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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 68 53 it is the complementary color RGB 74 187 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 68 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 68 53: RGB 186 68 48, RGB 203 86 67, RGB 220 104 86, RGB 237 122 105 and RGB 254 140 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 68 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 68 53: RGB 181 68 53, RGB 164 50 34, RGB 147 32 15, RGB 130 14 0 and RGB 113 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

Complementary color

CMYK 63 / 7 / 0 / 21

HEX #4ABBCA

RGB 74 187 202

HSL 187.03, 0.55%, 0.54%

LAB 70.36, -27.12, -17.05

 

CMYK 0 / 63 / 74 / 27

HEX #BA4430

RGB 186 68 48

HSL 8.7, 0.59%, 0.46%

LAB 45.34, 46.5, 36.89

 

CMYK 0 / 58 / 67 / 20

HEX #CB5643

RGB 203 86 67

HSL 8.38, 0.57%, 0.53%

LAB 51.56, 45.27, 34.15

 

CMYK 0 / 53 / 61 / 14

HEX #DC6856

RGB 220 104 86

HSL 8.06, 0.66%, 0.6%

LAB 57.84, 43.99, 31.74

 

CMYK 0 / 49 / 56 / 7

HEX #ED7A69

RGB 237 122 105

HSL 7.73, 0.79%, 0.67%

LAB 64.12, 42.73, 29.64

 

CMYK 0 / 45 / 51 / 0

HEX #FE8C7C

RGB 254 140 124

HSL 7.38, 0.98%, 0.74%

LAB 70.37, 41.53, 27.78

 

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

CMYK 0 / 70 / 79 / 36

HEX #A43222

RGB 164 50 34

HSL 7.38, 0.66%, 0.39%

LAB 38.36, 45.97, 36

 

CMYK 0 / 78 / 90 / 42

HEX #93200F

RGB 147 32 15

HSL 7.73, 0.81%, 0.32%

LAB 32.42, 46.5, 39.1

 

CMYK 0 / 89 / 100 / 49

HEX #820E00

RGB 130 14 0

HSL 6.46, 1%, 0.25%

LAB 26.9, 45.99, 39.48

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

CMYK 0 / 51 / 71 / 29

HEX #B55934

RGB 181 89 52

HSL 17.21, 0.55%, 0.46%

LAB 48.53, 34.54, 38.02

 

CMYK 0 / 39 / 71 / 29

HEX #B56E34

RGB 181 110 52

HSL 26.98, 0.55%, 0.46%

LAB 53.19, 23.18, 43.13

 

CMYK 0 / 27 / 71 / 29

HEX #B58434

RGB 181 132 52

HSL 37.21, 0.55%, 0.46%

LAB 58.58, 10.95, 48.82

 

CMYK 0 / 15 / 71 / 29

HEX #B59934

RGB 181 153 52

HSL 46.98, 0.55%, 0.46%

LAB 64.04, -0.59, 54.4

 

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

CMYK 0 / 63 / 71 / 9

HEX #E85744

RGB 232 87 68

HSL 6.95, 0.78%, 0.59%

LAB 56.48, 55.07, 40.54

 

CMYK 0 / 61 / 71 / 89

HEX #1C0B08

RGB 28 11 8

HSL 9, 0.56%, 0.07%

LAB 4.55, 6.7, 3.65

 

CMYK 0 / 62 / 71 / 69

HEX #4F1E17

RGB 79 30 23

HSL 7.5, 0.55%, 0.2%

LAB 18.6, 22.5, 16.15

 

CMYK 0 / 62 / 71 / 49

HEX #823126

RGB 130 49 38

HSL 7.17, 0.55%, 0.33%

LAB 31.99, 34.21, 24.87

 

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

CMYK 23 / 0 / 71 / 29

HEX #8CB534

RGB 140 181 52

HSL 79.07, 0.55%, 0.46%

LAB 68.66, -32.37, 57.95

 

CMYK 71 / 51 / 0 / 29

HEX #3459B5

RGB 52 89 181

HSL 222.79, 0.55%, 0.46%

LAB 39.93, 18.68, -52.73

 

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

CMYK 71 / 0 / 63 / 29

HEX #34B543

RGB 52 181 67

HSL 126.98, 0.55%, 0.46%

LAB 65.11, -57.49, 46.95

 

CMYK 63 / 71 / 0 / 29

HEX #4334B5

RGB 67 52 181

HSL 246.98, 0.55%, 0.46%

LAB 31.77, 44.09, -65.98

 

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

CMYK 23 / 0 / 71 / 29

HEX #8CB534

RGB 140 181 52

HSL 79.07, 0.55%, 0.46%

LAB 68.66, -32.37, 57.95

 

CMYK 71 / 8 / 0 / 29

HEX #34A6B5

RGB 52 166 181

HSL 186.98, 0.55%, 0.46%

LAB 62.79, -26.28, -16.93

 

CMYK 49 / 71 / 0 / 29

HEX #5D34B5

RGB 93 52 181

HSL 259.07, 0.55%, 0.46%

LAB 34.23, 48.07, -61.86

 

CMYK 0 / 62 / 71 / 29

HEX #B54435

RGB 181 68 53

HSL 7.03, 0.55%, 0.46%

LAB 44.54, 44.95, 32.93

 

CMYK 44 / 0 / 71 / 29

HEX #66B534

RGB 102 181 52

HSL 96.74, 0.55%, 0.46%

LAB 66.61, -46.22, 55.22

 

CMYK 71 / 8 / 0 / 29

HEX #34A6B5

RGB 52 166 181

HSL 186.98, 0.55%, 0.46%

LAB 62.79, -26.28, -16.93

 

CMYK 27 / 71 / 0 / 29

HEX #8434B5

RGB 132 52 181

HSL 277.21, 0.55%, 0.46%

LAB 39.07, 55.43, -53.78

 

Description

Color code: RGB 181 68 53 | qconv.com Color code: RGB 181 68 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 68 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 68 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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