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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 186 180 it is the complementary color RGB 232 69 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 186 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 186 180 shade: RGB 28 186 175, RGB 45 204 194, RGB 62 222 213, RGB 79 240 232 and RGB 96 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 186 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 6 168 161, RGB 0 150 142, RGB 0 132 123 and RGB 0 114 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 23 186 136, RGB 23 186 92, RGB 23 186 48 and RGB 41 186 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 23 148 186, RGB 23 104 186, RGB 23 60 186 and RGB 23 23 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 186 180 shade matches the following richer shades: RGB 23 186 180 and RGB 6 203 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 39 169 164, RGB 56 152 148, RGB 73 135 133 and RGB 90 118 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 186 180 shade: RGB 23 186 90, RGB 23 186 134, RGB 23 186 177, RGB 23 150 186 and RGB 23 107 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 186 180 shade: RGB 13 112 109, RGB 18 149 144, RGB 23 186 180, RGB 27 222 215 and RGB 60 230 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 47 23 186 and RGB 186 112 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 177 23 186 and RGB 186 177 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 47 23 186, RGB 186 23 31 and RGB 161 186 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 186 180 shade: RGB 23 186 180, RGB 96 23 186, RGB 186 23 31 and RGB 112 186 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

Complementary color

CMYK 0 / 70 / 68 / 9

HEX #E8454B

RGB 232 69 75

HSL 357.79, 0.78%, 0.59%

LAB 53.94, 62.54, 33.62

 

CMYK 85 / 0 / 6 / 27

HEX #1CBAAF

RGB 28 186 175

HSL 175.82, 0.74%, 0.42%

LAB 68.36, -39.97, -5.3

 

CMYK 78 / 0 / 5 / 20

HEX #2DCCC2

RGB 45 204 194

HSL 176.23, 0.64%, 0.49%

LAB 74.6, -41.18, -6.41

 

CMYK 72 / 0 / 4 / 13

HEX #3EDED5

RGB 62 222 213

HSL 176.63, 0.71%, 0.56%

LAB 80.78, -42.08, -7.42

 

CMYK 67 / 0 / 3 / 6

HEX #4FF0E8

RGB 79 240 232

HSL 177.02, 0.84%, 0.63%

LAB 86.9, -42.77, -8.34

 

CMYK 62 / 0 / 2 / 0

HEX #60FFFB

RGB 96 255 251

HSL 178.49, 1%, 0.69%

LAB 92.12, -41.94, -10.45

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 96 / 0 / 4 / 34

HEX #06A8A1

RGB 6 168 161

HSL 177.41, 0.93%, 0.34%

LAB 62.18, -37.09, -6.69

 

CMYK 100 / 0 / 5 / 41

HEX #00968E

RGB 0 150 142

HSL 176.8, 1%, 0.29%

LAB 55.85, -34.85, -5.31

 

CMYK 100 / 0 / 7 / 48

HEX #00847B

RGB 0 132 123

HSL 175.91, 1%, 0.26%

LAB 49.41, -32.34, -3.82

 

CMYK 100 / 0 / 9 / 55

HEX #007268

RGB 0 114 104

HSL 174.74, 1%, 0.22%

LAB 42.81, -29.78, -2.26

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 88 / 0 / 27 / 27

HEX #17BA88

RGB 23 186 136

HSL 161.6, 0.78%, 0.41%

LAB 67.34, -50.56, 14.6

 

CMYK 88 / 0 / 51 / 27

HEX #17BA5C

RGB 23 186 92

HSL 145.4, 0.78%, 0.41%

LAB 66.58, -59.31, 36.74

 

CMYK 88 / 0 / 74 / 27

HEX #17BA30

RGB 23 186 48

HSL 129.2, 0.78%, 0.41%

LAB 66.15, -64.6, 55.56

 

CMYK 78 / 0 / 88 / 27

HEX #29BA17

RGB 41 186 23

HSL 113.37, 0.78%, 0.41%

LAB 66.25, -64.1, 62.82

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 88 / 20 / 0 / 27

HEX #1794BA

RGB 23 148 186

HSL 193.99, 0.78%, 0.41%

LAB 56.98, -18.16, -28.69

 

CMYK 88 / 44 / 0 / 27

HEX #1768BA

RGB 23 104 186

HSL 210.18, 0.78%, 0.41%

LAB 43.69, 7.8, -49.65

 

CMYK 88 / 68 / 0 / 27

HEX #173CBA

RGB 23 60 186

HSL 226.38, 0.78%, 0.41%

LAB 31.71, 36.75, -69.13

 

CMYK 88 / 88 / 0 / 27

HEX #1717BA

RGB 23 23 186

HSL 240, 0.78%, 0.41%

LAB 24.77, 56.51, -80.64

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 97 / 0 / 4 / 20

HEX #06CBC3

RGB 6 203 195

HSL 177.56, 0.94%, 0.41%

LAB 73.99, -42.68, -7.89

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 77 / 0 / 3 / 34

HEX #27A9A4

RGB 39 169 164

HSL 177.69, 0.63%, 0.41%

LAB 62.92, -34.45, -7.24

 

