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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 53 54 it is the complementary color RGB 170 202 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 53 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 53 54 shade: RGB 90 53 49, RGB 107 71 68, RGB 124 89 87, RGB 141 107 106 and RGB 158 125 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 53 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 53 54 shade: RGB 85 53 54, RGB 68 35 35, RGB 51 17 16, RGB 34 0 0 and RGB 17 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 53 54 shade: RGB 85 53 54 and RGB 85 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 53 54 shade: RGB 85 53 54, RGB 85 53 63, RGB 85 53 71, RGB 85 53 80 and RGB 81 53 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 53 54 shade matches the following richer shades: RGB 85 53 54, RGB 96 42 44, RGB 107 31 33, RGB 118 20 23 and RGB 129 8 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 53 54 shade: RGB 85 53 54, RGB 74 64 64, RGB 62 75 75, RGB 51 86 85 and RGB 40 98 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 53 54 shade: RGB 85 53 71, RGB 85 53 63, RGB 85 53 54, RGB 85 60 53 and RGB 85 69 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 53 54 shade: RGB 34 21 22, RGB 59 37 38, RGB 85 53 54, RGB 110 69 70 and RGB 135 85 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 53 54 shade: RGB 85 53 54, RGB 79 85 53 and RGB 53 67 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 53 54 shade: RGB 85 53 54, RGB 54 85 53 and RGB 53 54 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 53 54 shade: RGB 85 53 54, RGB 79 85 53, RGB 53 85 84 and RGB 58 53 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 53 54 shade: RGB 85 53 54, RGB 70 85 53, RGB 53 85 84 and RGB 68 53 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

Complementary color

CMYK 16 / 0 / 0 / 21

HEX #AACAC9

RGB 170 202 201

HSL 178.13, 0.23%, 0.73%

LAB 79.04, -10.83, -3.08

 

CMYK 0 / 41 / 46 / 65

HEX #5A3531

RGB 90 53 49

HSL 5.85, 0.29%, 0.27%

LAB 26.57, 16.09, 9.55

 

CMYK 0 / 34 / 36 / 58

HEX #6B4744

RGB 107 71 68

HSL 4.62, 0.22%, 0.34%

LAB 34.09, 15.01, 8.07

 

CMYK 0 / 28 / 30 / 51

HEX #7C5957

RGB 124 89 87

HSL 3.24, 0.18%, 0.41%

LAB 41.4, 14.12, 6.85

 

CMYK 0 / 24 / 25 / 45

HEX #8D6B6A

RGB 141 107 106

HSL 1.71, 0.14%, 0.48%

LAB 48.53, 13.38, 5.8

 

CMYK 0 / 21 / 21 / 38

HEX #9E7D7D

RGB 158 125 125

HSL 0, 0.15%, 0.55%

LAB 55.5, 12.75, 4.86

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 49 / 49 / 73

HEX #442323

RGB 68 35 35

HSL 0, 0.32%, 0.2%

LAB 18.15, 15.71, 6.92

 

CMYK 0 / 67 / 69 / 80

HEX #331110

RGB 51 17 16

HSL 1.71, 0.52%, 0.13%

LAB 10.12, 17.11, 8.54

 

CMYK 0 / 100 / 100 / 87

HEX #220000

RGB 34 0 0

HSL 0, 1%, 0.07%

LAB 3.07, 13.78, 4.85

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 38 / 38 / 67

HEX #553535

RGB 85 53 53

HSL 0, 0.23%, 0.27%

LAB 25.96, 14.39, 5.96

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 38 / 26 / 67

HEX #55353F

RGB 85 53 63

HSL 341.25, 0.23%, 0.27%

LAB 26.26, 15.99, -0.27

 

CMYK 0 / 38 / 16 / 67

HEX #553547

RGB 85 53 71

HSL 326.25, 0.23%, 0.27%

LAB 26.54, 17.44, -5.17

 

CMYK 0 / 38 / 6 / 67

HEX #553550

RGB 85 53 80

HSL 309.38, 0.23%, 0.27%

LAB 26.9, 19.23, -10.59

 

CMYK 5 / 38 / 0 / 67

HEX #513555

RGB 81 53 85

HSL 292.5, 0.23%, 0.27%

LAB 26.6, 18.81, -14.38

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 56 / 54 / 62

HEX #602A2C

RGB 96 42 44

HSL 357.78, 0.39%, 0.27%

LAB 24.72, 24.75, 10.5

 

CMYK 0 / 71 / 69 / 58

HEX #6B1F21

RGB 107 31 33

HSL 358.42, 0.55%, 0.27%

LAB 24.37, 33.84, 17.8

 

CMYK 0 / 83 / 81 / 54

HEX #761417

RGB 118 20 23

HSL 358.16, 0.71%, 0.27%

LAB 24.99, 41.28, 25.59

 

