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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 128 93 it is the complementary color RGB 97 127 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 128 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 128 93: RGB 163 128 88, RGB 180 146 107, RGB 197 164 126, RGB 214 182 145 and RGB 231 200 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 128 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 128 93: RGB 158 128 93, RGB 141 110 74, RGB 124 92 55, RGB 107 74 36 and RGB 90 56 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

Complementary color

CMYK 40 / 22 / 0 / 36

HEX #617FA2

RGB 97 127 162

HSL 212.31, 0.26%, 0.51%

LAB 52.21, -1.43, -22.1

 

CMYK 0 / 21 / 46 / 36

HEX #A38058

RGB 163 128 88

HSL 32, 0.3%, 0.49%

LAB 56.02, 8.16, 26.82

 

CMYK 0 / 19 / 41 / 29

HEX #B4926B

RGB 180 146 107

HSL 32.05, 0.33%, 0.56%

LAB 62.78, 7.38, 25.49

 

CMYK 0 / 17 / 36 / 23

HEX #C5A47E

RGB 197 164 126

HSL 32.11, 0.38%, 0.63%

LAB 69.42, 6.72, 24.26

 

CMYK 0 / 15 / 32 / 16

HEX #D6B691

RGB 214 182 145

HSL 32.17, 0.46%, 0.7%

LAB 75.94, 6.16, 23.12

 

CMYK 0 / 13 / 29 / 9

HEX #E7C8A4

RGB 231 200 164

HSL 32.24, 0.58%, 0.77%

LAB 82.37, 5.66, 22.06

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 0 / 22 / 48 / 45

HEX #8D6E4A

RGB 141 110 74

HSL 32.24, 0.31%, 0.42%

LAB 48.65, 7.39, 24.72

 

CMYK 0 / 26 / 56 / 51

HEX #7C5C37

RGB 124 92 55

HSL 32.17, 0.39%, 0.35%

LAB 41.56, 8.39, 26.23

 

CMYK 0 / 31 / 66 / 58

HEX #6B4A24

RGB 107 74 36

HSL 32.11, 0.5%, 0.28%

LAB 34.29, 9.67, 27.84

 

CMYK 0 / 38 / 81 / 65

HEX #5A3811

RGB 90 56 17

HSL 32.05, 0.68%, 0.21%

LAB 26.86, 11.35, 29.36

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 0 / 13 / 41 / 38

HEX #9D895C

RGB 157 137 92

HSL 41.54, 0.26%, 0.49%

LAB 57.88, 0.99, 26.9

 

CMYK 0 / 6 / 41 / 38

HEX #9D945C

RGB 157 148 92

HSL 51.69, 0.26%, 0.49%

LAB 60.89, -5.07, 30.78

 

CMYK 1 / 0 / 41 / 38

HEX #9B9D5C

RGB 155 157 92

HSL 61.85, 0.26%, 0.49%

LAB 63.22, -10.75, 33.7

 

CMYK 8 / 0 / 41 / 38

HEX #909D5C

RGB 144 157 92

HSL 72, 0.26%, 0.49%

LAB 62.35, -15.28, 32.42

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 0 / 19 / 41 / 18

HEX #D1A97B

RGB 209 169 123

HSL 32.09, 0.48%, 0.65%

LAB 71.8, 8.51, 29.26

 

CMYK 0 / 20 / 40 / 98

HEX #050403

RGB 5 4 3

HSL 30, 0.25%, 0.02%

LAB 1.14, 0.12, 0.47

 

CMYK 0 / 20 / 41 / 78

HEX #382D21

RGB 56 45 33

HSL 31.3, 0.26%, 0.17%

LAB 19.34, 2.9, 9.65

 

CMYK 0 / 19 / 41 / 58

HEX #6B573F

RGB 107 87 63

HSL 32.73, 0.26%, 0.33%

LAB 38.38, 4.52, 17.04

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 31 / 0 / 41 / 38

HEX #6D9D5C

RGB 109 157 92

HSL 104.31, 0.26%, 0.49%

LAB 60.01, -28.79, 28.96

 

CMYK 36 / 41 / 0 / 38

HEX #655C9D

RGB 101 92 157

HSL 248.31, 0.26%, 0.49%

LAB 42.54, 19.52, -34.18

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 41 / 0 / 19 / 38

HEX #5C9D7F

RGB 92 157 127

HSL 152.31, 0.26%, 0.49%

LAB 59.82, -27.92, 9.24

 

CMYK 19 / 41 / 0 / 38

HEX #7F5C9D

RGB 127 92 157

HSL 272.31, 0.26%, 0.49%

LAB 45.08, 27.34, -30.02

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 31 / 0 / 41 / 38

HEX #6D9D5C

RGB 109 157 92

HSL 104.31, 0.26%, 0.49%

LAB 60.01, -28.79, 28.96

 

CMYK 41 / 22 / 0 / 38

HEX #5C7A9D

RGB 92 122 157

HSL 212.31, 0.26%, 0.49%

LAB 50.25, -1.33, -22.22

 

CMYK 11 / 41 / 0 / 38

HEX #8C5C9D

RGB 140 92 157

HSL 284.31, 0.26%, 0.49%

LAB 46.53, 31.43, -27.65

 

CMYK 0 / 19 / 41 / 38

HEX #9E805D

RGB 158 128 93

HSL 32.31, 0.26%, 0.49%

LAB 55.58, 6.59, 23.35

 

CMYK 41 / 0 / 40 / 38

HEX #5C9D5E

RGB 92 157 94

HSL 121.85, 0.26%, 0.49%

LAB 59.16, -34.23, 26.6

 

CMYK 41 / 22 / 0 / 38

HEX #5C7A9D

RGB 92 122 157

HSL 212.31, 0.26%, 0.49%

LAB 50.25, -1.33, -22.22

 

CMYK 0 / 41 / 1 / 38

HEX #9D5C9B

RGB 157 92 155

HSL 301.85, 0.26%, 0.49%

LAB 48.5, 36.47, -23.25

 

Description

Color code: RGB 158 128 93 | qconv.com Color code: RGB 158 128 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 128 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 128 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 41 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 41% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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