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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 63 / 71 / 9 it is the complementary color CMYK 88 / 10 / 0 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 63 / 71 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 63 / 71 / 9: CMYK 0 / 64 / 74 / 7, CMYK 0 / 59 / 68 / 0, CMYK 0 / 52 / 61 / 0, CMYK 0 / 45 / 53 / 0 and CMYK 0 / 38 / 46 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 63 / 71 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 63 / 71 / 9: CMYK 0 / 63 / 71 / 9, CMYK 0 / 68 / 78 / 16, CMYK 0 / 75 / 85 / 22, CMYK 0 / 82 / 94 / 29 and CMYK 0 / 91 / 100 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

Complementary color

CMYK 88 / 10 / 0 / 26

HEX #17A9BC

RGB 23 169 188

HSL 186.91, 0.78%, 0.41%

LAB 63.5, -28.32, -19.81

 

CMYK 0 / 64 / 74 / 7

HEX #ED563E

RGB 237 86 62

HSL 8.23, 0.83%, 0.59%

LAB 57.08, 56.92, 44.67

 

CMYK 0 / 59 / 68 / 0

HEX #FE6851

RGB 254 104 81

HSL 7.98, 0.99%, 0.66%

LAB 62.98, 55.81, 41.96

NCS® S0570-Y80R

CMYK 0 / 52 / 61 / 0

HEX #FF7A64

RGB 255 122 100

HSL 8.52, 1%, 0.7%

LAB 66.6, 48.95, 36.07

 

CMYK 0 / 45 / 53 / 0

HEX #FF8C77

RGB 255 140 119

HSL 9.26, 1%, 0.73%

LAB 70.42, 41.49, 30.6

 

CMYK 0 / 38 / 46 / 0

HEX #FF9E8A

RGB 255 158 138

HSL 10.26, 1%, 0.77%

LAB 74.54, 33.97, 25.73

 

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

CMYK 0 / 68 / 78 / 16

HEX #D74430

RGB 215 68 48

HSL 7.19, 0.68%, 0.52%

LAB 50.45, 56.37, 43.86

 

CMYK 0 / 75 / 85 / 22

HEX #C6321D

RGB 198 50 29

HSL 7.46, 0.74%, 0.45%

LAB 44.77, 56.94, 46.9

 

CMYK 0 / 82 / 94 / 29

HEX #B5200A

RGB 181 32 10

HSL 7.72, 0.9%, 0.37%

LAB 39.38, 56.85, 49.16

 

CMYK 0 / 91 / 100 / 36

HEX #A40E00

RGB 164 14 0

HSL 5.12, 1%, 0.32%

LAB 34.41, 55.69, 48.33

 

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

CMYK 0 / 52 / 71 / 9

HEX #E77044

RGB 231 112 68

HSL 16.2, 0.77%, 0.59%

LAB 60.78, 43.11, 45.36

 

CMYK 0 / 40 / 71 / 9

HEX #E78B44

RGB 231 139 68

HSL 26.13, 0.77%, 0.59%

LAB 66.42, 29.26, 51.53

 

CMYK 0 / 28 / 71 / 9

HEX #E7A644

RGB 231 166 68

HSL 36.07, 0.77%, 0.59%

LAB 72.68, 14.92, 58.13

 

CMYK 0 / 16 / 71 / 9

HEX #E7C144

RGB 231 193 68

HSL 46.01, 0.77%, 0.59%

LAB 79.35, 0.71, 64.94

 

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

CMYK 0 / 64 / 71 / 89

HEX #1C0A08

RGB 28 10 8

HSL 6, 0.56%, 0.07%

LAB 4.35, 7.11, 3.36

 

CMYK 0 / 63 / 71 / 69

HEX #4F1D17

RGB 79 29 23

HSL 6.43, 0.55%, 0.2%

LAB 18.38, 23.07, 15.88

 

CMYK 0 / 63 / 71 / 49

HEX #823026

RGB 130 48 38

HSL 6.52, 0.55%, 0.33%

LAB 31.81, 34.71, 24.64

 

CMYK 0 / 63 / 71 / 29

HEX #B54334

RGB 181 67 52

HSL 6.98, 0.55%, 0.46%

LAB 44.36, 45.36, 33.29

 

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

CMYK 21 / 0 / 71 / 9

HEX #B7E744

RGB 183 231 68

HSL 77.67, 0.77%, 0.59%

LAB 85.82, -37.58, 70.17

 

CMYK 71 / 49 / 0 / 9

HEX #4475E7

RGB 68 117 231

HSL 221.96, 0.77%, 0.59%

LAB 51.52, 21.3, -62.68

 

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

CMYK 71 / 0 / 63 / 9

HEX #44E755

RGB 68 231 85

HSL 126.26, 0.77%, 0.59%

LAB 81.31, -69.45, 57.46

 

CMYK 63 / 71 / 0 / 9

HEX #5544E7

RGB 85 68 231

HSL 246.26, 0.77%, 0.59%

LAB 40.95, 53.08, -79.85

 

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

CMYK 21 / 0 / 71 / 9

HEX #B7E744

RGB 183 231 68

HSL 77.67, 0.77%, 0.59%

LAB 85.82, -37.58, 70.17

 

CMYK 71 / 7 / 0 / 9

HEX #44D7E7

RGB 68 215 231

HSL 185.89, 0.77%, 0.59%

LAB 79.39, -33.02, -19.09

 

CMYK 49 / 71 / 0 / 9

HEX #7544E7

RGB 117 68 231

HSL 258.04, 0.77%, 0.59%

LAB 43.78, 57.6, -75.11

 

CMYK 0 / 63 / 71 / 9

HEX #E85643

RGB 232 86 67

HSL 6.91, 0.78%, 0.59%

LAB 56.3, 55.45, 40.89

 

CMYK 42 / 0 / 71 / 9

HEX #86E744

RGB 134 231 68

HSL 95.71, 0.77%, 0.59%

LAB 83.25, -54.84, 66.74

 

CMYK 71 / 7 / 0 / 9

HEX #44D7E7

RGB 68 215 231

HSL 185.89, 0.77%, 0.59%

LAB 79.39, -33.02, -19.09

 

CMYK 28 / 71 / 0 / 9

HEX #A644E7

RGB 166 68 231

HSL 276.07, 0.77%, 0.59%

LAB 49.51, 66.25, -65.53

 

Description

Color code: CMYK 0 / 63 / 71 / 9 | qconv.com Color code: CMYK 0 / 63 / 71 / 9 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 86 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 86 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 71 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 71% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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