CMYK 0 / 94 / 91 / 49

HEX #81080C

RGB 129 8 12

HSL 358.02, 0.88%, 0.27%

LAB 26.35, 47.07, 33.96

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 14 / 14 / 71

HEX #4A4040

RGB 74 64 64

HSL 0, 0.07%, 0.27%

LAB 28.09, 4.3, 1.58

 

CMYK 17 / 0 / 0 / 71

HEX #3E4B4B

RGB 62 75 75

HSL 180, 0.09%, 0.27%

LAB 30.79, -5.16, -1.74

 

CMYK 41 / 0 / 1 / 66

HEX #335655

RGB 51 86 85

HSL 178.29, 0.26%, 0.27%

LAB 34.01, -12.88, -3.42

 

CMYK 59 / 0 / 2 / 62

HEX #286260

RGB 40 98 96

HSL 177.93, 0.42%, 0.27%

LAB 37.9, -19.26, -4.57

 

CMYK 0 / 38 / 16 / 67

HEX #553547

RGB 85 53 71

HSL 326.25, 0.23%, 0.27%

LAB 26.54, 17.44, -5.17

 

CMYK 0 / 38 / 26 / 67

HEX #55353F

RGB 85 53 63

HSL 341.25, 0.23%, 0.27%

LAB 26.26, 15.99, -0.27

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 29 / 38 / 67

HEX #553C35

RGB 85 60 53

HSL 13.13, 0.23%, 0.27%

LAB 27.9, 9.92, 8.66

 

CMYK 0 / 19 / 38 / 67

HEX #554535

RGB 85 69 53

HSL 30, 0.23%, 0.27%

LAB 30.51, 4.18, 12.24

 

CMYK 0 / 38 / 35 / 87

HEX #221516

RGB 34 21 22

HSL 355.38, 0.24%, 0.11%

LAB 8.43, 6.84, 1.91

 

CMYK 0 / 37 / 36 / 77

HEX #3B2526

RGB 59 37 38

HSL 357.27, 0.23%, 0.19%

LAB 17.43, 10.62, 3.6

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 0 / 37 / 36 / 57

HEX #6E4546

RGB 110 69 70

HSL 358.54, 0.23%, 0.35%

LAB 34.01, 17.8, 6.75

 

CMYK 0 / 37 / 36 / 47

HEX #875556

RGB 135 85 86

HSL 358.8, 0.23%, 0.43%

LAB 41.72, 20.93, 8.11

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 7 / 0 / 38 / 67

HEX #4F5535

RGB 79 85 53

HSL 71.25, 0.23%, 0.27%

LAB 34.84, -8.39, 17.9

 

CMYK 38 / 21 / 0 / 67

HEX #354355

RGB 53 67 85

HSL 213.75, 0.23%, 0.27%

LAB 27.92, -0.53, -12.58

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 36 / 0 / 38 / 67

HEX #365535

RGB 54 85 53

HSL 118.13, 0.23%, 0.27%

LAB 33, -18.85, 15.14

 

CMYK 38 / 36 / 0 / 67

HEX #353655

RGB 53 54 85

HSL 238.13, 0.23%, 0.27%

LAB 23.84, 8.18, -18.89

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 7 / 0 / 38 / 67

HEX #4F5535

RGB 79 85 53

HSL 71.25, 0.23%, 0.27%

LAB 34.84, -8.39, 17.9

 

CMYK 38 / 0 / 1 / 67

HEX #355554

RGB 53 85 84

HSL 178.13, 0.23%, 0.27%

LAB 33.76, -11.96, -3.15

 

CMYK 32 / 38 / 0 / 67

HEX #3A3555

RGB 58 53 85

HSL 249.38, 0.23%, 0.27%

LAB 24, 10.54, -18.6

 

CMYK 0 / 38 / 36 / 67

HEX #553536

RGB 85 53 54

HSL 358.13, 0.23%, 0.27%

LAB 25.99, 14.54, 5.33

 

CMYK 18 / 0 / 38 / 67

HEX #465535

RGB 70 85 53

HSL 88.13, 0.23%, 0.27%

LAB 34.1, -12.35, 16.8

 

CMYK 38 / 0 / 1 / 67

HEX #355554

RGB 53 85 84

HSL 178.13, 0.23%, 0.27%

LAB 33.76, -11.96, -3.15

 

CMYK 20 / 38 / 0 / 67

HEX #443555

RGB 68 53 85

HSL 268.13, 0.23%, 0.27%

LAB 25.05, 14.05, -16.9

 

Description

Color code: RGB 85 53 54 | qconv.com Color code: RGB 85 53 54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 53 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 53 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 36 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 36% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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