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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 117 120 it is the complementary color RGB 83 138 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 117 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 172 117 120: RGB 177 117 115, RGB 194 135 134, RGB 211 153 153, RGB 228 171 172 and RGB 245 189 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 117 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 172 117 120: RGB 172 117 120, RGB 155 99 101, RGB 138 81 82, RGB 121 63 63 and RGB 104 45 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

Complementary color

CMYK 40 / 0 / 2 / 46

HEX #538A87

RGB 83 138 135

HSL 176.73, 0.25%, 0.43%

LAB 53.78, -18.89, -4.13

 

CMYK 0 / 34 / 35 / 31

HEX #B17573

RGB 177 117 115

HSL 1.94, 0.28%, 0.57%

LAB 55.39, 23.34, 10.8

 

CMYK 0 / 30 / 31 / 24

HEX #C28786

RGB 194 135 134

HSL 1, 0.33%, 0.64%

LAB 62.1, 22.48, 9.64

 

CMYK 0 / 27 / 27 / 17

HEX #D39999

RGB 211 153 153

HSL 0, 0.4%, 0.71%

LAB 68.7, 21.71, 8.6

 

CMYK 0 / 25 / 25 / 11

HEX #E4ABAC

RGB 228 171 172

HSL 358.95, 0.51%, 0.78%

LAB 75.2, 21.02, 7.65

 

CMYK 0 / 23 / 22 / 4

HEX #F5BDBF

RGB 245 189 191

HSL 357.86, 0.74%, 0.85%

LAB 81.6, 20.39, 6.76

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 0 / 36 / 35 / 39

HEX #9B6365

RGB 155 99 101

HSL 357.86, 0.22%, 0.5%

LAB 48.05, 22.95, 8.32

 

CMYK 0 / 41 / 41 / 46

HEX #8A5152

RGB 138 81 82

HSL 358.95, 0.26%, 0.43%

LAB 41.05, 23.96, 9.69

 

CMYK 0 / 48 / 48 / 53

HEX #793F3F

RGB 121 63 63

HSL 0, 0.32%, 0.36%

LAB 33.94, 25.11, 11.34

 

CMYK 0 / 57 / 58 / 59

HEX #682D2C

RGB 104 45 44

HSL 1, 0.41%, 0.29%

LAB 26.74, 26.37, 13.46

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 0 / 28 / 32 / 33

HEX #AC7B75

RGB 172 123 117

HSL 6.55, 0.25%, 0.57%

LAB 56.31, 18.25, 10.86

 

CMYK 0 / 23 / 32 / 33

HEX #AC8475

RGB 172 132 117

HSL 16.36, 0.25%, 0.57%

LAB 58.56, 13.17, 14.01

 

CMYK 0 / 18 / 32 / 33

HEX #AC8D75

RGB 172 141 117

HSL 26.18, 0.25%, 0.57%

LAB 60.87, 8.13, 17.21

 

CMYK 0 / 13 / 32 / 33

HEX #AC9675

RGB 172 150 117

HSL 36, 0.25%, 0.57%

LAB 63.23, 3.13, 20.44

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 0 / 32 / 30 / 13

HEX #DF989C

RGB 223 152 156

HSL 356.62, 0.53%, 0.74%

LAB 69.86, 27.16, 8.76

 

CMYK 0 / 32 / 32 / 93

HEX #130D0D

RGB 19 13 13

HSL 0, 0.19%, 0.06%

LAB 4.11, 2.14, 0.75

 

CMYK 0 / 31 / 30 / 73

HEX #463031

RGB 70 48 49

HSL 357.27, 0.19%, 0.23%

LAB 22.44, 10.21, 3.35

 

CMYK 0 / 32 / 31 / 53

HEX #795254

RGB 121 82 84

HSL 356.92, 0.19%, 0.4%

LAB 39.14, 16.62, 5.43

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 4 / 0 / 32 / 33

HEX #A5AC75

RGB 165 172 117

HSL 67.64, 0.25%, 0.57%

LAB 68.6, -11.53, 27.53

 

CMYK 32 / 17 / 0 / 33

HEX #758FAC

RGB 117 143 172

HSL 211.64, 0.25%, 0.57%

LAB 58.42, -2.11, -18.23

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 30 / 0 / 32 / 33

HEX #79AC75

RGB 121 172 117

HSL 115.64, 0.25%, 0.57%

LAB 65.64, -27.93, 23.05

 

CMYK 32 / 30 / 0 / 33

HEX #7579AC

RGB 117 121 172

HSL 235.64, 0.25%, 0.57%

LAB 52.33, 10.71, -27.59

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 4 / 0 / 32 / 33

HEX #A5AC75

RGB 165 172 117

HSL 67.64, 0.25%, 0.57%

LAB 68.6, -11.53, 27.53

 

CMYK 32 / 0 / 2 / 33

HEX #75ACA9

RGB 117 172 169

HSL 176.73, 0.25%, 0.57%

LAB 66.64, -18.62, -4.23

 

CMYK 27 / 32 / 0 / 33

HEX #7D75AC

RGB 125 117 172

HSL 248.73, 0.25%, 0.57%

LAB 51.91, 15.52, -28.19

 

CMYK 0 / 32 / 30 / 33

HEX #AC7578

RGB 172 117 120

HSL 356.73, 0.25%, 0.57%

LAB 54.92, 22.05, 7.14

 

CMYK 13 / 0 / 32 / 33

HEX #95AC75

RGB 149 172 117

HSL 85.09, 0.25%, 0.57%

LAB 67.41, -17.75, 25.74

 

CMYK 32 / 0 / 2 / 33

HEX #75ACA9

RGB 117 172 169

HSL 176.73, 0.25%, 0.57%

LAB 66.64, -18.62, -4.23

 

CMYK 18 / 32 / 0 / 33

HEX #8D75AC

RGB 141 117 172

HSL 266.18, 0.25%, 0.57%

LAB 53.35, 20.57, -25.85

 

Description

Color code: RGB 172 117 120 | qconv.com Color code: RGB 172 117 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 117 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 117 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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