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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 72 110 it is the complementary color RGB 80 183 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 72 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 72 110: RGB 180 72 105, RGB 197 90 124, RGB 214 108 143, RGB 231 126 162 and RGB 248 144 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 72 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 72 110: RGB 175 72 110, RGB 158 54 91, RGB 141 36 72, RGB 124 18 53 and RGB 107 0 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

Complementary color

CMYK 56 / 0 / 21 / 28

HEX #50B791

RGB 80 183 145

HSL 157.86, 0.42%, 0.52%

LAB 67.74, -39.08, 10.42

 

CMYK 0 / 60 / 42 / 29

HEX #B44869

RGB 180 72 105

HSL 341.67, 0.43%, 0.49%

LAB 46.12, 46.9, 3.63

 

CMYK 0 / 54 / 37 / 23

HEX #C55A7C

RGB 197 90 124

HSL 340.93, 0.48%, 0.56%

LAB 52.55, 46.16, 1.81

 

CMYK 0 / 50 / 33 / 16

HEX #D66C8F

RGB 214 108 143

HSL 340.19, 0.56%, 0.63%

LAB 58.98, 45.33, 0.31

 

CMYK 0 / 45 / 30 / 9

HEX #E77EA2

RGB 231 126 162

HSL 339.43, 0.69%, 0.7%

LAB 65.37, 44.47, -0.97

 

CMYK 0 / 42 / 27 / 3

HEX #F890B5

RGB 248 144 181

HSL 338.65, 0.88%, 0.77%

LAB 71.72, 43.62, -2.09

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 0 / 66 / 42 / 38

HEX #9E365B

RGB 158 54 91

HSL 338.65, 0.49%, 0.42%

LAB 39.01, 46.31, 1.57

 

CMYK 0 / 74 / 49 / 45

HEX #8D2448

RGB 141 36 72

HSL 339.43, 0.59%, 0.35%

LAB 32.68, 46.34, 4.26

 

CMYK 0 / 85 / 57 / 51

HEX #7C1235

RGB 124 18 53

HSL 340.19, 0.75%, 0.28%

LAB 26.66, 45.44, 7.94

 

CMYK 0 / 100 / 68 / 58

HEX #6B0022

RGB 107 0 34

HSL 340.93, 1%, 0.21%

LAB 20.99, 43.49, 12.78

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 0 / 60 / 46 / 32

HEX #AD465D

RGB 173 70 93

HSL 346.6, 0.42%, 0.48%

LAB 44.31, 44.21, 8.25

 

CMYK 0 / 60 / 56 / 32

HEX #AD464C

RGB 173 70 76

HSL 356.5, 0.42%, 0.48%

LAB 43.92, 42.66, 18.16

 

CMYK 0 / 53 / 60 / 32

HEX #AD5246

RGB 173 82 70

HSL 6.99, 0.42%, 0.48%

LAB 46.12, 36.19, 24.64

 

CMYK 0 / 42 / 60 / 32

HEX #AD6446

RGB 173 100 70

HSL 17.48, 0.42%, 0.48%

LAB 50.03, 26.51, 29.56

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 0 / 59 / 37 / 11

HEX #E25D8E

RGB 226 93 142

HSL 337.89, 0.7%, 0.63%

LAB 57.99, 56.27, -0.34

 

CMYK 0 / 59 / 36 / 91

HEX #16090E

RGB 22 9 14

HSL 336.92, 0.42%, 0.06%

LAB 3.59, 5.32, -0.46

 

CMYK 0 / 59 / 37 / 71

HEX #491E2E

RGB 73 30 46

HSL 337.67, 0.42%, 0.2%

LAB 18.11, 22.51, -0.78

 

CMYK 0 / 59 / 37 / 51

HEX #7C334E

RGB 124 51 78

HSL 337.81, 0.42%, 0.34%

LAB 32.26, 34.67, -0.64

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 0 / 11 / 60 / 32

HEX #AD9A46

RGB 173 154 70

HSL 48.93, 0.42%, 0.48%

LAB 63.7, -3.51, 45.76

 

CMYK 60 / 13 / 0 / 32

HEX #4697AD

RGB 70 151 173

HSL 192.82, 0.42%, 0.48%

LAB 58.46, -18.05, -18.95

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 36 / 0 / 60 / 32

HEX #6EAD46

RGB 110 173 70

HSL 96.7, 0.42%, 0.48%

LAB 64.68, -38.55, 45.66

 

CMYK 60 / 36 / 0 / 32

HEX #466EAD

RGB 70 110 173

HSL 216.7, 0.42%, 0.48%

LAB 46.27, 5.6, -37.87

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 0 / 11 / 60 / 32

HEX #AD9A46

RGB 173 154 70

HSL 48.93, 0.42%, 0.48%

LAB 63.7, -3.51, 45.76

 

CMYK 60 / 0 / 23 / 32

HEX #46AD86

RGB 70 173 134

HSL 157.28, 0.42%, 0.48%

LAB 64.09, -39.28, 11.27

 

CMYK 60 / 49 / 0 / 32

HEX #4659AD

RGB 70 89 173

HSL 228.93, 0.42%, 0.48%

LAB 40.35, 18.89, -47.3

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 7 / 0 / 60 / 32

HEX #A1AD46

RGB 161 173 70

HSL 66.99, 0.42%, 0.48%

LAB 67.95, -18.63, 50.23

 

CMYK 60 / 0 / 23 / 32

HEX #46AD86

RGB 70 173 134

HSL 157.28, 0.42%, 0.48%

LAB 64.09, -39.28, 11.27

 

CMYK 53 / 60 / 0 / 32

HEX #5246AD

RGB 82 70 173

HSL 246.99, 0.42%, 0.48%

LAB 36.35, 33.37, -53.71

 

Description

Color code: RGB 175 72 110 | qconv.com Color code: RGB 175 72 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 72 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 72 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 37 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 37% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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