CMYK 63 / 0 / 3 / 40

HEX #389894

RGB 56 152 148

HSL 177.5, 0.46%, 0.41%

LAB 57.5, -28.58, -6.21

 

CMYK 46 / 0 / 1 / 47

HEX #498785

RGB 73 135 133

HSL 178.06, 0.3%, 0.41%

LAB 52.33, -20.5, -5.17

 

CMYK 24 / 0 / 1 / 54

HEX #5A7675

RGB 90 118 117

HSL 177.86, 0.13%, 0.41%

LAB 47.51, -10.3, -2.77

 

CMYK 88 / 0 / 52 / 27

HEX #17BA5A

RGB 23 186 90

HSL 144.66, 0.78%, 0.41%

LAB 66.55, -59.63, 37.7

 

CMYK 88 / 0 / 28 / 27

HEX #17BA86

RGB 23 186 134

HSL 160.86, 0.78%, 0.41%

LAB 67.29, -51.03, 15.63

 

CMYK 88 / 0 / 5 / 27

HEX #17BAB1

RGB 23 186 177

HSL 176.69, 0.78%, 0.41%

LAB 68.37, -39.72, -6.39

 

CMYK 88 / 19 / 0 / 27

HEX #1796BA

RGB 23 150 186

HSL 193.25, 0.78%, 0.41%

LAB 57.6, -19.23, -27.74

 

CMYK 88 / 42 / 0 / 27

HEX #176BBA

RGB 23 107 186

HSL 209.08, 0.78%, 0.41%

LAB 44.58, 5.89, -48.23

 

CMYK 88 / 0 / 3 / 56

HEX #0D706D

RGB 13 112 109

HSL 178.18, 0.79%, 0.25%

LAB 42.43, -26.33, -5.84

 

CMYK 88 / 0 / 3 / 42

HEX #129590

RGB 18 149 144

HSL 177.71, 0.78%, 0.33%

LAB 55.72, -32.89, -6.63

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 88 / 0 / 3 / 13

HEX #1BDED7

RGB 27 222 215

HSL 177.85, 0.78%, 0.49%

LAB 80.39, -44.46, -9.1

 

CMYK 74 / 0 / 3 / 10

HEX #3CE6E0

RGB 60 230 224

HSL 177.88, 0.77%, 0.57%

LAB 83.41, -42.83, -9.35

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 75 / 88 / 0 / 27

HEX #2F17BA

RGB 47 23 186

HSL 248.83, 0.78%, 0.41%

LAB 26.05, 57.47, -78.47

 

CMYK 0 / 40 / 88 / 27

HEX #BA7017

RGB 186 112 23

HSL 32.76, 0.78%, 0.41%

LAB 54.12, 23.15, 56.16

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 5 / 88 / 0 / 27

HEX #B117BA

RGB 177 23 186

HSL 296.69, 0.78%, 0.41%

LAB 43.51, 73.37, -49.2

 

CMYK 0 / 5 / 88 / 27

HEX #BAB117

RGB 186 177 23

HSL 56.69, 0.78%, 0.41%

LAB 70.83, -12.09, 69.58

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 75 / 88 / 0 / 27

HEX #2F17BA

RGB 47 23 186

HSL 248.83, 0.78%, 0.41%

LAB 26.05, 57.47, -78.47

 

CMYK 0 / 88 / 83 / 27

HEX #BA171F

RGB 186 23 31

HSL 357.06, 0.78%, 0.41%

LAB 39.83, 60.66, 40.56

 

CMYK 13 / 0 / 88 / 27

HEX #A1BA17

RGB 161 186 23

HSL 69.2, 0.78%, 0.41%

LAB 71.39, -27.36, 69.22

 

CMYK 88 / 0 / 3 / 27

HEX #17BAB4

RGB 23 186 180

HSL 177.79, 0.78%, 0.41%

LAB 68.46, -38.84, -7.91

 

CMYK 48 / 88 / 0 / 27

HEX #6017BA

RGB 96 23 186

HSL 266.87, 0.78%, 0.41%

LAB 30.98, 61.5, -70.14

 

CMYK 0 / 88 / 83 / 27

HEX #BA171F

RGB 186 23 31

HSL 357.06, 0.78%, 0.41%

LAB 39.83, 60.66, 40.56

 

CMYK 40 / 0 / 88 / 27

HEX #70BA17

RGB 112 186 23

HSL 87.24, 0.78%, 0.41%

LAB 68.48, -46.37, 65.61

 

Description

Color code: RGB 23 186 180 | qconv.com Color code: RGB 23 186 180 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 186 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 186 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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