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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 143 126 it is the complementary color RGB 68 112 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 143 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 143 126: RGB 192 143 121, RGB 209 161 140, RGB 226 179 159, RGB 243 197 178 and RGB 255 215 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 143 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 143 126: RGB 187 143 126, RGB 170 125 107, RGB 153 107 88, RGB 136 89 69 and RGB 119 71 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

Complementary color

CMYK 47 / 13 / 0 / 49

HEX #447081

RGB 68 112 129

HSL 196.72, 0.31%, 0.39%

LAB 44.8, -10.28, -14.12

 

CMYK 0 / 26 / 37 / 25

HEX #C08F79

RGB 192 143 121

HSL 18.59, 0.36%, 0.61%

LAB 63.53, 15.6, 18.95

 

CMYK 0 / 23 / 33 / 18

HEX #D1A18C

RGB 209 161 140

HSL 18.26, 0.43%, 0.68%

LAB 70.13, 14.86, 17.78

 

CMYK 0 / 21 / 30 / 11

HEX #E2B39F

RGB 226 179 159

HSL 17.91, 0.54%, 0.75%

LAB 76.63, 14.21, 16.7

 

CMYK 0 / 19 / 27 / 5

HEX #F3C5B2

RGB 243 197 178

HSL 17.54, 0.73%, 0.83%

LAB 83.02, 13.62, 15.71

 

CMYK 0 / 16 / 23 / 0

HEX #FFD7C5

RGB 255 215 197

HSL 18.62, 1%, 0.89%

LAB 88.87, 11.27, 14.07

 

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

CMYK 0 / 26 / 37 / 33

HEX #AA7D6B

RGB 170 125 107

HSL 17.14, 0.27%, 0.54%

LAB 56.36, 15, 16.66

 

CMYK 0 / 30 / 42 / 40

HEX #996B58

RGB 153 107 88

HSL 17.54, 0.27%, 0.47%

LAB 49.49, 15.9, 17.98

 

CMYK 0 / 35 / 49 / 47

HEX #885945

RGB 136 89 69

HSL 17.91, 0.33%, 0.4%

LAB 42.47, 16.95, 19.48

 

CMYK 0 / 40 / 58 / 53

HEX #774732

RGB 119 71 50

HSL 18.26, 0.41%, 0.33%

LAB 35.32, 18.23, 21.23

 

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

CMYK 0 / 19 / 33 / 27

HEX #BA977C

RGB 186 151 124

HSL 26.13, 0.31%, 0.61%

LAB 64.98, 9.16, 19.16

 

CMYK 0 / 13 / 33 / 27

HEX #BAA17C

RGB 186 161 124

HSL 35.81, 0.31%, 0.61%

LAB 67.56, 3.68, 22.67

 

CMYK 0 / 8 / 33 / 27

HEX #BAAB7C

RGB 186 171 124

HSL 45.48, 0.31%, 0.61%

LAB 70.19, -1.72, 26.2

 

CMYK 0 / 2 / 33 / 27

HEX #BAB67C

RGB 186 182 124

HSL 56.13, 0.31%, 0.61%

LAB 73.12, -7.54, 30.09

 

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

CMYK 0 / 24 / 33 / 7

HEX #EEB6A0

RGB 238 182 160

HSL 16.92, 0.7%, 0.78%

LAB 78.56, 17.32, 19.04

 

CMYK 0 / 24 / 32 / 87

HEX #221A17

RGB 34 26 23

HSL 16.36, 0.19%, 0.11%

LAB 10.11, 3.34, 3.58

 

CMYK 0 / 24 / 33 / 67

HEX #554139

RGB 85 65 57

HSL 17.14, 0.2%, 0.28%

LAB 29.43, 7.33, 8.2

 

CMYK 0 / 24 / 32 / 47

HEX #88685C

RGB 136 104 92

HSL 16.36, 0.19%, 0.45%

LAB 46.85, 10.99, 11.69

 

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

CMYK 16 / 0 / 33 / 27

HEX #9DBA7C

RGB 157 186 124

HSL 88.06, 0.31%, 0.61%

LAB 72.06, -20.82, 28.28

 

CMYK 33 / 29 / 0 / 27

HEX #7C84BA

RGB 124 132 186

HSL 232.26, 0.31%, 0.61%

LAB 56.42, 10.02, -29.24

 

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

CMYK 33 / 0 / 24 / 27

HEX #7CBA8D

RGB 124 186 141

HSL 136.45, 0.31%, 0.61%

LAB 70.4, -29.45, 16.61

 

CMYK 24 / 33 / 0 / 27

HEX #8D7CBA

RGB 141 124 186

HSL 256.45, 0.31%, 0.61%

LAB 55.71, 19.82, -30.24

 

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

CMYK 16 / 0 / 33 / 27

HEX #9DBA7C

RGB 157 186 124

HSL 88.06, 0.31%, 0.61%

LAB 72.06, -20.82, 28.28

 

CMYK 33 / 9 / 0 / 27

HEX #7CA9BA

RGB 124 169 186

HSL 196.45, 0.31%, 0.61%

LAB 66.68, -10.85, -13.57

 

CMYK 18 / 33 / 0 / 27

HEX #997CBA

RGB 153 124 186

HSL 268.06, 0.31%, 0.61%

LAB 56.81, 23.55, -28.44

 

CMYK 0 / 24 / 33 / 27

HEX #BB8F7E

RGB 187 143 126

HSL 16.72, 0.31%, 0.61%

LAB 63.11, 14.24, 15.47

 

CMYK 25 / 0 / 33 / 27

HEX #8BBA7C

RGB 139 186 124

HSL 105.48, 0.31%, 0.61%

LAB 70.91, -27.36, 26.56

 

CMYK 33 / 9 / 0 / 27

HEX #7CA9BA

RGB 124 169 186

HSL 196.45, 0.31%, 0.61%

LAB 66.68, -10.85, -13.57

 

CMYK 8 / 33 / 0 / 27

HEX #AB7CBA

RGB 171 124 186

HSL 285.48, 0.31%, 0.61%

LAB 58.62, 29.31, -25.5

 

Description

Color code: RGB 187 143 126 | qconv.com Color code: RGB 187 143 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 143 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 143 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 33 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 33% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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