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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 174 222 it is the complementary color RGB 75 81 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 174 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 174 222: RGB 185 174 217, RGB 202 192 236, RGB 219 210 255, RGB 236 228 255 and RGB 253 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 174 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 174 222: RGB 180 174 222, RGB 163 156 203, RGB 146 138 184, RGB 129 120 165 and RGB 112 102 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

Complementary color

CMYK 7 / 0 / 59 / 68

HEX #4B5121

RGB 75 81 33

HSL 67.5, 0.42%, 0.22%

LAB 32.9, -10.38, 27

 

CMYK 15 / 20 / 0 / 15

HEX #B9AED9

RGB 185 174 217

HSL 255.35, 0.36%, 0.77%

LAB 73.28, 12.41, -20.25

 

CMYK 14 / 19 / 0 / 7

HEX #CAC0EC

RGB 202 192 236

HSL 253.64, 0.54%, 0.84%

LAB 79.79, 12.05, -20.54

 

CMYK 14 / 18 / 0 / 0

HEX #DBD2FF

RGB 219 210 255

HSL 252, 1%, 0.91%

LAB 86.19, 11.71, -20.83

 

CMYK 7 / 11 / 0 / 0

HEX #ECE4FF

RGB 236 228 255

HSL 257.78, 1%, 0.95%

LAB 91.93, 7.64, -12.09

 

CMYK 1 / 4 / 0 / 0

HEX #FDF6FF

RGB 253 246 255

HSL 286.67, 1%, 0.98%

LAB 97.64, 3.91, -3.49

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 20 / 23 / 0 / 20

HEX #A39CCB

RGB 163 156 203

HSL 248.94, 0.31%, 0.7%

LAB 66.42, 12.33, -23.15

 

CMYK 21 / 25 / 0 / 28

HEX #928AB8

RGB 146 138 184

HSL 250.43, 0.24%, 0.63%

LAB 59.66, 12.77, -22.96

 

CMYK 22 / 27 / 0 / 35

HEX #8178A5

RGB 129 120 165

HSL 252, 0.2%, 0.56%

LAB 52.75, 13.26, -22.8

 

CMYK 23 / 30 / 0 / 43

HEX #706692

RGB 112 102 146

HSL 253.64, 0.18%, 0.49%

LAB 45.67, 13.81, -22.68

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 15 / 21 / 0 / 13

HEX #BCAFDE

RGB 188 175 222

HSL 256.6, 0.42%, 0.78%

LAB 73.95, 13.9, -21.94

 

CMYK 12 / 21 / 0 / 13

HEX #C4AFDE

RGB 196 175 222

HSL 266.81, 0.42%, 0.78%

LAB 74.62, 16.46, -20.87

 

CMYK 8 / 21 / 0 / 13

HEX #CCAFDE

RGB 204 175 222

HSL 277.02, 0.42%, 0.78%

LAB 75.31, 19.05, -19.75

 

CMYK 5 / 21 / 0 / 13

HEX #D4AFDE

RGB 212 175 222

HSL 287.23, 0.42%, 0.78%

LAB 76.03, 21.66, -18.6

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 17 / 22 / 0 / 93

HEX #0F0E12

RGB 15 14 18

HSL 255, 0.13%, 0.06%

LAB 4.15, 1.09, -1.95

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 19 / 22 / 0 / 53

HEX #615E78

RGB 97 94 120

HSL 246.92, 0.12%, 0.42%

LAB 41.06, 7.11, -14.19

 

CMYK 19 / 22 / 0 / 33

HEX #8B86AB

RGB 139 134 171

HSL 248.11, 0.18%, 0.6%

LAB 57.54, 9.76, -18.85

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 0 / 21 / 7 / 13

HEX #DEAFCF

RGB 222 175 207

HSL 319.15, 0.42%, 0.78%

LAB 76.49, 22.27, -9.64

 

CMYK 15 / 0 / 21 / 13

HEX #BCDEAF

RGB 188 222 175

HSL 103.4, 0.42%, 0.78%

LAB 85.01, -19.75, 19.42

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 0 / 19 / 21 / 13

HEX #DEB4AF

RGB 222 180 175

HSL 6.38, 0.42%, 0.78%

LAB 76.84, 14.41, 8.28

 

CMYK 21 / 0 / 19 / 13

HEX #AFDEB4

RGB 175 222 180

HSL 126.38, 0.42%, 0.78%

LAB 84.3, -23.3, 15.69

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 0 / 21 / 7 / 13

HEX #DEAFCF

RGB 222 175 207

HSL 319.15, 0.42%, 0.78%

LAB 76.49, 22.27, -9.64

 

CMYK 3 / 0 / 21 / 13

HEX #D8DEAF

RGB 216 222 175

HSL 67.66, 0.42%, 0.78%

LAB 86.97, -9.77, 22.43

 

CMYK 21 / 0 / 14 / 13

HEX #AFDEBE

RGB 175 222 190

HSL 139.15, 0.42%, 0.78%

LAB 84.52, -21.5, 10.74

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 0 / 21 / 13 / 13

HEX #DEAFC1

RGB 222 175 193

HSL 337.02, 0.42%, 0.78%

LAB 76.09, 19.9, -2.6

 

CMYK 3 / 0 / 21 / 13

HEX #D8DEAF

RGB 216 222 175

HSL 67.66, 0.42%, 0.78%

LAB 86.97, -9.77, 22.43

 

CMYK 21 / 0 / 8 / 13

HEX #AFDECC

RGB 175 222 204

HSL 157.02, 0.42%, 0.78%

LAB 84.85, -18.81, 3.83

 

Description

Color code: RGB 180 174 222 | qconv.com Color code: RGB 180 174 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 174 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 174 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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