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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 117 138 it is the complementary color RGB 83 138 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 117 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 117 138: RGB 177 117 133, RGB 194 135 152, RGB 211 153 171, RGB 228 171 190 and RGB 245 189 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 117 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 117 138: RGB 172 117 138, RGB 155 99 119, RGB 138 81 100, RGB 121 63 81 and RGB 104 45 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

Complementary color

CMYK 40 / 0 / 15 / 46

HEX #538A75

RGB 83 138 117

HSL 157.09, 0.25%, 0.43%

LAB 53.28, -23.3, 5.55

 

CMYK 0 / 34 / 25 / 31

HEX #B17585

RGB 177 117 133

HSL 344, 0.28%, 0.58%

LAB 55.85, 25.85, 0.98

 

CMYK 0 / 30 / 22 / 24

HEX #C28798

RGB 194 135 152

HSL 342.71, 0.33%, 0.65%

LAB 62.56, 25.07, 0.07

 

CMYK 0 / 27 / 19 / 17

HEX #D399AB

RGB 211 153 171

HSL 341.38, 0.4%, 0.71%

LAB 69.16, 24.36, -0.76

 

CMYK 0 / 25 / 17 / 11

HEX #E4ABBE

RGB 228 171 190

HSL 340, 0.51%, 0.78%

LAB 75.66, 23.71, -1.53

 

CMYK 0 / 23 / 15 / 4

HEX #F5BDD1

RGB 245 189 209

HSL 338.57, 0.74%, 0.85%

LAB 82.06, 23.11, -2.24

 

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

CMYK 0 / 36 / 23 / 39

HEX #9B6377

RGB 155 99 119

HSL 338.57, 0.22%, 0.5%

LAB 48.54, 25.55, -1.75

 

CMYK 0 / 41 / 28 / 46

HEX #8A5164

RGB 138 81 100

HSL 340, 0.26%, 0.43%

LAB 41.55, 26.44, -0.72

 

CMYK 0 / 48 / 33 / 53

HEX #793F51

RGB 121 63 81

HSL 341.38, 0.32%, 0.36%

LAB 34.42, 27.4, 0.53

 

CMYK 0 / 57 / 40 / 59

HEX #682D3E

RGB 104 45 62

HSL 342.71, 0.4%, 0.29%

LAB 27.21, 28.38, 2.13

 

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

CMYK 0 / 32 / 25 / 33

HEX #AC7581

RGB 172 117 129

HSL 346.91, 0.25%, 0.57%

LAB 55.15, 23.35, 2.23

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 23 / 32 / 33

HEX #AC8575

RGB 172 133 117

HSL 17.45, 0.25%, 0.57%

LAB 58.82, 12.61, 14.36

 

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

CMYK 0 / 32 / 20 / 13

HEX #DF98B3

RGB 223 152 179

HSL 337.18, 0.53%, 0.74%

LAB 70.45, 30.43, -3.17

 

CMYK 0 / 32 / 21 / 93

HEX #130D0F

RGB 19 13 15

HSL 340, 0.19%, 0.06%

LAB 4.16, 2.49, -0.18

 

CMYK 0 / 31 / 20 / 73

HEX #463038

RGB 70 48 56

HSL 338.18, 0.19%, 0.23%

LAB 22.66, 11.48, -1.08

 

CMYK 0 / 32 / 20 / 53

HEX #795261

RGB 121 82 97

HSL 336.92, 0.19%, 0.4%

LAB 39.52, 18.71, -2.09

 

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

CMYK 0 / 6 / 32 / 33

HEX #ACA275

RGB 172 162 117

HSL 49.09, 0.25%, 0.57%

LAB 66.44, -3.41, 24.76

 

CMYK 32 / 7 / 0 / 33

HEX #75A0AC

RGB 117 160 172

HSL 193.09, 0.25%, 0.57%

LAB 63.26, -11.53, -10.92

 

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

CMYK 20 / 0 / 32 / 33

HEX #8AAC75

RGB 138 172 117

HSL 97.09, 0.25%, 0.57%

LAB 66.67, -21.88, 24.61

 

CMYK 32 / 20 / 0 / 33

HEX #758AAC

RGB 117 138 172

HSL 217.09, 0.25%, 0.57%

LAB 57.01, 0.74, -20.37

 

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

CMYK 0 / 6 / 32 / 33

HEX #ACA275

RGB 172 162 117

HSL 49.09, 0.25%, 0.57%

LAB 66.44, -3.41, 24.76

 

CMYK 32 / 0 / 12 / 33

HEX #75AC97

RGB 117 172 151

HSL 157.09, 0.25%, 0.57%

LAB 66.15, -22.71, 5.06

 

CMYK 32 / 26 / 0 / 33

HEX #757FAC

RGB 117 127 172

HSL 229.09, 0.25%, 0.57%

LAB 53.96, 7.15, -25.06

 

CMYK 0 / 32 / 20 / 33

HEX #AC758A

RGB 172 117 138

HSL 337.09, 0.25%, 0.57%

LAB 55.41, 24.75, -2.65

 

CMYK 3 / 0 / 32 / 33

HEX #A6AC75

RGB 166 172 117

HSL 66.55, 0.25%, 0.57%

LAB 68.68, -11.13, 27.64

 

CMYK 32 / 0 / 12 / 33

HEX #75AC97

RGB 117 172 151

HSL 157.09, 0.25%, 0.57%

LAB 66.15, -22.71, 5.06

 

CMYK 28 / 32 / 0 / 33

HEX #7C75AC

RGB 124 117 172

HSL 247.64, 0.25%, 0.57%

LAB 51.82, 15.22, -28.33

 

Description

Color code: RGB 172 117 138 | qconv.com Color code: RGB 172 117 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 117 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 117 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 20 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 20% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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