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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 88 / 19 / 0 / 27 it is the complementary color CMYK 0 / 55 / 70 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 88 / 19 / 0 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 88 / 19 / 0 / 27: CMYK 85 / 17 / 0 / 29, CMYK 78 / 16 / 0 / 22, CMYK 72 / 15 / 0 / 14, CMYK 67 / 14 / 0 / 7 and CMYK 63 / 13 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 88 / 19 / 0 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 88 / 19 / 0 / 27: CMYK 88 / 19 / 0 / 27, CMYK 97 / 20 / 0 / 35, CMYK 100 / 22 / 0 / 42, CMYK 100 / 25 / 0 / 49 and CMYK 100 / 28 / 0 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

Complementary color

CMYK 0 / 55 / 70 / 9

HEX #E96845

RGB 233 104 69

HSL 12.8, 0.79%, 0.59%

LAB 59.57, 47.78, 43.57

 

CMYK 85 / 17 / 0 / 29

HEX #1B97B5

RGB 27 151 181

HSL 191.69, 0.74%, 0.41%

LAB 57.75, -21.21, -24.66

 

CMYK 78 / 16 / 0 / 22

HEX #2CA9C8

RGB 44 169 200

HSL 191.92, 0.64%, 0.48%

LAB 64.23, -22.69, -25.35

 

CMYK 72 / 15 / 0 / 14

HEX #3DBBDB

RGB 61 187 219

HSL 192.15, 0.69%, 0.55%

LAB 70.63, -23.82, -25.96

 

CMYK 67 / 14 / 0 / 7

HEX #4ECDEE

RGB 78 205 238

HSL 192.38, 0.82%, 0.62%

LAB 76.95, -24.71, -26.52

 

CMYK 63 / 13 / 0 / 0

HEX #5FDFFF

RGB 95 223 255

HSL 192, 1%, 0.69%

LAB 83.14, -25.98, -26.07

 

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

CMYK 97 / 20 / 0 / 35

HEX #0585A7

RGB 5 133 167

HSL 192.59, 0.94%, 0.34%

LAB 51.38, -17.7, -26.5

 

CMYK 100 / 22 / 0 / 42

HEX #007394

RGB 0 115 148

HSL 193.38, 1%, 0.29%

LAB 44.8, -14.94, -25.59

 

CMYK 100 / 25 / 0 / 49

HEX #006181

RGB 0 97 129

HSL 194.88, 1%, 0.25%

LAB 38.08, -11.85, -24.63

 

CMYK 100 / 28 / 0 / 57

HEX #004F6E

RGB 0 79 110

HSL 196.91, 1%, 0.22%

LAB 31.16, -8.58, -23.69

 

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

CMYK 89 / 33 / 0 / 27

HEX #157EBB

RGB 21 126 187

HSL 202.05, 0.8%, 0.41%

LAB 50.3, -5.5, -39.72

 

CMYK 89 / 47 / 0 / 27

HEX #1563BB

RGB 21 99 187

HSL 211.81, 0.8%, 0.41%

LAB 42.26, 11.28, -52.53

 

CMYK 89 / 62 / 0 / 27

HEX #1547BB

RGB 21 71 187

HSL 221.93, 0.8%, 0.41%

LAB 34.51, 29.83, -65.13

 

CMYK 89 / 77 / 0 / 27

HEX #152BBB

RGB 21 43 187

HSL 232.05, 0.8%, 0.41%

LAB 28.05, 47.3, -75.78

 

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

CMYK 88 / 19 / 0 / 7

HEX #1CC0ED

RGB 28 192 237

HSL 192.92, 0.85%, 0.52%

LAB 72.27, -23.41, -33.26

 

CMYK 88 / 18 / 0 / 87

HEX #041B21

RGB 4 27 33

HSL 192.41, 0.78%, 0.07%

LAB 8.3, -6.43, -6.87

 

CMYK 88 / 19 / 0 / 67

HEX #0A4454

RGB 10 68 84

HSL 192.97, 0.79%, 0.18%

LAB 26.27, -11.34, -14.63

 

CMYK 88 / 19 / 0 / 47

HEX #106E87

RGB 16 110 135

HSL 192.61, 0.79%, 0.3%

LAB 42.78, -16.05, -20.96

 

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

CMYK 53 / 89 / 0 / 27

HEX #5815BB

RGB 88 21 187

HSL 264.22, 0.8%, 0.41%

LAB 29.91, 61.45, -72.54

 

CMYK 0 / 18 / 89 / 27

HEX #BB9A15

RGB 187 154 21

HSL 48.07, 0.8%, 0.41%

LAB 64.75, 0.45, 65.18

 

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

CMYK 0 / 89 / 18 / 27

HEX #BB159A

RGB 187 21 154

HSL 311.93, 0.8%, 0.41%

LAB 43.41, 70.95, -30.21

 

CMYK 18 / 0 / 89 / 27

HEX #9ABB15

RGB 154 187 21

HSL 71.93, 0.8%, 0.41%

LAB 71.19, -30.79, 69.23

 

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

CMYK 53 / 89 / 0 / 27

HEX #5815BB

RGB 88 21 187

HSL 264.22, 0.8%, 0.41%

LAB 29.91, 61.45, -72.54

 

CMYK 0 / 71 / 89 / 27

HEX #BB3615

RGB 187 54 21

HSL 11.93, 0.8%, 0.41%

LAB 43.15, 51.8, 48.25

 

CMYK 35 / 0 / 89 / 27

HEX #79BB15

RGB 121 187 21

HSL 83.86, 0.8%, 0.41%

LAB 69.23, -43.65, 66.8

 

CMYK 88 / 19 / 0 / 27

HEX #1697BA

RGB 22 151 186

HSL 192.8, 0.79%, 0.41%

LAB 57.89, -19.83, -27.28

 

CMYK 27 / 89 / 0 / 27

HEX #8915BB

RGB 137 21 187

HSL 281.93, 0.8%, 0.41%

LAB 36.82, 67.49, -60.94

 

CMYK 0 / 71 / 89 / 27

HEX #BB3615

RGB 187 54 21

HSL 11.93, 0.8%, 0.41%

LAB 43.15, 51.8, 48.25

 

CMYK 62 / 0 / 89 / 27

HEX #47BB15

RGB 71 187 21

HSL 101.93, 0.8%, 0.41%

LAB 67.23, -58.87, 64.31

 

Description

Color code: CMYK 88 / 19 / 0 / 27 | qconv.com Color code: CMYK 88 / 19 / 0 / 27 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 151 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 151 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 19 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 19% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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