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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 146 112 it is the complementary color RGB 80 109 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 146 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 146 112: RGB 180 146 107, RGB 197 164 126, RGB 214 182 145, RGB 231 200 164 and RGB 248 218 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 146 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 146 112: RGB 175 146 112, RGB 158 128 93, RGB 141 110 74, RGB 124 92 55 and RGB 107 74 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

Complementary color

CMYK 44 / 24 / 0 / 44

HEX #506D8F

RGB 80 109 143

HSL 212.38, 0.28%, 0.44%

LAB 45.12, -1.06, -21.94

 

CMYK 0 / 19 / 41 / 29

HEX #B4926B

RGB 180 146 107

HSL 32.05, 0.33%, 0.56%

LAB 62.78, 7.38, 25.49

 

CMYK 0 / 17 / 36 / 23

HEX #C5A47E

RGB 197 164 126

HSL 32.11, 0.38%, 0.63%

LAB 69.42, 6.72, 24.26

 

CMYK 0 / 15 / 32 / 16

HEX #D6B691

RGB 214 182 145

HSL 32.17, 0.46%, 0.7%

LAB 75.94, 6.16, 23.12

 

CMYK 0 / 13 / 29 / 9

HEX #E7C8A4

RGB 231 200 164

HSL 32.24, 0.58%, 0.77%

LAB 82.37, 5.66, 22.06

 

CMYK 0 / 12 / 26 / 3

HEX #F8DAB7

RGB 248 218 183

HSL 32.31, 0.82%, 0.85%

LAB 88.69, 5.22, 21.05

 

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 0 / 22 / 48 / 45

HEX #8D6E4A

RGB 141 110 74

HSL 32.24, 0.31%, 0.42%

LAB 48.65, 7.39, 24.72

 

CMYK 0 / 26 / 56 / 51

HEX #7C5C37

RGB 124 92 55

HSL 32.17, 0.39%, 0.35%

LAB 41.56, 8.39, 26.23

 

CMYK 0 / 31 / 66 / 58

HEX #6B4A24

RGB 107 74 36

HSL 32.11, 0.5%, 0.28%

LAB 34.29, 9.67, 27.84

 

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

CMYK 0 / 11 / 36 / 32

HEX #AE9B6F

RGB 174 155 111

HSL 41.9, 0.28%, 0.56%

LAB 64.64, 0.44, 25.65

 

CMYK 0 / 5 / 36 / 32

HEX #AEA56F

RGB 174 165 111

HSL 51.43, 0.28%, 0.56%

LAB 67.32, -4.97, 29.19

 

CMYK 1 / 0 / 36 / 32

HEX #ACAE6F

RGB 172 174 111

HSL 61.9, 0.28%, 0.56%

LAB 69.6, -10.54, 32.13

 

CMYK 7 / 0 / 36 / 32

HEX #A1AE6F

RGB 161 174 111

HSL 72.38, 0.28%, 0.56%

LAB 68.75, -14.93, 30.86

 

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

CMYK 0 / 16 / 36 / 11

HEX #E2BD91

RGB 226 189 145

HSL 32.59, 0.58%, 0.73%

LAB 78.82, 7.14, 27.2

 

CMYK 0 / 18 / 36 / 91

HEX #16120E

RGB 22 18 14

HSL 30, 0.22%, 0.07%

LAB 5.73, 0.94, 2.66

 

CMYK 0 / 16 / 36 / 71

HEX #493D2F

RGB 73 61 47

HSL 32.31, 0.22%, 0.24%

LAB 26.62, 2.76, 10.58

 

CMYK 0 / 17 / 36 / 51

HEX #7C674F

RGB 124 103 79

HSL 32, 0.22%, 0.4%

LAB 45.01, 4.64, 16.68

 

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

CMYK 26 / 0 / 36 / 32

HEX #80AE6F

RGB 128 174 111

HSL 103.81, 0.28%, 0.56%

LAB 66.53, -27.41, 27.53

 

CMYK 32 / 36 / 0 / 32

HEX #776FAE

RGB 119 111 174

HSL 247.62, 0.28%, 0.56%

LAB 49.91, 17.83, -32.5

 

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

CMYK 36 / 0 / 17 / 32

HEX #6FAE90

RGB 111 174 144

HSL 151.43, 0.28%, 0.56%

LAB 66.26, -27.02, 9.05

 

CMYK 17 / 36 / 0 / 32

HEX #906FAE

RGB 144 111 174

HSL 271.43, 0.28%, 0.56%

LAB 52.24, 25.5, -28.71

 

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

CMYK 26 / 0 / 36 / 32

HEX #80AE6F

RGB 128 174 111

HSL 103.81, 0.28%, 0.56%

LAB 66.53, -27.41, 27.53

 

CMYK 36 / 20 / 0 / 32

HEX #6F8CAE

RGB 111 140 174

HSL 212.38, 0.28%, 0.56%

LAB 57.26, -1.64, -21.17

 

CMYK 10 / 36 / 0 / 32

HEX #9D6FAE

RGB 157 111 174

HSL 283.81, 0.28%, 0.56%

LAB 53.59, 29.64, -26.49

 

CMYK 0 / 17 / 36 / 31

HEX #AF9270

RGB 175 146 112

HSL 32.38, 0.28%, 0.56%

LAB 62.37, 5.92, 22.1

 

CMYK 36 / 0 / 35 / 32

HEX #6FAE71

RGB 111 174 113

HSL 121.9, 0.28%, 0.56%

LAB 65.63, -32.89, 25.09

 

CMYK 36 / 20 / 0 / 32

HEX #6F8CAE

RGB 111 140 174

HSL 212.38, 0.28%, 0.56%

LAB 57.26, -1.64, -21.17

 

CMYK 0 / 36 / 1 / 32

HEX #AE6FAC

RGB 174 111 172

HSL 301.9, 0.28%, 0.56%

LAB 55.43, 34.76, -22.35

 

Description

Color code: RGB 175 146 112 | qconv.com Color code: RGB 175 146 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 146 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 146 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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