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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 33 / 0 / 27 it is the complementary color CMYK 12 / 0 / 47 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 33 / 0 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 33 / 0 / 27: CMYK 19 / 31 / 0 / 29, CMYK 19 / 29 / 0 / 22, CMYK 18 / 26 / 0 / 14, CMYK 17 / 25 / 0 / 7 and CMYK 16 / 23 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 33 / 0 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 33 / 0 / 27: CMYK 24 / 33 / 0 / 27, CMYK 26 / 36 / 0 / 35, CMYK 28 / 40 / 0 / 42, CMYK 30 / 45 / 0 / 49 and CMYK 34 / 52 / 0 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

Complementary color

CMYK 12 / 0 / 47 / 49

HEX #728245

RGB 114 130 69

HSL 75.74, 0.31%, 0.39%

LAB 51.81, -16.21, 30.96

 

CMYK 19 / 31 / 0 / 29

HEX #927DB5

RGB 146 125 181

HSL 262.5, 0.27%, 0.6%

LAB 56.2, 19.6, -26.58

 

CMYK 19 / 29 / 0 / 22

HEX #A38FC8

RGB 163 143 200

HSL 261.05, 0.34%, 0.67%

LAB 63.01, 19.01, -26.71

 

CMYK 18 / 26 / 0 / 14

HEX #B4A1DB

RGB 180 161 219

HSL 259.66, 0.45%, 0.75%

LAB 69.69, 18.48, -26.88

 

CMYK 17 / 25 / 0 / 7

HEX #C5B3EE

RGB 197 179 238

HSL 258.31, 0.63%, 0.82%

LAB 76.24, 17.99, -27.06

 

CMYK 16 / 23 / 0 / 0

HEX #D6C5FF

RGB 214 197 255

HSL 257.59, 1%, 0.89%

LAB 82.62, 17.12, -26.3

 

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

CMYK 26 / 36 / 0 / 35

HEX #7C6BA7

RGB 124 107 167

HSL 257, 0.25%, 0.54%

LAB 49, 19.92, -29.82

 

CMYK 28 / 40 / 0 / 42

HEX #6B5994

RGB 107 89 148

HSL 258.31, 0.25%, 0.46%

LAB 41.86, 20.7, -29.84

 

CMYK 30 / 45 / 0 / 49

HEX #5A4781

RGB 90 71 129

HSL 259.66, 0.29%, 0.39%

LAB 34.53, 21.6, -29.91

 

CMYK 34 / 52 / 0 / 57

HEX #49356E

RGB 73 53 110

HSL 261.05, 0.35%, 0.32%

LAB 26.99, 22.64, -30.03

 

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

CMYK 19 / 33 / 0 / 27

HEX #967CBA

RGB 150 124 186

HSL 265.16, 0.31%, 0.61%

LAB 56.53, 22.61, -28.9

 

CMYK 14 / 33 / 0 / 27

HEX #A07CBA

RGB 160 124 186

HSL 274.84, 0.31%, 0.61%

LAB 57.5, 25.77, -27.33

 

CMYK 9 / 33 / 0 / 27

HEX #AA7CBA

RGB 170 124 186

HSL 284.52, 0.31%, 0.61%

LAB 58.51, 28.98, -25.67

 

CMYK 3 / 33 / 0 / 27

HEX #B57CBA

RGB 181 124 186

HSL 295.16, 0.31%, 0.61%

LAB 59.69, 32.55, -23.76

 

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

CMYK 24 / 33 / 0 / 7

HEX #B49FED

RGB 180 159 237

HSL 256.15, 0.68%, 0.78%

LAB 69.9, 23.72, -36.41

 

CMYK 24 / 33 / 0 / 87

HEX #191621

RGB 25 22 33

HSL 256.36, 0.2%, 0.11%

LAB 8.04, 4.54, -7.12

 

CMYK 24 / 33 / 0 / 67

HEX #403854

RGB 64 56 84

HSL 257.14, 0.2%, 0.27%

LAB 25.44, 10.33, -15.67

 

CMYK 24 / 33 / 0 / 47

HEX #665B87

RGB 102 91 135

HSL 255, 0.19%, 0.44%

LAB 41.31, 14.47, -22.9

 

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

CMYK 0 / 33 / 15 / 27

HEX #BA7C9E

RGB 186 124 158

HSL 327.1, 0.31%, 0.61%

LAB 59.27, 29.19, -8.32

 

CMYK 28 / 0 / 33 / 27

HEX #85BA7C

RGB 133 186 124

HSL 111.29, 0.31%, 0.61%

LAB 70.57, -29.44, 26.03

 

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

CMYK 0 / 25 / 33 / 27

HEX #BA8C7C

RGB 186 140 124

HSL 15.48, 0.31%, 0.61%

LAB 62.21, 15.24, 15.34

 

CMYK 33 / 0 / 25 / 27

HEX #7CBA8C

RGB 124 186 140

HSL 135.48, 0.31%, 0.61%

LAB 70.38, -29.64, 17.13

 

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

CMYK 0 / 33 / 15 / 27

HEX #BA7C9E

RGB 186 124 158

HSL 327.1, 0.31%, 0.61%

LAB 59.27, 29.19, -8.32

 

CMYK 9 / 0 / 33 / 27

HEX #AABA7C

RGB 170 186 124

HSL 75.48, 0.31%, 0.61%

LAB 72.97, -15.88, 29.66

 

CMYK 33 / 0 / 18 / 27

HEX #7CBA98

RGB 124 186 152

HSL 147.1, 0.31%, 0.61%

LAB 70.64, -27.3, 10.98

 

CMYK 24 / 33 / 0 / 27

HEX #8D7DBA

RGB 141 125 186

HSL 255.74, 0.31%, 0.61%

LAB 55.96, 19.23, -29.85

 

CMYK 0 / 33 / 25 / 27

HEX #BA7C8C

RGB 186 124 140

HSL 344.52, 0.31%, 0.61%

LAB 58.74, 26.37, 1.26

 

CMYK 9 / 0 / 33 / 27

HEX #AABA7C

RGB 170 186 124

HSL 75.48, 0.31%, 0.61%

LAB 72.97, -15.88, 29.66

 

CMYK 33 / 0 / 9 / 27

HEX #7CBAAA

RGB 124 186 170

HSL 164.52, 0.31%, 0.61%

LAB 71.08, -23.48, 1.77

 

Description

Color code: CMYK 24 / 33 / 0 / 27 | qconv.com Color code: CMYK 24 / 33 / 0 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 125 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 125 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 33 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 33% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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