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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3459C it is the complementary color #4CBA63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3459C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3459C shade: #B84597, #C957AA, #DA69BD, #EB7BD0 and #FC8DE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3459C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3459C shade: #B3459C, #A23389, #912176, #800F63 and #6F0050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3459C shade: #B4469D, #B4467F, #B44662 and #B44646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3459C shade: #B4469D, #AD46B4, #9046B4, #7246B4 and #5446B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3459C shade matches the following richer shades: #B4469D, #C832A9, #DC1EB4 and #F109C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3459C shade: #B4469D, #A05A91, #8B6E85, #77837A and #63976E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3459C shade: #8F46B4, #AD46B4, #B4469E, #B44681 and #B44663

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3459C shade: #792F69, #963A83, #B4469D, #C261AE and #CD7FBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3459C shade: #B3459C, #B47246 and #46B49E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3459C shade: #B3459C, #9EB446 and #469EB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3459C shade: #B3459C, #B47246, #46B45C and #4688B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3459C shade: #B3459C, #B49346, #46B45C and #4667B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

Complementary color

CMYK 59 / 0 / 47 / 27

HEX #4CBA63

RGB 76 186 99

HSL 132.55, 0.44%, 0.51%

LAB 67.69, -50.11, 34.83

 

CMYK 0 / 63 / 18 / 28

HEX #B84597

RGB 184 69 151

HSL 317.22, 0.45%, 0.5%

LAB 47.86, 55.39, -21.55

 

CMYK 0 / 57 / 15 / 21

HEX #C957AA

RGB 201 87 170

HSL 316.32, 0.51%, 0.56%

LAB 54.17, 55.07, -22.82

 

CMYK 0 / 52 / 13 / 15

HEX #DA69BD

RGB 218 105 189

HSL 315.4, 0.6%, 0.63%

LAB 60.5, 54.54, -23.84

 

CMYK 0 / 48 / 11 / 8

HEX #EB7BD0

RGB 235 123 208

HSL 314.46, 0.74%, 0.7%

LAB 66.81, 53.9, -24.69

 

CMYK 0 / 44 / 10 / 1

HEX #FC8DE3

RGB 252 141 227

HSL 313.51, 0.95%, 0.77%

LAB 73.08, 53.2, -25.41

 

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

CMYK 0 / 69 / 15 / 36

HEX #A23389

RGB 162 51 137

HSL 313.51, 0.52%, 0.42%

LAB 40.99, 54.71, -24

 

CMYK 0 / 77 / 19 / 43

HEX #912176

RGB 145 33 118

HSL 314.46, 0.63%, 0.35%

LAB 34.83, 54.01, -22.01

 

CMYK 0 / 88 / 23 / 50

HEX #800F63

RGB 128 15 99

HSL 315.4, 0.79%, 0.28%

LAB 28.98, 52.14, -19.21

 

CMYK 0 / 100 / 28 / 56

HEX #6F0050

RGB 111 0 80

HSL 316.76, 1%, 0.22%

LAB 23.53, 48.75, -15.37

 

CMYK 0 / 61 / 13 / 29

HEX #B4469D

RGB 180 70 157

HSL 312.55, 0.44%, 0.49%

LAB 47.65, 54.74, -25.49

 

CMYK 0 / 61 / 29 / 29

HEX #B4467F

RGB 180 70 127

HSL 328.91, 0.44%, 0.49%

LAB 46.47, 50.44, -9.27

 

CMYK 0 / 61 / 46 / 29

HEX #B44662

RGB 180 70 98

HSL 344.73, 0.44%, 0.49%

LAB 45.59, 47.09, 7.15

 

CMYK 0 / 61 / 61 / 29

HEX #B44646

RGB 180 70 70

HSL 0, 0.44%, 0.49%

LAB 44.98, 44.71, 23.4

 

CMYK 0 / 61 / 13 / 29

HEX #B4469D

RGB 180 70 157

HSL 312.55, 0.44%, 0.49%

LAB 47.65, 54.74, -25.49

 

CMYK 4 / 61 / 0 / 29

HEX #AD46B4

RGB 173 70 180

HSL 296.18, 0.44%, 0.49%

LAB 47.7, 56.78, -39.06

 

CMYK 20 / 61 / 0 / 29

HEX #9046B4

RGB 144 70 180

HSL 280.36, 0.44%, 0.49%

LAB 43.66, 49.51, -45.72

 

CMYK 37 / 61 / 0 / 29

HEX #7246B4

RGB 114 70 180

HSL 264, 0.44%, 0.49%

LAB 40, 42.34, -51.79

 

CMYK 53 / 61 / 0 / 29

HEX #5446B4

RGB 84 70 180

HSL 247.64, 0.44%, 0.49%

LAB 37.04, 35.96, -56.73

 

CMYK 0 / 61 / 13 / 29

HEX #B4469D

RGB 180 70 157

HSL 312.55, 0.44%, 0.49%

LAB 47.65, 54.74, -25.49

 

CMYK 0 / 75 / 16 / 22

HEX #C832A9

RGB 200 50 169

HSL 312.4, 0.6%, 0.49%

LAB 48.79, 69, -30.58

 

CMYK 0 / 86 / 18 / 14

HEX #DC1EB4

RGB 220 30 180

HSL 312.63, 0.76%, 0.49%

LAB 51.2, 79.4, -33.03

 

