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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 150 71 it is the complementary color RGB 74 105 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 150 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 150 71: RGB 186 150 66, RGB 203 168 85, RGB 220 186 104, RGB 237 204 123 and RGB 254 222 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 150 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 150 71: RGB 181 150 71, RGB 164 132 52, RGB 147 114 33, RGB 130 96 14 and RGB 113 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

Complementary color

CMYK 60 / 43 / 0 / 28

HEX #4A69B8

RGB 74 105 184

HSL 223.09, 0.44%, 0.51%

LAB 45.66, 13.3, -45.24

 

CMYK 0 / 19 / 65 / 27

HEX #BA9642

RGB 186 150 66

HSL 42, 0.48%, 0.49%

LAB 63.87, 4.06, 48.2

 

CMYK 0 / 17 / 58 / 20

HEX #CBA855

RGB 203 168 85

HSL 42.2, 0.53%, 0.56%

LAB 70.43, 3.01, 46.98

 

CMYK 0 / 15 / 53 / 14

HEX #DCBA68

RGB 220 186 104

HSL 42.41, 0.62%, 0.64%

LAB 76.88, 2.13, 45.71

 

CMYK 0 / 14 / 48 / 7

HEX #EDCC7B

RGB 237 204 123

HSL 42.63, 0.76%, 0.71%

LAB 83.24, 1.37, 44.44

 

CMYK 0 / 13 / 44 / 0

HEX #FEDE8E

RGB 254 222 142

HSL 42.86, 0.98%, 0.78%

LAB 89.52, 0.72, 43.21

 

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

CMYK 0 / 20 / 68 / 36

HEX #A48434

RGB 164 132 52

HSL 42.86, 0.52%, 0.42%

LAB 56.73, 3.35, 46.31

 

CMYK 0 / 22 / 78 / 42

HEX #937221

RGB 147 114 33

HSL 42.63, 0.63%, 0.35%

LAB 49.91, 4.73, 47.08

 

CMYK 0 / 26 / 89 / 49

HEX #82600E

RGB 130 96 14

HSL 42.41, 0.81%, 0.28%

LAB 42.98, 6.45, 46.86

 

CMYK 0 / 31 / 100 / 56

HEX #714E00

RGB 113 78 0

HSL 41.42, 1%, 0.22%

LAB 35.91, 8.59, 44.66

 

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

CMYK 0 / 7 / 61 / 30

HEX #B3A745

RGB 179 167 69

HSL 53.45, 0.44%, 0.49%

LAB 67.76, -7.92, 50.9

 

CMYK 3 / 0 / 61 / 30

HEX #AEB345

RGB 174 179 69

HSL 62.73, 0.44%, 0.49%

LAB 70.64, -16.27, 53.9

 

CMYK 13 / 0 / 61 / 30

HEX #9CB345

RGB 156 179 69

HSL 72.55, 0.44%, 0.49%

LAB 69.28, -23.78, 52.03

 

CMYK 23 / 0 / 61 / 30

HEX #89B345

RGB 137 179 69

HSL 82.91, 0.44%, 0.49%

LAB 68.01, -31.38, 50.27

 

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

CMYK 0 / 17 / 61 / 9

HEX #E8C05B

RGB 232 192 91

HSL 42.98, 0.75%, 0.63%

LAB 79.39, 2.99, 55.14

 

CMYK 0 / 18 / 61 / 89

HEX #1C170B

RGB 28 23 11

HSL 42.35, 0.44%, 0.08%

LAB 7.98, 0.23, 7.43

 

CMYK 0 / 18 / 61 / 69

HEX #4F411F

RGB 79 65 31

HSL 42.5, 0.44%, 0.22%

LAB 28.23, 1.14, 22.76

 

CMYK 0 / 17 / 61 / 49

HEX #826C33

RGB 130 108 51

HSL 43.29, 0.44%, 0.35%

LAB 46.59, 1.4, 34.6

 

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

CMYK 56 / 0 / 61 / 30

HEX #4FB345

RGB 79 179 69

HSL 114.55, 0.44%, 0.49%

LAB 65.23, -50.65, 46.39

 

CMYK 42 / 61 / 0 / 30

HEX #6845B3

RGB 104 69 179

HSL 259.09, 0.44%, 0.49%

LAB 38.65, 40.39, -53.45

 

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

CMYK 61 / 0 / 17 / 30

HEX #45B394

RGB 69 179 148

HSL 163.09, 0.44%, 0.49%

LAB 66.25, -38.84, 6.6

 

CMYK 17 / 61 / 0 / 30

HEX #9445B3

RGB 148 69 179

HSL 283.09, 0.44%, 0.49%

LAB 43.95, 50.78, -44.64

 

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

CMYK 56 / 0 / 61 / 30

HEX #4FB345

RGB 79 179 69

HSL 114.55, 0.44%, 0.49%

LAB 65.23, -50.65, 46.39

 

CMYK 61 / 44 / 0 / 30

HEX #4565B3

RGB 69 101 179

HSL 222.55, 0.44%, 0.49%

LAB 43.98, 13.11, -45.02

 

CMYK 5 / 61 / 0 / 30

HEX #AA45B3

RGB 170 69 179

HSL 295.09, 0.44%, 0.49%

LAB 47.05, 56.28, -39.53

 

CMYK 0 / 17 / 61 / 29

HEX #B59647

RGB 181 150 71

HSL 43.09, 0.44%, 0.49%

LAB 63.42, 2.22, 45.17

 

CMYK 61 / 0 / 48 / 30

HEX #45B35D

RGB 69 179 93

HSL 133.09, 0.44%, 0.49%

LAB 65.2, -49.89, 34.69

 

CMYK 61 / 44 / 0 / 30

HEX #4565B3

RGB 69 101 179

HSL 222.55, 0.44%, 0.49%

LAB 43.98, 13.11, -45.02

 

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

Description

Color code: RGB 181 150 71 | qconv.com Color code: RGB 181 150 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 150 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 150 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 61 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 61% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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