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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C334E it is the complementary color #83CCB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C334E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C334E shade: #813349, #92455C, #A3576F, #B46982 and #C57B95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C334E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C334E shade: #7C334E, #6B213B, #5A0F28, #490015 and #380002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C334E shade: #7B324D, #7B323A and #7B3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C334E shade: #7B324D, #7B3261, #7B3274, #6E327B and #5A327B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C334E shade matches the following richer shades: #7B324D, #89244A, #971646 and #A50842

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C334E shade: #7B324D, #6D4051, #5F4E55, #515C58 and #436A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C334E shade: #7B3275, #7B3262, #7B324E, #7B323B and #7B3D32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C334E shade: #411A28, #5E263B, #7B324D, #983E60 and #B54B72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C334E shade: #7C334E, #7B6E32 and #326B7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C334E shade: #7C334E, #4E7B32 and #324E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C334E shade: #7C334E, #7B6E32, #327B5F and #32407B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C334E shade: #7C334E, #737B32, #327B5F and #3B327B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 37 / 51

HEX #7C334E

RGB 124 51 78

HSL 337.81, 0.42%, 0.34%

LAB 32.26, 34.67, -0.64

 

Complementary color

CMYK 36 / 0 / 13 / 20

HEX #83CCB1

RGB 131 204 177

HSL 157.81, 0.42%, 0.66%

LAB 76.79, -28.77, 6.28

 

CMYK 0 / 60 / 43 / 49

HEX #813349

RGB 129 51 73

HSL 343.08, 0.43%, 0.35%

LAB 32.95, 35.86, 3.71

 

CMYK 0 / 53 / 37 / 43

HEX #92455C

RGB 146 69 92

HSL 342.08, 0.36%, 0.42%

LAB 39.82, 35, 1.87

 

CMYK 0 / 47 / 32 / 36

HEX #A3576F

RGB 163 87 111

HSL 341.05, 0.3%, 0.49%

LAB 46.65, 34.07, 0.42

 

CMYK 0 / 42 / 28 / 29

HEX #B46982

RGB 180 105 130

HSL 340, 0.33%, 0.56%

LAB 53.4, 33.15, -0.78

 

CMYK 0 / 38 / 24 / 23

HEX #C57B95

RGB 197 123 149

HSL 338.92, 0.39%, 0.63%

LAB 60.07, 32.29, -1.82

 

CMYK 0 / 59 / 37 / 51

HEX #7C334E

RGB 124 51 78

HSL 337.81, 0.42%, 0.34%

LAB 32.26, 34.67, -0.64

 

CMYK 0 / 69 / 45 / 58

HEX #6B213B

RGB 107 33 59

HSL 338.92, 0.53%, 0.27%

LAB 25.35, 35.24, 1.52

 

CMYK 0 / 83 / 56 / 65

HEX #5A0F28

RGB 90 15 40

HSL 340, 0.71%, 0.21%

LAB 18.66, 35.02, 4.71

 

CMYK 0 / 100 / 71 / 71

HEX #490015

RGB 73 0 21

HSL 342.74, 1%, 0.14%

LAB 12.42, 33.43, 9.38

 

CMYK 0 / 100 / 96 / 78

HEX #380002

RGB 56 0 2

HSL 357.86, 1%, 0.11%

LAB 7.63, 27.38, 11.25

 

CMYK 0 / 59 / 37 / 52

HEX #7B324D

RGB 123 50 77

HSL 337.81, 0.42%, 0.34%

LAB 31.87, 34.7, -0.59

 

CMYK 0 / 59 / 53 / 52

HEX #7B323A

RGB 123 50 58

HSL 353.42, 0.42%, 0.34%

LAB 31.34, 32.55, 11.05

 

CMYK 0 / 59 / 59 / 52

HEX #7B3232

RGB 123 50 50

HSL 0, 0.42%, 0.34%

LAB 31.17, 31.83, 16

 

CMYK 0 / 59 / 37 / 52

HEX #7B324D

RGB 123 50 77

HSL 337.81, 0.42%, 0.34%

LAB 31.87, 34.7, -0.59

 

CMYK 0 / 59 / 21 / 52

HEX #7B3261

RGB 123 50 97

HSL 321.37, 0.42%, 0.34%

LAB 32.6, 37.57, -12.42

 

CMYK 0 / 59 / 6 / 52

HEX #7B3274

RGB 123 50 116

HSL 305.75, 0.42%, 0.34%

LAB 33.46, 40.8, -23.17

 

CMYK 11 / 59 / 0 / 52

HEX #6E327B

RGB 110 50 123

HSL 289.32, 0.42%, 0.34%

LAB 31.87, 38.41, -30.22

 

CMYK 27 / 59 / 0 / 52

HEX #5A327B

RGB 90 50 123

HSL 272.88, 0.42%, 0.34%

LAB 29.12, 32.84, -34.76

 

CMYK 0 / 59 / 37 / 52

HEX #7B324D

RGB 123 50 77

HSL 337.81, 0.42%, 0.34%

LAB 31.87, 34.7, -0.59

 

CMYK 0 / 74 / 46 / 46

HEX #89244A

RGB 137 36 74

HSL 337.43, 0.58%, 0.34%

LAB 31.98, 45.31, 1.83

 

CMYK 0 / 85 / 54 / 41

HEX #971646

RGB 151 22 70

HSL 337.67, 0.75%, 0.34%

LAB 33.13, 53.28, 6.48

 

CMYK 0 / 95 / 60 / 35

HEX #A50842

RGB 165 8 66

HSL 337.83, 0.91%, 0.34%

LAB 35.14, 59, 12.34

 