CMYK 0 / 96 / 20 / 5

HEX #F109C0

RGB 241 9 192

HSL 312.67, 0.93%, 0.49%

LAB 54.76, 87.23, -34.16

 

CMYK 0 / 61 / 13 / 29

HEX #B4469D

RGB 180 70 157

HSL 312.55, 0.44%, 0.49%

LAB 47.65, 54.74, -25.49

 

CMYK 0 / 44 / 9 / 37

HEX #A05A91

RGB 160 90 145

HSL 312.86, 0.28%, 0.49%

LAB 48.05, 36.71, -17.98

 

CMYK 0 / 21 / 4 / 45

HEX #8B6E85

RGB 139 110 133

HSL 312.41, 0.12%, 0.49%

LAB 49.9, 15.6, -8.28

 

CMYK 9 / 0 / 7 / 49

HEX #77837A

RGB 119 131 122

HSL 135, 0.05%, 0.49%

LAB 53.56, -6.25, 3.35

 

CMYK 34 / 0 / 27 / 41

HEX #63976E

RGB 99 151 110

HSL 132.69, 0.21%, 0.49%

LAB 57.95, -26.27, 16.23

 

CMYK 21 / 61 / 0 / 29

HEX #8F46B4

RGB 143 70 180

HSL 279.82, 0.44%, 0.49%

LAB 43.53, 49.26, -45.94

 

CMYK 4 / 61 / 0 / 29

HEX #AD46B4

RGB 173 70 180

HSL 296.18, 0.44%, 0.49%

LAB 47.7, 56.78, -39.06

 

CMYK 0 / 61 / 12 / 29

HEX #B4469E

RGB 180 70 158

HSL 312, 0.44%, 0.49%

LAB 47.69, 54.9, -26.02

 

CMYK 0 / 61 / 28 / 29

HEX #B44681

RGB 180 70 129

HSL 327.82, 0.44%, 0.49%

LAB 46.54, 50.7, -10.38

 

CMYK 0 / 61 / 45 / 29

HEX #B44663

RGB 180 70 99

HSL 344.18, 0.44%, 0.49%

LAB 45.61, 47.2, 6.57

 

CMYK 0 / 61 / 13 / 53

HEX #792F69

RGB 121 47 105

HSL 312.97, 0.44%, 0.33%

LAB 32.07, 39.74, -18.38

 

CMYK 0 / 61 / 13 / 41

HEX #963A83

RGB 150 58 131

HSL 312.39, 0.44%, 0.41%

LAB 39.83, 47.48, -22.27

 

CMYK 0 / 61 / 13 / 29

HEX #B4469D

RGB 180 70 157

HSL 312.55, 0.44%, 0.49%

LAB 47.65, 54.74, -25.49

 

CMYK 0 / 50 / 10 / 24

HEX #C261AE

RGB 194 97 174

HSL 312.37, 0.44%, 0.57%

LAB 55.15, 48.82, -23.72

 

CMYK 0 / 38 / 8 / 20

HEX #CD7FBD

RGB 205 127 189

HSL 312.31, 0.44%, 0.65%

LAB 63.2, 39.3, -19.85

 

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

CMYK 0 / 37 / 61 / 29

HEX #B47246

RGB 180 114 70

HSL 24, 0.44%, 0.49%

LAB 54.22, 21.68, 34.9

 

CMYK 61 / 0 / 12 / 29

HEX #46B49E

RGB 70 180 158

HSL 168, 0.44%, 0.49%

LAB 66.83, -36.61, 1.94

 

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

CMYK 12 / 0 / 61 / 29

HEX #9EB446

RGB 158 180 70

HSL 72, 0.44%, 0.49%

LAB 69.72, -23.37, 52.11

 

CMYK 61 / 12 / 0 / 29

HEX #469EB4

RGB 70 158 180

HSL 192, 0.44%, 0.49%

LAB 60.83, -19.61, -19.31

 

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

CMYK 0 / 37 / 61 / 29

HEX #B47246

RGB 180 114 70

HSL 24, 0.44%, 0.49%

LAB 54.22, 21.68, 34.9

 

CMYK 61 / 0 / 49 / 29

HEX #46B45C

RGB 70 180 92

HSL 132, 0.44%, 0.49%

LAB 65.53, -50.21, 35.62

 

CMYK 61 / 24 / 0 / 29

HEX #4688B4

RGB 70 136 180

HSL 204, 0.44%, 0.49%

LAB 54.24, -7.54, -29.43

 

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

CMYK 0 / 18 / 61 / 29

HEX #B49346

RGB 180 147 70

HSL 42, 0.44%, 0.49%

LAB 62.52, 3.35, 44.6

 

CMYK 61 / 0 / 49 / 29

HEX #46B45C

RGB 70 180 92

HSL 132, 0.44%, 0.49%

LAB 65.53, -50.21, 35.62

 

CMYK 61 / 43 / 0 / 29

HEX #4667B4

RGB 70 103 180

HSL 222, 0.44%, 0.49%

LAB 44.66, 12.39, -44.52

 

Description

Color code: HEX #B3459C | qconv.com Color code: HEX #B3459C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 69 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 69 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 13 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 13% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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