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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 54 69 it is the complementary color RGB 199 201 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 54 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 54 69: RGB 61 54 64, RGB 78 72 83, RGB 95 90 102, RGB 112 108 121 and RGB 129 126 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 54 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 54 69: RGB 56 54 69, RGB 39 36 50, RGB 22 18 31, RGB 5 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

Complementary color

CMYK 1 / 0 / 7 / 21

HEX #C7C9BA

RGB 199 201 186

HSL 68, 0.12%, 0.76%

LAB 80.44, -3.36, 7.25

 

CMYK 5 / 16 / 0 / 75

HEX #3D3640

RGB 61 54 64

HSL 282, 0.08%, 0.23%

LAB 23.67, 5.33, -5.09

 

CMYK 6 / 13 / 0 / 67

HEX #4E4853

RGB 78 72 83

HSL 272.73, 0.07%, 0.3%

LAB 31.53, 4.92, -5.63

 

CMYK 7 / 12 / 0 / 60

HEX #5F5A66

RGB 95 90 102

HSL 265, 0.06%, 0.38%

LAB 39.08, 4.57, -6.15

 

CMYK 7 / 11 / 0 / 53

HEX #706C79

RGB 112 108 121

HSL 258.46, 0.06%, 0.45%

LAB 46.38, 4.27, -6.66

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 22 / 28 / 0 / 80

HEX #272432

RGB 39 36 50

HSL 252.86, 0.16%, 0.17%

LAB 15.08, 5.06, -8.65

 

CMYK 29 / 42 / 0 / 88

HEX #16121F

RGB 22 18 31

HSL 258.46, 0.27%, 0.1%

LAB 6.34, 5.21, -8.22

 

CMYK 58 / 100 / 0 / 95

HEX #05000C

RGB 5 0 12

HSL 265, 1%, 0.02%

LAB 0.53, 2.99, -4.12

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 15 / 22 / 0 / 73

HEX #3A3544

RGB 58 53 68

HSL 260, 0.12%, 0.24%

LAB 23.21, 5.78, -8.5

 

CMYK 12 / 22 / 0 / 73

HEX #3C3544

RGB 60 53 68

HSL 268, 0.12%, 0.24%

LAB 23.42, 6.58, -8.17

 

CMYK 7 / 22 / 0 / 73

HEX #3F3544

RGB 63 53 68

HSL 280, 0.12%, 0.24%

LAB 23.74, 7.79, -7.65

 

CMYK 4 / 22 / 0 / 73

HEX #413544

RGB 65 53 68

HSL 288, 0.12%, 0.24%

LAB 23.96, 8.6, -7.3

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 19 / 22 / 0 / 53

HEX #615E78

RGB 97 94 120

HSL 246.92, 0.12%, 0.42%

LAB 41.06, 7.11, -14.19

 

CMYK 19 / 22 / 0 / 33

HEX #8B86AB

RGB 139 134 171

HSL 248.11, 0.18%, 0.6%

LAB 57.54, 9.76, -18.85

 

CMYK 19 / 22 / 0 / 13

HEX #B4AEDE

RGB 180 174 222

HSL 247.5, 0.42%, 0.78%

LAB 73.06, 11.93, -23.36

 

CMYK 17 / 22 / 0 / 93

HEX #0F0E12

RGB 15 14 18

HSL 255, 0.13%, 0.06%

LAB 4.15, 1.09, -1.95

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 0 / 22 / 7 / 73

HEX #44353F

RGB 68 53 63

HSL 320, 0.12%, 0.24%

LAB 24.11, 8.72, -3.69

 

CMYK 16 / 0 / 22 / 73

HEX #394435

RGB 57 68 53

HSL 104, 0.12%, 0.24%

LAB 27.47, -7.86, 7.62

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 0 / 19 / 22 / 73

HEX #443735

RGB 68 55 53

HSL 8, 0.12%, 0.24%

LAB 24.38, 5.38, 3.41

SW® 2735

CMYK 22 / 0 / 19 / 73

HEX #354437

RGB 53 68 55

HSL 128, 0.12%, 0.24%

LAB 27.21, -9.11, 5.92

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 0 / 22 / 7 / 73

HEX #44353F

RGB 68 53 63

HSL 320, 0.12%, 0.24%

LAB 24.11, 8.72, -3.69

 

CMYK 3 / 0 / 22 / 73

HEX #424435

RGB 66 68 53

HSL 68, 0.12%, 0.24%

LAB 28.25, -3.91, 8.83

 

CMYK 22 / 0 / 15 / 73

HEX #35443A

RGB 53 68 58

HSL 140, 0.12%, 0.24%

LAB 27.29, -8.44, 4.08

 

CMYK 19 / 22 / 0 / 73

HEX #383645

RGB 56 54 69

HSL 248, 0.12%, 0.24%

LAB 23.37, 4.58, -8.96

 

CMYK 0 / 22 / 13 / 73

HEX #44353B

RGB 68 53 59

HSL 336, 0.12%, 0.24%

LAB 23.97, 7.88, -1.21

 

CMYK 3 / 0 / 22 / 73

HEX #424435

RGB 66 68 53

HSL 68, 0.12%, 0.24%

LAB 28.25, -3.91, 8.83

 

CMYK 22 / 0 / 7 / 73

HEX #35443F

RGB 53 68 63

HSL 160, 0.12%, 0.24%

LAB 27.44, -7.25, 1.04

 

Description

Color code: RGB 56 54 69 | qconv.com Color code: RGB 56 54 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 54 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 54 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 22 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 22% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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