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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 103 65 it is the complementary color RGB 87 152 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 103 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 168 103 65: RGB 173 103 60, RGB 190 121 79, RGB 207 139 98, RGB 224 157 117 and RGB 241 175 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 103 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 168 103 65: RGB 168 103 65, RGB 151 85 46, RGB 134 67 27, RGB 117 49 8 and RGB 100 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

Complementary color

CMYK 54 / 20 / 0 / 25

HEX #5798BE

RGB 87 152 190

HSL 202.14, 0.44%, 0.54%

LAB 60.07, -9.88, -26.04

 

CMYK 0 / 40 / 65 / 32

HEX #AD673C

RGB 173 103 60

HSL 22.83, 0.48%, 0.46%

LAB 50.58, 24.13, 35.77

 

CMYK 0 / 36 / 58 / 25

HEX #BE794F

RGB 190 121 79

HSL 22.7, 0.46%, 0.53%

LAB 57.26, 22.71, 34

 

CMYK 0 / 33 / 53 / 19

HEX #CF8B62

RGB 207 139 98

HSL 22.57, 0.53%, 0.6%

LAB 63.85, 21.48, 32.37

 

CMYK 0 / 30 / 48 / 12

HEX #E09D75

RGB 224 157 117

HSL 22.43, 0.63%, 0.67%

LAB 70.35, 20.4, 30.87

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

CMYK 0 / 44 / 70 / 41

HEX #97552E

RGB 151 85 46

HSL 22.29, 0.53%, 0.39%

LAB 43.17, 23.89, 34.04

 

CMYK 0 / 50 / 80 / 47

HEX #86431B

RGB 134 67 27

HSL 22.43, 0.66%, 0.32%

LAB 36.29, 25.68, 35.93

 

CMYK 0 / 58 / 93 / 54

HEX #753108

RGB 117 49 8

HSL 22.57, 0.87%, 0.25%

LAB 29.4, 27.7, 37.25

 

CMYK 0 / 69 / 100 / 61

HEX #641F00

RGB 100 31 0

HSL 18.6, 1%, 0.2%

LAB 22.62, 29.78, 33.14

 

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

CMYK 0 / 29 / 61 / 34

HEX #A87841

RGB 168 120 65

HSL 32.04, 0.44%, 0.46%

LAB 54.17, 12.76, 37.16

 

CMYK 0 / 18 / 61 / 34

HEX #A88941

RGB 168 137 65

HSL 41.94, 0.44%, 0.46%

LAB 58.6, 3.22, 42.27

 

CMYK 0 / 8 / 61 / 34

HEX #A89B41

RGB 168 155 65

HSL 52.43, 0.44%, 0.46%

LAB 63.47, -6.6, 47.73

 

CMYK 2 / 0 / 61 / 34

HEX #A5A841

RGB 165 168 65

HSL 61.75, 0.44%, 0.46%

LAB 66.81, -14.74, 51.31

 

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

CMYK 0 / 39 / 61 / 14

HEX #DB8655

RGB 219 134 85

HSL 21.94, 0.65%, 0.6%

LAB 63.97, 28.04, 39.8

 

CMYK 0 / 40 / 60 / 94

HEX #0F0906

RGB 15 9 6

HSL 20, 0.43%, 0.04%

LAB 2.8, 1.35, 1.76

 

CMYK 0 / 39 / 61 / 74

HEX #42281A

RGB 66 40 26

HSL 21, 0.43%, 0.18%

LAB 19.02, 10.39, 14.2

 

CMYK 0 / 38 / 62 / 54

HEX #75482D

RGB 117 72 45

HSL 22.5, 0.44%, 0.32%

LAB 35.21, 16.29, 24.05

 

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

CMYK 35 / 0 / 61 / 34

HEX #6EA841

RGB 110 168 65

HSL 93.79, 0.44%, 0.46%

LAB 63.1, -36.81, 46.16

 

CMYK 61 / 59 / 0 / 34

HEX #4145A8

RGB 65 69 168

HSL 237.67, 0.44%, 0.46%

LAB 34.41, 29.12, -53.93

 

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

CMYK 61 / 0 / 39 / 34

HEX #41A867

RGB 65 168 103

HSL 142.14, 0.44%, 0.46%

LAB 61.75, -44.67, 24.97

 

CMYK 39 / 61 / 0 / 34

HEX #6741A8

RGB 103 65 168

HSL 262.14, 0.44%, 0.46%

LAB 36.91, 39.41, -49.72

 

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

CMYK 35 / 0 / 61 / 34

HEX #6EA841

RGB 110 168 65

HSL 93.79, 0.44%, 0.46%

LAB 63.1, -36.81, 46.16

 

CMYK 61 / 22 / 0 / 34

HEX #4183A8

RGB 65 131 168

HSL 201.55, 0.44%, 0.46%

LAB 52.04, -9.58, -25.95

 

CMYK 26 / 61 / 0 / 34

HEX #7C41A8

RGB 124 65 168

HSL 274.37, 0.44%, 0.46%

LAB 39.4, 44.41, -45.59

 

CMYK 0 / 39 / 61 / 34

HEX #A86741

RGB 168 103 65

HSL 22.14, 0.44%, 0.46%

LAB 49.99, 22.35, 32.16

 

CMYK 53 / 0 / 61 / 34

HEX #4FA841

RGB 79 168 65

HSL 111.84, 0.44%, 0.46%

LAB 61.7, -46.81, 44.2

 

CMYK 61 / 22 / 0 / 34

HEX #4183A8

RGB 65 131 168

HSL 201.55, 0.44%, 0.46%

LAB 52.04, -9.58, -25.95

 

CMYK 8 / 61 / 0 / 34

HEX #9B41A8

RGB 155 65 168

HSL 292.43, 0.44%, 0.46%

LAB 43.62, 52.21, -38.61

 

Description

Color code: RGB 168 103 65 | qconv.com Color code: RGB 168 103 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 103 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 103 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 61 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 61% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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