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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 14 / 9 it is the complementary color CMYK 58 / 33 / 0 / 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 14 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 6 / 14 / 9: CMYK 0 / 8 / 18 / 7, CMYK 0 / 7 / 16 / 0, CMYK 0 / 0 / 9 / 0, CMYK 0 / 0 / 1 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 14 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 6 / 14 / 9: CMYK 0 / 6 / 14 / 9, CMYK 0 / 7 / 16 / 16, CMYK 0 / 8 / 18 / 22, CMYK 0 / 9 / 21 / 29 and CMYK 0 / 11 / 24 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

Complementary color

CMYK 58 / 33 / 0 / 78

HEX #172537

RGB 23 37 55

HSL 213.75, 0.41%, 0.15%

LAB 14.29, 0.3, -13.52

 

CMYK 0 / 8 / 18 / 7

HEX #EDDAC3

RGB 237 218 195

HSL 32.86, 0.54%, 0.85%

LAB 88.01, 2.88, 13.68

 

CMYK 0 / 7 / 16 / 0

HEX #FEECD6

RGB 254 236 214

HSL 33, 0.95%, 0.92%

LAB 94.28, 2.6, 12.86

 

CMYK 0 / 0 / 9 / 0

HEX #FFFEE9

RGB 255 254 233

HSL 57.27, 1%, 0.96%

LAB 99.23, -3.19, 10.15

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

NCS® S0300-N

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

CMYK 0 / 7 / 16 / 16

HEX #D7C8B5

RGB 215 200 181

HSL 33.53, 0.3%, 0.78%

LAB 81.34, 2.12, 11.38

 

CMYK 0 / 8 / 18 / 22

HEX #C6B6A2

RGB 198 182 162

HSL 33.33, 0.24%, 0.71%

LAB 74.87, 2.41, 12.24

 

CMYK 0 / 9 / 21 / 29

HEX #B5A48F

RGB 181 164 143

HSL 33.16, 0.2%, 0.64%

LAB 68.28, 2.74, 13.15

 

CMYK 0 / 11 / 24 / 36

HEX #A4927C

RGB 164 146 124

HSL 33, 0.18%, 0.56%

LAB 61.57, 3.12, 14.12

 

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

CMYK 0 / 4 / 13 / 9

HEX #E8DFC9

RGB 232 223 201

HSL 42.58, 0.4%, 0.85%

LAB 88.99, -0.57, 11.87

 

CMYK 0 / 2 / 13 / 9

HEX #E8E4C9

RGB 232 228 201

HSL 52.26, 0.4%, 0.85%

LAB 90.26, -3.13, 13.67

 

CMYK 1 / 0 / 13 / 9

HEX #E6E8C9

RGB 230 232 201

HSL 63.87, 0.4%, 0.85%

LAB 91.12, -5.87, 14.87

 

CMYK 3 / 0 / 13 / 9

HEX #E1E8C9

RGB 225 232 201

HSL 73.55, 0.4%, 0.85%

LAB 90.75, -7.64, 14.29

 

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

CMYK 0 / 7 / 14 / 89

HEX #1C1A18

RGB 28 26 24

HSL 30, 0.08%, 0.1%

LAB 9.41, 0.5, 1.74

 

CMYK 0 / 6 / 14 / 69

HEX #4F4A44

RGB 79 74 68

HSL 32.73, 0.07%, 0.29%

LAB 31.75, 0.88, 4.33

 

CMYK 0 / 6 / 14 / 49

HEX #827A70

RGB 130 122 112

HSL 33.33, 0.07%, 0.47%

LAB 51.65, 1.22, 6.56

 

CMYK 0 / 6 / 14 / 29

HEX #B5AA9C

RGB 181 170 156

HSL 33.6, 0.14%, 0.66%

LAB 70.16, 1.54, 8.63

 

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

CMYK 10 / 0 / 13 / 9

HEX #D0E8C9

RGB 208 232 201

HSL 106.45, 0.4%, 0.85%

LAB 89.55, -13.52, 12.42

 

CMYK 12 / 13 / 0 / 9

HEX #CDC9E8

RGB 205 201 232

HSL 247.74, 0.4%, 0.85%

LAB 82.15, 7.34, -14.81

 

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

CMYK 13 / 0 / 6 / 9

HEX #C9E8DA

RGB 201 232 218

HSL 152.9, 0.4%, 0.85%

LAB 89.48, -12.8, 3.38

 

CMYK 6 / 13 / 0 / 9

HEX #DAC9E8

RGB 218 201 232

HSL 272.9, 0.4%, 0.85%

LAB 83.18, 11.57, -13.16

 

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

CMYK 10 / 0 / 13 / 9

HEX #D0E8C9

RGB 208 232 201

HSL 106.45, 0.4%, 0.85%

LAB 89.55, -13.52, 12.42

 

CMYK 13 / 7 / 0 / 9

HEX #C9D7E8

RGB 201 215 232

HSL 212.9, 0.4%, 0.85%

LAB 85.43, -1.34, -9.95

 

CMYK 3 / 13 / 0 / 9

HEX #E0C9E8

RGB 224 201 232

HSL 284.52, 0.4%, 0.85%

LAB 83.68, 13.55, -12.37

 

CMYK 0 / 6 / 14 / 9

HEX #E8DAC8

RGB 232 218 200

HSL 33.75, 0.41%, 0.85%

LAB 87.71, 1.85, 10.57

 

CMYK 13 / 0 / 13 / 9

HEX #C9E8CA

RGB 201 232 202

HSL 121.94, 0.4%, 0.85%

LAB 89.11, -15.71, 11.21

 

CMYK 13 / 7 / 0 / 9

HEX #C9D7E8

RGB 201 215 232

HSL 212.9, 0.4%, 0.85%

LAB 85.43, -1.34, -9.95

 

CMYK 0 / 13 / 1 / 9

HEX #E8C9E6

RGB 232 201 230

HSL 303.87, 0.4%, 0.85%

LAB 84.3, 15.85, -10.31

 

Description

Color code: CMYK 0 / 6 / 14 / 9 | qconv.com Color code: CMYK 0 / 6 / 14 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 218 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 218 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 14 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 14% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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