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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 170 157 it is the complementary color RGB 73 85 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 170 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 170 157: RGB 187 170 152, RGB 204 188 171, RGB 221 206 190, RGB 238 224 209 and RGB 255 242 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 170 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 170 157: RGB 182 170 157, RGB 165 152 138, RGB 148 134 119, RGB 131 116 100 and RGB 114 98 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

Complementary color

CMYK 26 / 13 / 0 / 62

HEX #495562

RGB 73 85 98

HSL 211.2, 0.15%, 0.34%

LAB 35.59, -1.42, -9.08

 

CMYK 0 / 9 / 19 / 27

HEX #BBAA98

RGB 187 170 152

HSL 30.86, 0.2%, 0.66%

LAB 70.58, 3.16, 11.5

 

CMYK 0 / 8 / 16 / 20

HEX #CCBCAB

RGB 204 188 171

HSL 30.91, 0.24%, 0.74%

LAB 77.13, 2.85, 10.64

 

CMYK 0 / 7 / 14 / 13

HEX #DDCEBE

RGB 221 206 190

HSL 30.97, 0.31%, 0.81%

LAB 83.56, 2.56, 9.82

 

CMYK 0 / 6 / 12 / 7

HEX #EEE0D1

RGB 238 224 209

HSL 31.03, 0.46%, 0.88%

LAB 89.9, 2.3, 9.04

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E4

RGB 255 242 228

HSL 31.11, 1%, 0.95%

LAB 96.15, 2.07, 8.3

 

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

CMYK 0 / 8 / 16 / 35

HEX #A5988A

RGB 165 152 138

HSL 31.11, 0.13%, 0.59%

LAB 63.58, 2.37, 9.09

 

CMYK 0 / 9 / 20 / 42

HEX #948677

RGB 148 134 119

HSL 31.03, 0.12%, 0.52%

LAB 56.76, 2.7, 9.99

 

CMYK 0 / 11 / 24 / 49

HEX #837464

RGB 131 116 100

HSL 30.97, 0.13%, 0.45%

LAB 49.78, 3.09, 10.97

 

CMYK 0 / 14 / 29 / 55

HEX #726251

RGB 114 98 81

HSL 30.91, 0.17%, 0.38%

LAB 42.62, 3.55, 12.05

 

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9B

RGB 181 173 155

HSL 41.54, 0.15%, 0.66%

LAB 70.92, -0.24, 10.27

 

CMYK 0 / 2 / 14 / 29

HEX #B5B19B

RGB 181 177 155

HSL 50.77, 0.15%, 0.66%

LAB 71.98, -2.39, 11.77

 

CMYK 1 / 0 / 14 / 29

HEX #B4B59B

RGB 180 181 155

HSL 62.31, 0.15%, 0.66%

LAB 72.97, -4.89, 13.15

 

CMYK 3 / 0 / 14 / 29

HEX #B0B59B

RGB 176 181 155

HSL 71.54, 0.15%, 0.66%

LAB 72.66, -6.37, 12.66

 

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

CMYK 0 / 6 / 14 / 9

HEX #E9DAC9

RGB 233 218 201

HSL 31.88, 0.42%, 0.85%

LAB 87.82, 2.36, 10.21

 

CMYK 0 / 7 / 14 / 89

HEX #1D1B19

RGB 29 27 25

HSL 30, 0.07%, 0.11%

LAB 9.92, 0.49, 1.73

 

CMYK 0 / 6 / 14 / 69

HEX #504B45

RGB 80 75 69

HSL 32.73, 0.07%, 0.29%

LAB 32.18, 0.87, 4.31

 

CMYK 0 / 7 / 14 / 49

HEX #837A71

RGB 131 122 113

HSL 30, 0.07%, 0.48%

LAB 51.77, 1.79, 6.16

 

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

CMYK 10 / 0 / 14 / 29

HEX #A2B59B

RGB 162 181 155

HSL 103.85, 0.15%, 0.66%

LAB 71.62, -11.47, 11.05

 

CMYK 13 / 14 / 0 / 29

HEX #9E9BB5

RGB 158 155 181

HSL 246.92, 0.15%, 0.66%

LAB 65, 6.36, -13.07

 

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

CMYK 14 / 0 / 7 / 29

HEX #9BB5A8

RGB 155 181 168

HSL 150, 0.15%, 0.66%

LAB 71.45, -11.49, 3.63

 

CMYK 7 / 14 / 0 / 29

HEX #A89BB5

RGB 168 155 181

HSL 270, 0.15%, 0.66%

LAB 65.83, 9.75, -11.74

 

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

CMYK 10 / 0 / 14 / 29

HEX #A2B59B

RGB 162 181 155

HSL 103.85, 0.15%, 0.66%

LAB 71.62, -11.47, 11.05

 

CMYK 14 / 8 / 0 / 29

HEX #9BA7B5

RGB 155 167 181

HSL 212.31, 0.15%, 0.66%

LAB 67.98, -1.3, -8.64

 

CMYK 4 / 14 / 0 / 29

HEX #AD9BB5

RGB 173 155 181

HSL 281.54, 0.15%, 0.66%

LAB 66.26, 11.48, -11.05

 

CMYK 0 / 7 / 14 / 29

HEX #B6AA9D

RGB 182 170 157

HSL 31.2, 0.15%, 0.66%

LAB 70.27, 2.08, 8.24

 

CMYK 14 / 0 / 14 / 29

HEX #9BB59B

RGB 155 181 155

HSL 120, 0.15%, 0.66%

LAB 71.13, -13.96, 10.29

 

CMYK 14 / 8 / 0 / 29

HEX #9BA7B5

RGB 155 167 181

HSL 212.31, 0.15%, 0.66%

LAB 67.98, -1.3, -8.64

 

CMYK 0 / 14 / 1 / 29

HEX #B59BB4

RGB 181 155 180

HSL 302.31, 0.15%, 0.66%

LAB 66.95, 14.07, -9.39

 

Description

Color code: RGB 182 170 157 | qconv.com Color code: RGB 182 170 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 170 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 170 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 14 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 14% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - kakao 광고
Link: http://ad.kakaocorp.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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