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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFD6B3 it is the complementary color #00294C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFD6B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFD6B3 shade: #FFD6AE, #FFE8C1, #FFFAD4, #FFFFE7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFD6B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFD6B3 shade: #FFD6B3, #EEC4A0, #DDB28D, #CCA07A and #BB8E67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFD6B3 shade: #FFD6B3, #FFC1B3 and #FFB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFD6B3 shade: #FFD6B3, #FFEAB3, #FFFFB3, #EAFFB3 and #D6FFB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFD6B3 shade matches the following richer shades: #FFD6B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFD6B3 shade: #FFD6B3, #F9D6B9, #F3D7BF, #ECD7C5 and #E6D8CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFD6B3 shade: #FFB3B9, #FFC1B3, #FFD5B3, #FFE9B3 and #FFFEB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFD6B3 shade: #FFA960, #FFBF89, #FFD6B3, #FFECDC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFD6B3 shade: #FFD6B3, #CDFFB3 and #B6B3FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFD6B3 shade: #FFD6B3, #B3FFD5 and #D5B3FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFD6B3 shade: #FFD6B3, #CDFFB3, #B3DDFF and #E4B3FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFD6B3 shade: #FFD6B3, #B6FFB3, #B3DDFF and #FBB3FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

Complementary color

CMYK 100 / 46 / 0 / 70

HEX #00294C

RGB 0 41 76

HSL 207.63, 1%, 0.15%

LAB 16.04, 2.13, -25.38

 

CMYK 0 / 16 / 32 / 0

HEX #FFD6AE

RGB 255 214 174

HSL 29.63, 1%, 0.84%

LAB 88.17, 8.75, 25.11

 

CMYK 0 / 9 / 24 / 0

HEX #FFE8C1

RGB 255 232 193

HSL 37.74, 1%, 0.88%

LAB 92.94, 1.98, 21.84

 

CMYK 0 / 2 / 17 / 0

HEX #FFFAD4

RGB 255 250 212

HSL 53.02, 1%, 0.92%

LAB 97.79, -4.41, 18.85

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 18 / 33 / 7

HEX #EEC4A0

RGB 238 196 160

HSL 27.69, 0.7%, 0.78%

LAB 81.94, 9.93, 23.69

 

CMYK 0 / 19 / 36 / 13

HEX #DDB28D

RGB 221 178 141

HSL 27.75, 0.54%, 0.71%

LAB 75.54, 10.54, 24.82

 

CMYK 0 / 22 / 40 / 20

HEX #CCA07A

RGB 204 160 122

HSL 27.8, 0.45%, 0.64%

LAB 69.03, 11.24, 26.03

 

CMYK 0 / 24 / 45 / 27

HEX #BB8E67

RGB 187 142 103

HSL 27.86, 0.38%, 0.57%

LAB 62.41, 12.05, 27.34

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 24 / 30 / 0

HEX #FFC1B3

RGB 255 193 179

HSL 11.05, 1%, 0.85%

LAB 83.26, 20.32, 15.68

 

CMYK 0 / 30 / 30 / 0

HEX #FFB3B3

RGB 255 179 179

HSL 0, 1%, 0.85%

LAB 80.04, 27.66, 11.13

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 8 / 30 / 0

HEX #FFEAB3

RGB 255 234 179

HSL 43.42, 1%, 0.85%

LAB 93.17, -0.86, 29.35

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 8 / 0 / 30 / 0

HEX #EAFFB3

RGB 234 255 179

HSL 76.58, 1%, 0.85%

LAB 96.93, -18.99, 34.13

 

CMYK 16 / 0 / 30 / 0

HEX #D6FFB3

RGB 214 255 179

HSL 92.37, 1%, 0.85%

LAB 95.61, -26.07, 32.13

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 14 / 26 / 2

HEX #F9D6B9

RGB 249 214 185

HSL 27.19, 0.84%, 0.85%

LAB 87.84, 7.93, 18.84

 

CMYK 0 / 12 / 21 / 5

HEX #F3D7BF

RGB 243 215 191

HSL 27.69, 0.68%, 0.85%

LAB 87.69, 6.03, 15.4

 

