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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 142 108 it is the complementary color RGB 73 113 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 142 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 142 108: RGB 187 142 103, RGB 204 160 122, RGB 221 178 141, RGB 238 196 160 and RGB 255 214 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 142 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 142 108: RGB 182 142 108, RGB 165 124 89, RGB 148 106 70, RGB 131 88 51 and RGB 114 70 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

Complementary color

CMYK 50 / 23 / 0 / 42

HEX #497193

RGB 73 113 147

HSL 207.57, 0.34%, 0.43%

LAB 46.09, -4.07, -22.85

 

CMYK 0 / 24 / 45 / 27

HEX #BB8E67

RGB 187 142 103

HSL 27.86, 0.38%, 0.57%

LAB 62.41, 12.05, 27.34

 

CMYK 0 / 22 / 40 / 20

HEX #CCA07A

RGB 204 160 122

HSL 27.8, 0.45%, 0.64%

LAB 69.03, 11.24, 26.03

 

CMYK 0 / 19 / 36 / 13

HEX #DDB28D

RGB 221 178 141

HSL 27.75, 0.54%, 0.71%

LAB 75.54, 10.54, 24.82

 

CMYK 0 / 18 / 33 / 7

HEX #EEC4A0

RGB 238 196 160

HSL 27.69, 0.7%, 0.78%

LAB 81.94, 9.93, 23.69

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

CMYK 0 / 25 / 46 / 35

HEX #A57C59

RGB 165 124 89

HSL 27.63, 0.3%, 0.5%

LAB 55.21, 11.38, 25.26

 

CMYK 0 / 28 / 53 / 42

HEX #946A46

RGB 148 106 70

HSL 27.69, 0.36%, 0.43%

LAB 48.32, 12.39, 26.74

 

CMYK 0 / 33 / 61 / 49

HEX #835833

RGB 131 88 51

HSL 27.75, 0.44%, 0.36%

LAB 41.29, 13.62, 28.37

 

CMYK 0 / 39 / 72 / 55

HEX #724620

RGB 114 70 32

HSL 27.8, 0.56%, 0.29%

LAB 34.11, 15.15, 30.11

 

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

CMYK 0 / 15 / 41 / 29

HEX #B69A6C

RGB 182 154 108

HSL 37.3, 0.34%, 0.57%

LAB 65.07, 3.93, 28

 

CMYK 0 / 9 / 41 / 29

HEX #B6A66C

RGB 182 166 108

HSL 47.03, 0.34%, 0.57%

LAB 68.24, -2.57, 32.12

 

CMYK 0 / 2 / 41 / 29

HEX #B6B26C

RGB 182 178 108

HSL 56.76, 0.34%, 0.57%

LAB 71.47, -8.93, 36.24

 

CMYK 5 / 0 / 41 / 29

HEX #ADB66C

RGB 173 182 108

HSL 67.3, 0.34%, 0.57%

LAB 71.84, -14.64, 36.57

 

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

CMYK 0 / 22 / 41 / 9

HEX #E9B68A

RGB 233 182 138

HSL 27.79, 0.68%, 0.73%

LAB 77.65, 12.8, 29.46

 

CMYK 0 / 21 / 41 / 89

HEX #1D1711

RGB 29 23 17

HSL 30, 0.26%, 0.09%

LAB 8.26, 1.78, 4.82

 

CMYK 0 / 23 / 41 / 69

HEX #503E2F

RGB 80 62 47

HSL 27.27, 0.26%, 0.25%

LAB 27.73, 5.44, 12.22

 

CMYK 0 / 22 / 40 / 49

HEX #83664E

RGB 131 102 78

HSL 27.17, 0.25%, 0.41%

LAB 45.47, 8.15, 18.01

 

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

CMYK 26 / 0 / 41 / 29

HEX #86B66C

RGB 134 182 108

HSL 98.92, 0.34%, 0.57%

LAB 69.19, -29.56, 32.64

 

CMYK 39 / 41 / 0 / 29

HEX #6F6CB6

RGB 111 108 182

HSL 242.43, 0.34%, 0.57%

LAB 48.86, 19.6, -38.84

 

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

CMYK 41 / 0 / 23 / 29

HEX #6CB68D

RGB 108 182 141

HSL 146.76, 0.34%, 0.57%

LAB 68.44, -32.37, 13.75

 

CMYK 23 / 41 / 0 / 29

HEX #8D6CB6

RGB 141 108 182

HSL 266.76, 0.34%, 0.57%

LAB 51.57, 28.21, -34.4

 

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

CMYK 26 / 0 / 41 / 29

HEX #86B66C

RGB 134 182 108

HSL 98.92, 0.34%, 0.57%

LAB 69.19, -29.56, 32.64

 

CMYK 41 / 18 / 0 / 29

HEX #6C95B6

RGB 108 149 182

HSL 206.76, 0.34%, 0.57%

LAB 59.94, -5.39, -21.63

 

CMYK 14 / 41 / 0 / 29

HEX #9C6CB6

RGB 156 108 182

HSL 278.92, 0.34%, 0.57%

LAB 53.14, 32.77, -31.84

 

CMYK 0 / 22 / 41 / 29

HEX #B68E6C

RGB 182 142 108

HSL 27.57, 0.34%, 0.57%

LAB 61.98, 10.54, 23.91

 

CMYK 39 / 0 / 41 / 29

HEX #6FB66C

RGB 111 182 108

HSL 117.57, 0.34%, 0.57%

LAB 67.96, -37.36, 30.81

 

CMYK 41 / 18 / 0 / 29

HEX #6C95B6

RGB 108 149 182

HSL 206.76, 0.34%, 0.57%

LAB 59.94, -5.39, -21.63

 

CMYK 2 / 41 / 0 / 29

HEX #B26CB6

RGB 178 108 182

HSL 296.76, 0.34%, 0.57%

LAB 55.65, 39.59, -27.73

 

Description

Color code: RGB 182 142 108 | qconv.com Color code: RGB 182 142 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 142 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 142 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 41 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 41% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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