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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 116 118 it is the complementary color RGB 68 139 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 116 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 116 118: RGB 192 116 113, RGB 209 134 132, RGB 226 152 151, RGB 243 170 170 and RGB 255 188 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 116 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 116 118: RGB 187 116 118, RGB 170 98 99, RGB 153 80 80, RGB 136 62 61 and RGB 119 44 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

Complementary color

CMYK 51 / 0 / 1 / 45

HEX #448B89

RGB 68 139 137

HSL 178.31, 0.34%, 0.41%

LAB 53.49, -22.7, -5.78

 

CMYK 0 / 40 / 41 / 25

HEX #C07471

RGB 192 116 113

HSL 2.28, 0.39%, 0.6%

LAB 56.97, 29.53, 14.45

 

CMYK 0 / 36 / 37 / 18

HEX #D18684

RGB 209 134 132

HSL 1.56, 0.46%, 0.67%

LAB 63.57, 28.54, 13.1

 

CMYK 0 / 33 / 33 / 11

HEX #E29897

RGB 226 152 151

HSL 0.8, 0.56%, 0.74%

LAB 70.08, 27.64, 11.9

 

CMYK 0 / 30 / 30 / 5

HEX #F3AAAA

RGB 243 170 170

HSL 0, 0.75%, 0.81%

LAB 76.5, 26.83, 10.81

 

CMYK 0 / 26 / 26 / 0

HEX #FFBCBD

RGB 255 188 189

HSL 359.1, 1%, 0.87%

LAB 82.33, 24.27, 9.01

 

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

CMYK 0 / 42 / 42 / 33

HEX #AA6263

RGB 170 98 99

HSL 359.17, 0.3%, 0.53%

LAB 49.72, 29.21, 12.14

 

CMYK 0 / 48 / 48 / 40

HEX #995050

RGB 153 80 80

HSL 0, 0.31%, 0.46%

LAB 42.9, 30.33, 13.8

 

CMYK 0 / 54 / 55 / 47

HEX #883E3D

RGB 136 62 61

HSL 0.8, 0.38%, 0.39%

LAB 36.02, 31.53, 15.82

 

CMYK 0 / 63 / 65 / 53

HEX #772C2A

RGB 119 44 42

HSL 1.56, 0.48%, 0.32%

LAB 29.13, 32.73, 18.39

 

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

CMYK 0 / 33 / 38 / 27

HEX #B97C72

RGB 185 124 114

HSL 8.45, 0.34%, 0.59%

LAB 57.98, 22.49, 15.15

 

CMYK 0 / 26 / 38 / 27

HEX #B98872

RGB 185 136 114

HSL 18.59, 0.34%, 0.59%

LAB 60.9, 15.81, 19.16

 

CMYK 0 / 20 / 38 / 27

HEX #B99472

RGB 185 148 114

HSL 28.73, 0.34%, 0.59%

LAB 63.92, 9.16, 23.25

 

CMYK 0 / 14 / 38 / 27

HEX #B99F72

RGB 185 159 114

HSL 38.03, 0.34%, 0.59%

LAB 66.77, 3.13, 27.03

 

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

CMYK 0 / 38 / 37 / 7

HEX #EE9496

RGB 238 148 150

HSL 358.67, 0.73%, 0.76%

LAB 70.57, 34.11, 13.34

 

CMYK 0 / 38 / 38 / 87

HEX #221515

RGB 34 21 21

HSL 0, 0.24%, 0.11%

LAB 8.4, 6.65, 2.57

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 38 / 37 / 47

HEX #885456

RGB 136 84 86

HSL 357.69, 0.24%, 0.43%

LAB 41.61, 21.92, 7.96

 

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

CMYK 6 / 0 / 38 / 27

HEX #AEB972

RGB 174 185 114

HSL 69.3, 0.34%, 0.59%

LAB 72.83, -15.07, 34.76

 

CMYK 38 / 22 / 0 / 27

HEX #7291B9

RGB 114 145 185

HSL 213.8, 0.34%, 0.59%

LAB 59.28, -0.65, -24.32

 

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

CMYK 37 / 0 / 38 / 27

HEX #75B972

RGB 117 185 114

HSL 117.46, 0.34%, 0.59%

LAB 69.25, -35.87, 29.41

 

CMYK 38 / 37 / 0 / 27

HEX #7275B9

RGB 114 117 185

HSL 237.46, 0.34%, 0.59%

LAB 51.61, 15.83, -36.23

 

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

CMYK 6 / 0 / 38 / 27

HEX #AEB972

RGB 174 185 114

HSL 69.3, 0.34%, 0.59%

LAB 72.83, -15.07, 34.76

 

CMYK 38 / 0 / 1 / 27

HEX #72B9B7

RGB 114 185 183

HSL 178.31, 0.34%, 0.59%

LAB 70.66, -22.7, -6.03

 

CMYK 32 / 38 / 0 / 27

HEX #7E72B9

RGB 126 114 185

HSL 250.14, 0.34%, 0.59%

LAB 51.81, 21.01, -35.86

 

CMYK 0 / 38 / 37 / 27

HEX #BB7476

RGB 187 116 118

HSL 358.31, 0.34%, 0.59%

LAB 56.45, 28.18, 10.73

 

CMYK 18 / 0 / 38 / 27

HEX #98B972

RGB 152 185 114

HSL 87.89, 0.34%, 0.59%

LAB 71.27, -23.58, 32.44

 

CMYK 38 / 0 / 1 / 27

HEX #72B9B7

RGB 114 185 183

HSL 178.31, 0.34%, 0.59%

LAB 70.66, -22.7, -6.03

 

CMYK 20 / 38 / 0 / 27

HEX #9472B9

RGB 148 114 185

HSL 268.73, 0.34%, 0.59%

LAB 53.85, 27.55, -32.51

 

Description

Color code: RGB 187 116 118 | qconv.com Color code: RGB 187 116 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 116 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 116 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 37 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 37% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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