CMYK 0 / 59 / 37 / 52

HEX #7B324D

RGB 123 50 77

HSL 337.81, 0.42%, 0.34%

LAB 31.87, 34.7, -0.59

 

CMYK 0 / 41 / 26 / 57

HEX #6D4051

RGB 109 64 81

HSL 337.33, 0.26%, 0.34%

LAB 32.95, 22.09, -1.84

 

CMYK 0 / 18 / 11 / 63

HEX #5F4E55

RGB 95 78 85

HSL 335.29, 0.1%, 0.34%

LAB 35.08, 8.43, -1.45

 

CMYK 12 / 0 / 4 / 64

HEX #515C58

RGB 81 92 88

HSL 158.18, 0.06%, 0.34%

LAB 38.04, -5.17, 0.84

 

CMYK 37 / 0 / 13 / 58

HEX #436A5C

RGB 67 106 92

HSL 158.46, 0.23%, 0.34%

LAB 41.65, -17.26, 3.51

 

CMYK 0 / 59 / 5 / 52

HEX #7B3275

RGB 123 50 117

HSL 304.93, 0.42%, 0.34%

LAB 33.51, 40.99, -23.73

 

CMYK 0 / 59 / 20 / 52

HEX #7B3262

RGB 123 50 98

HSL 320.55, 0.42%, 0.34%

LAB 32.64, 37.73, -13

 

CMYK 0 / 59 / 37 / 52

HEX #7B324E

RGB 123 50 78

HSL 336.99, 0.42%, 0.34%

LAB 31.9, 34.83, -1.19

 

CMYK 0 / 59 / 52 / 52

HEX #7B323B

RGB 123 50 59

HSL 352.6, 0.42%, 0.34%

LAB 31.37, 32.65, 10.43

 

CMYK 0 / 50 / 59 / 52

HEX #7B3D32

RGB 123 61 50

HSL 9.04, 0.42%, 0.34%

LAB 33.52, 25.81, 19.05

 

CMYK 0 / 60 / 38 / 75

HEX #411A28

RGB 65 26 40

HSL 338.46, 0.43%, 0.18%

LAB 15.57, 20.74, -0.39

 

CMYK 0 / 60 / 37 / 63

HEX #5E263B

RGB 94 38 59

HSL 337.5, 0.42%, 0.26%

LAB 23.94, 28.02, -0.82

 

CMYK 0 / 59 / 37 / 52

HEX #7B324D

RGB 123 50 77

HSL 337.81, 0.42%, 0.34%

LAB 31.87, 34.7, -0.59

 

CMYK 0 / 59 / 37 / 40

HEX #983E60

RGB 152 62 96

HSL 337.33, 0.42%, 0.42%

LAB 39.52, 41.19, -0.95

 

CMYK 0 / 59 / 37 / 29

HEX #B54B72

RGB 181 75 114

HSL 337.92, 0.42%, 0.5%

LAB 47.07, 46.84, -0.47

 

CMYK 0 / 59 / 37 / 51

HEX #7C334E

RGB 124 51 78

HSL 337.81, 0.42%, 0.34%

LAB 32.26, 34.67, -0.64

 

CMYK 0 / 11 / 59 / 52

HEX #7B6E32

RGB 123 110 50

HSL 49.32, 0.42%, 0.34%

LAB 46.44, -3.07, 34.75

 

CMYK 59 / 13 / 0 / 52

HEX #326B7B

RGB 50 107 123

HSL 193.15, 0.42%, 0.34%

LAB 42.19, -13.62, -14.56

 

CMYK 0 / 59 / 37 / 51

HEX #7C334E

RGB 124 51 78

HSL 337.81, 0.42%, 0.34%

LAB 32.26, 34.67, -0.64

 

CMYK 37 / 0 / 59 / 52

HEX #4E7B32

RGB 78 123 50

HSL 96.99, 0.42%, 0.34%

LAB 47, -29.35, 34.5

 

CMYK 59 / 37 / 0 / 52

HEX #324E7B

RGB 50 78 123

HSL 216.99, 0.42%, 0.34%

LAB 33.04, 4.16, -28.75

 

CMYK 0 / 59 / 37 / 51

HEX #7C334E

RGB 124 51 78

HSL 337.81, 0.42%, 0.34%

LAB 32.26, 34.67, -0.64

 

CMYK 0 / 11 / 59 / 52

HEX #7B6E32

RGB 123 110 50

HSL 49.32, 0.42%, 0.34%

LAB 46.44, -3.07, 34.75

 

CMYK 59 / 0 / 23 / 52

HEX #327B5F

RGB 50 123 95

HSL 156.99, 0.42%, 0.34%

LAB 46.54, -29.93, 8.59

 

CMYK 59 / 48 / 0 / 52

HEX #32407B

RGB 50 64 123

HSL 228.49, 0.42%, 0.34%

LAB 28.84, 13.53, -35.43

 

CMYK 0 / 59 / 37 / 51

HEX #7C334E

RGB 124 51 78

HSL 337.81, 0.42%, 0.34%

LAB 32.26, 34.67, -0.64

 

CMYK 7 / 0 / 59 / 52

HEX #737B32

RGB 115 123 50

HSL 66.58, 0.42%, 0.34%

LAB 49.55, -13.96, 38.09

 

CMYK 59 / 0 / 23 / 52

HEX #327B5F

RGB 50 123 95

HSL 156.99, 0.42%, 0.34%

LAB 46.54, -29.93, 8.59

 

CMYK 52 / 59 / 0 / 52

HEX #3B327B

RGB 59 50 123

HSL 247.4, 0.42%, 0.34%

LAB 25.69, 24.99, -40.46

 

Description

Color code: HEX #7C334E | qconv.com Color code: HEX #7C334E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 51 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 51 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 37 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 37% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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