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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 23 186 it is the complementary color RGB 72 232 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 23 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 183 23 186: RGB 188 23 181, RGB 205 41 200, RGB 222 59 219, RGB 239 77 238 and RGB 255 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 23 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 183 23 186: RGB 183 23 186, RGB 166 5 167, RGB 149 0 148, RGB 132 0 129 and RGB 115 0 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

Complementary color

CMYK 69 / 0 / 70 / 9

HEX #48E845

RGB 72 232 69

HSL 118.9, 0.78%, 0.59%

LAB 81.58, -70.58, 64.03

 

CMYK 0 / 88 / 4 / 26

HEX #BC17B5

RGB 188 23 181

HSL 302.55, 0.78%, 0.41%

LAB 45.14, 74.57, -43.56

 

CMYK 0 / 80 / 2 / 20

HEX #CD29C8

RGB 205 41 200

HSL 301.83, 0.67%, 0.48%

LAB 50.38, 76.98, -46.12

 

CMYK 0 / 73 / 1 / 13

HEX #DE3BDB

RGB 222 59 219

HSL 301.1, 0.71%, 0.55%

LAB 55.86, 78.44, -48.11

 

CMYK 0 / 68 / 0 / 6

HEX #EF4DEE

RGB 239 77 238

HSL 300.37, 0.84%, 0.62%

LAB 61.51, 79.22, -49.66

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

CMYK 1 / 97 / 0 / 35

HEX #A605A7

RGB 166 5 167

HSL 299.63, 0.94%, 0.34%

LAB 39.59, 70.86, -44.33

 

CMYK 0 / 100 / 1 / 42

HEX #950094

RGB 149 0 148

HSL 300.4, 1%, 0.29%

LAB 35.06, 65.66, -40.24

 

CMYK 0 / 100 / 2 / 48

HEX #840081

RGB 132 0 129

HSL 301.36, 1%, 0.26%

LAB 30.62, 59.8, -35.75

 

CMYK 0 / 100 / 4 / 55

HEX #73006E

RGB 115 0 110

HSL 302.61, 1%, 0.23%

LAB 26.07, 53.79, -31.1

 

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

CMYK 0 / 88 / 12 / 27

HEX #BA17A4

RGB 186 23 164

HSL 308.1, 0.78%, 0.41%

LAB 43.85, 71.76, -35.54

 

CMYK 0 / 88 / 26 / 27

HEX #BA1789

RGB 186 23 137

HSL 318.04, 0.78%, 0.41%

LAB 42.55, 68.3, -21.24

 

CMYK 0 / 88 / 41 / 27

HEX #BA176D

RGB 186 23 109

HSL 328.34, 0.78%, 0.41%

LAB 41.46, 65.31, -5.55

 

CMYK 0 / 88 / 56 / 27

HEX #BA1752

RGB 186 23 82

HSL 338.28, 0.78%, 0.41%

LAB 40.67, 63.09, 10.37

 

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

CMYK 2 / 88 / 0 / 7

HEX #E91DED

RGB 233 29 237

HSL 298.85, 0.85%, 0.52%

LAB 56.4, 89.73, -57.29

 

CMYK 3 / 88 / 0 / 87

HEX #200421

RGB 32 4 33

HSL 297.93, 0.78%, 0.07%

LAB 4.55, 17.73, -12.38

 

CMYK 1 / 88 / 0 / 67

HEX #530A54

RGB 83 10 84

HSL 299.19, 0.79%, 0.18%

LAB 18.78, 40.8, -25.94

 

CMYK 1 / 87 / 0 / 47

HEX #851187

RGB 133 17 135

HSL 298.98, 0.78%, 0.3%

LAB 32.12, 58.2, -37.09

 

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

CMYK 0 / 73 / 88 / 27

HEX #BA3217

RGB 186 50 23

HSL 9.94, 0.78%, 0.41%

LAB 42.43, 53, 46.75

 

CMYK 88 / 0 / 38 / 27

HEX #17BA73

RGB 23 186 115

HSL 153.87, 0.78%, 0.41%

LAB 66.93, -55.15, 25.33

 

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

CMYK 0 / 3 / 88 / 27

HEX #BAB417

RGB 186 180 23

HSL 57.79, 0.78%, 0.41%

LAB 71.65, -13.63, 70.24

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

CMYK 0 / 73 / 88 / 27

HEX #BA3217

RGB 186 50 23

HSL 9.94, 0.78%, 0.41%

LAB 42.43, 53, 46.75

 

CMYK 85 / 0 / 88 / 27

HEX #1CBA17

RGB 28 186 23

HSL 118.16, 0.78%, 0.41%

LAB 66.08, -65.64, 62.6

 

CMYK 88 / 15 / 0 / 27

HEX #179EBA

RGB 23 158 186

HSL 190.31, 0.78%, 0.41%

LAB 60.05, -23.43, -23.96

 

CMYK 2 / 88 / 0 / 27

HEX #B717BA

RGB 183 23 186

HSL 298.9, 0.78%, 0.41%

LAB 44.55, 74.42, -47.48

 

CMYK 0 / 47 / 88 / 27

HEX #BA6317

RGB 186 99 23

HSL 27.98, 0.78%, 0.41%

LAB 51.18, 30.22, 53.79

 

CMYK 85 / 0 / 88 / 27

HEX #1CBA17

RGB 28 186 23

HSL 118.16, 0.78%, 0.41%

LAB 66.08, -65.64, 62.6

 

CMYK 88 / 41 / 0 / 27

HEX #176DBA

RGB 23 109 186

HSL 208.34, 0.78%, 0.41%

LAB 45.17, 4.63, -47.29

 

Description

Color code: RGB 183 23 186 | qconv.com Color code: RGB 183 23 186 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 23 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 23 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 88 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 88% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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