CMYK 0 / 9 / 17 / 7

HEX #ECD7C5

RGB 236 215 197

HSL 27.69, 0.51%, 0.85%

LAB 87.22, 4.38, 11.5

 

CMYK 0 / 6 / 12 / 10

HEX #E6D8CB

RGB 230 216 203

HSL 28.89, 0.35%, 0.85%

LAB 87.12, 2.65, 8.12

 

CMYK 0 / 30 / 27 / 0

HEX #FFB3B9

RGB 255 179 185

HSL 355.26, 1%, 0.85%

LAB 80.18, 28.45, 8.09

 

CMYK 0 / 24 / 30 / 0

HEX #FFC1B3

RGB 255 193 179

HSL 11.05, 1%, 0.85%

LAB 83.26, 20.32, 15.68

 

CMYK 0 / 16 / 30 / 0

HEX #FFD5B3

RGB 255 213 179

HSL 26.84, 1%, 0.85%

LAB 88.02, 9.9, 22.3

 

CMYK 0 / 9 / 30 / 0

HEX #FFE9B3

RGB 255 233 179

HSL 42.63, 1%, 0.85%

LAB 92.92, -0.35, 29.01

 

CMYK 0 / 0 / 30 / 0

HEX #FFFEB3

RGB 255 254 179

HSL 59.21, 1%, 0.85%

LAB 98.19, -10.83, 36.08

 

CMYK 0 / 34 / 62 / 0

HEX #FFA960

RGB 255 169 96

HSL 27.55, 1%, 0.69%

LAB 76.36, 24.86, 49.94

 

CMYK 0 / 25 / 46 / 0

HEX #FFBF89

RGB 255 191 137

HSL 27.46, 1%, 0.77%

LAB 82.02, 16.64, 36.14

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 7 / 14 / 0

HEX #FFECDC

RGB 255 236 220

HSL 27.43, 1%, 0.93%

LAB 94.49, 3.86, 10.06

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 20 / 0 / 30 / 0

HEX #CDFFB3

RGB 205 255 179

HSL 99.47, 1%, 0.85%

LAB 95.06, -29.16, 31.29

 

CMYK 29 / 30 / 0 / 0

HEX #B6B3FF

RGB 182 179 255

HSL 242.37, 1%, 0.85%

LAB 75.7, 17.46, -37.15

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 30 / 0 / 16 / 0

HEX #B3FFD5

RGB 179 255 213

HSL 146.84, 1%, 0.85%

LAB 94.27, -31.75, 12.69

 

CMYK 16 / 30 / 0 / 0

HEX #D5B3FF

RGB 213 179 255

HSL 266.84, 1%, 0.85%

LAB 78.23, 26.55, -33.04

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 20 / 0 / 30 / 0

HEX #CDFFB3

RGB 205 255 179

HSL 99.47, 1%, 0.85%

LAB 95.06, -29.16, 31.29

 

CMYK 30 / 13 / 0 / 0

HEX #B3DDFF

RGB 179 221 255

HSL 206.84, 1%, 0.85%

LAB 86.26, -6.01, -20.99

 

CMYK 11 / 30 / 0 / 0

HEX #E4B3FF

RGB 228 179 255

HSL 278.68, 1%, 0.85%

LAB 79.59, 31.12, -30.84

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 29 / 0 / 30 / 0

HEX #B6FFB3

RGB 182 255 179

HSL 117.63, 1%, 0.85%

LAB 93.76, -36.73, 29.32

 

CMYK 30 / 13 / 0 / 0

HEX #B3DDFF

RGB 179 221 255

HSL 206.84, 1%, 0.85%

LAB 86.26, -6.01, -20.99

 

CMYK 2 / 30 / 0 / 0

HEX #FBB3FF

RGB 251 179 255

HSL 296.84, 1%, 0.85%

LAB 81.82, 38.23, -27.22

 

Description

Color code: HEX #FFD6B3 | qconv.com Color code: HEX #FFD6B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 214 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 214 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 30 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 30% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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