAB 92.51, 5.64, 13.47

 

CMYK 0 / 3 / 11 / 0

HEX #FFF7E3

RGB 255 247 227

HSL 42.86, 1%, 0.95%

LAB 97.36, -0.62, 10.55

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

CMYK 0 / 17 / 26 / 18

HEX #D2AF9C

RGB 210 175 156

HSL 21.11, 0.38%, 0.72%

LAB 74.04, 9.83, 14.48

 

CMYK 0 / 19 / 29 / 24

HEX #C19D89

RGB 193 157 137

HSL 21.43, 0.31%, 0.65%

LAB 67.47, 10.37, 15.49

 

CMYK 0 / 21 / 33 / 31

HEX #B08B76

RGB 176 139 118

HSL 21.72, 0.27%, 0.58%

LAB 60.78, 11, 16.59

 

CMYK 0 / 24 / 38 / 38

HEX #9F7963

RGB 159 121 99

HSL 22, 0.24%, 0.51%

LAB 53.97, 11.72, 17.79

 

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

CMYK 0 / 11 / 23 / 11

HEX #E3C9AF

RGB 227 201 175

HSL 30, 0.48%, 0.79%

LAB 82.49, 5.13, 16.34

 

CMYK 0 / 7 / 23 / 11

HEX #E3D2AF

RGB 227 210 175

HSL 40.38, 0.48%, 0.79%

LAB 84.75, 0.44, 19.5

 

CMYK 0 / 4 / 23 / 11

HEX #E3DAAF

RGB 227 218 175

HSL 49.62, 0.48%, 0.79%

LAB 86.78, -3.68, 22.31

 

CMYK 0 / 0 / 23 / 11

HEX #E3E3AF

RGB 227 227 175

HSL 60, 0.48%, 0.79%

LAB 89.09, -8.26, 25.48

 

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

CMYK 0 / 13 / 22 / 91

HEX #171412

RGB 23 20 18

HSL 24, 0.12%, 0.08%

LAB 6.56, 0.92, 1.66

 

CMYK 0 / 15 / 23 / 71

HEX #4A3F39

RGB 74 63 57

HSL 21.18, 0.13%, 0.26%

LAB 27.59, 3.61, 5.43

 

CMYK 0 / 15 / 23 / 51

HEX #7D6A60

RGB 125 106 96

HSL 20.69, 0.13%, 0.43%

LAB 46.33, 5.82, 8.4

 

CMYK 0 / 15 / 23 / 31

HEX #B09688

RGB 176 150 136

HSL 21, 0.2%, 0.61%

LAB 64.02, 7.43, 10.96

 

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

CMYK 12 / 0 / 23 / 11

HEX #C7E3AF

RGB 199 227 175

HSL 92.31, 0.48%, 0.79%

LAB 87.08, -18.38, 22.4

 

CMYK 23 / 21 / 0 / 11

HEX #AFB3E3

RGB 175 179 227

HSL 235.38, 0.48%, 0.79%

LAB 74.13, 8.77, -24.49

 

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

CMYK 23 / 0 / 15 / 11

HEX #AFE3C0

RGB 175 227 192

HSL 139.62, 0.48%, 0.79%

LAB 85.94, -23.57, 11.7

 

CMYK 15 / 23 / 0 / 11

HEX #C0AFE3

RGB 192 175 227

HSL 259.62, 0.48%, 0.79%

LAB 74.45, 16.24, -23.87

 

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

CMYK 12 / 0 / 23 / 11

HEX #C7E3AF

RGB 199 227 175

HSL 92.31, 0.48%, 0.79%

LAB 87.08, -18.38, 22.4

 

CMYK 23 / 7 / 0 / 11

HEX #AFD2E3

RGB 175 210 227

HSL 199.62, 0.48%, 0.79%

LAB 82.25, -7.85, -12.22

 

CMYK 11 / 23 / 0 / 11

HEX #CBAFE3

RGB 203 175 227

HSL 272.31, 0.48%, 0.79%

LAB 75.39, 19.74, -22.35

 

CMYK 0 / 15 / 23 / 11

HEX #E3C1AF

RGB 227 193 175

HSL 20.77, 0.48%, 0.79%

LAB 80.5, 9.35, 13.54

 

CMYK 19 / 0 / 23 / 11

HEX #B8E3AF

RGB 184 227 175

HSL 109.62, 0.48%, 0.79%

LAB 86.12, -23.57, 20.92

 

CMYK 23 / 7 / 0 / 11

HEX #AFD2E3

RGB 175 210 227

HSL 199.62, 0.48%, 0.79%

LAB 82.25, -7.85, -12.22

 

CMYK 4 / 23 / 0 / 11

HEX #DAAFE3

RGB 218 175 227

HSL 289.62, 0.48%, 0.79%

LAB 76.75, 24.59, -20.17

 

Description

Color code: CMYK 0 / 15 / 23 / 11 | qconv.com Color code: CMYK 0 / 15 / 23 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 193 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 193 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 23 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 23% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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