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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1AF88 it is the complementary color #0E5077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1AF88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1AF88 shade: #F6AF83, #FFC196, #FFD3A9, #FFE5BC and #FFF7CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1AF88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1AF88 shade: #F1AF88, #E09D75, #CF8B62, #BE794F and #AD673C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1AF88 shade: #F1AF88, #F19388 and #F18888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1AF88 shade: #F1AF88, #F1CB88, #F1E888, #DEF188 and #C2F188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1AF88 shade matches the following richer shades: #F1AF88 and #FCAC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1AF88 shade: #F1AF88, #E6B293, #DCB59E, #D1B8A9 and #C6BAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1AF88 shade: #F1889A, #F19388, #F1AF88, #F1CB88 and #F1E788

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1AF88 shade: #E87E3E, #ED9663, #F1AF88, #F5C8AD and #FAE1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1AF88 shade: #F1AF88, #B6F188 and #888CF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1AF88 shade: #F1AF88, #88F1AF and #AF88F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1AF88 shade: #F1AF88, #B6F188, #88CBF1 and #C488F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1AF88 shade: #F1AF88, #96F188, #88CBF1 and #E388F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

Complementary color

CMYK 88 / 33 / 0 / 53

HEX #0E5077

RGB 14 80 119

HSL 202.29, 0.79%, 0.26%

LAB 32.17, -4.45, -27.71

 

CMYK 0 / 29 / 47 / 4

HEX #F6AF83

RGB 246 175 131

HSL 22.96, 0.86%, 0.74%

LAB 77.22, 20.92, 32.84

 

CMYK 0 / 24 / 41 / 0

HEX #FFC196

RGB 255 193 150

HSL 24.57, 1%, 0.79%

LAB 82.7, 16.91, 30.26

 

CMYK 0 / 17 / 34 / 0

HEX #FFD3A9

RGB 255 211 169

HSL 29.3, 1%, 0.83%

LAB 87.35, 9.7, 26.6

 

CMYK 0 / 10 / 26 / 0

HEX #FFE5BC

RGB 255 229 188

HSL 36.72, 1%, 0.87%

LAB 92.1, 2.84, 23.26

 

CMYK 0 / 3 / 19 / 0

HEX #FFF7CF

RGB 255 247 207

HSL 50, 1%, 0.91%

LAB 96.94, -3.64, 20.22

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 30 / 48 / 12

HEX #E09D75

RGB 224 157 117

HSL 22.43, 0.63%, 0.67%

LAB 70.35, 20.4, 30.87

 

CMYK 0 / 33 / 53 / 19

HEX #CF8B62

RGB 207 139 98

HSL 22.57, 0.53%, 0.6%

LAB 63.85, 21.48, 32.37

 

CMYK 0 / 36 / 58 / 25

HEX #BE794F

RGB 190 121 79

HSL 22.7, 0.46%, 0.53%

LAB 57.26, 22.71, 34

 

CMYK 0 / 40 / 65 / 32

HEX #AD673C

RGB 173 103 60

HSL 22.83, 0.48%, 0.46%

LAB 50.58, 24.13, 35.77

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 39 / 44 / 5

HEX #F19388

RGB 241 147 136

HSL 6.29, 0.79%, 0.74%

LAB 70.42, 34.22, 20.94

 

CMYK 0 / 44 / 44 / 5

HEX #F18888

RGB 241 136 136

HSL 0, 0.79%, 0.74%

LAB 68.08, 39.91, 17.74

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 16 / 44 / 5

HEX #F1CB88

RGB 241 203 136

HSL 38.29, 0.79%, 0.74%

LAB 83.54, 4.75, 38.35

 

CMYK 0 / 4 / 44 / 5

HEX #F1E888

RGB 241 232 136

HSL 54.86, 0.79%, 0.74%

LAB 90.87, -10.01, 47.62

 

CMYK 8 / 0 / 44 / 5

HEX #DEF188

RGB 222 241 136

HSL 70.86, 0.79%, 0.74%

LAB 91.78, -21.76, 48.44

 

CMYK 20 / 0 / 44 / 5

HEX #C2F188

RGB 194 241 136

HSL 86.86, 0.79%, 0.74%

LAB 89.93, -32.15, 45.73

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 32 / 50 / 1

HEX #FCAC7E

RGB 252 172 126

HSL 21.9, 0.95%, 0.74%

LAB 77.11, 24.39, 35.46

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 23 / 36 / 10

HEX #E6B293

RGB 230 178 147

HSL 22.41, 0.62%, 0.74%

LAB 76.54, 14.78, 23.11

 

CMYK 0 / 18 / 28 / 14

HEX #DCB59E

RGB 220 181 158

HSL 22.26, 0.47%, 0.74%

LAB 76.52, 10.71, 17.01

 

CMYK 0 / 12 / 19 / 18

HEX #D1B8A9

RGB 209 184 169

HSL 22.5, 0.3%, 0.74%

LAB 76.5, 6.53, 10.88

 

CMYK 0 / 6 / 10 / 22

HEX #C6BAB3

RGB 198 186 179

HSL 22.11, 0.14%, 0.74%

LAB 76.3, 3.03, 5.06

 

CMYK 0 / 44 / 36 / 5

HEX #F1889A

RGB 241 136 154

HSL 349.71, 0.79%, 0.74%

LAB 68.49, 41.88, 8.22

 

CMYK 0 / 39 / 44 / 5

HEX #F19388

RGB 241 147 136

HSL 6.29, 0.79%, 0.74%

LAB 70.42, 34.22, 20.94

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 16 / 44 / 5

HEX #F1CB88

RGB 241 203 136

HSL 38.29, 0.79%, 0.74%

LAB 83.54, 4.75, 38.35

 

CMYK 0 / 4 / 44 / 5

HEX #F1E788

RGB 241 231 136

HSL 54.29, 0.79%, 0.74%

LAB 90.61, -9.52, 47.3

 

CMYK 0 / 46 / 73 / 9

HEX #E87E3E

RGB 232 126 62

HSL 22.59, 0.79%, 0.58%

LAB 63.69, 36.15, 51.51

 

CMYK 0 / 37 / 58 / 7

HEX #ED9663

RGB 237 150 99

HSL 22.17, 0.79%, 0.66%

LAB 69.98, 27.81, 40.27

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 0 / 18 / 29 / 4

HEX #F5C8AD

RGB 245 200 173

HSL 22.5, 0.78%, 0.82%

LAB 83.83, 12.14, 19.52

 

CMYK 0 / 10 / 16 / 2

HEX #FAE1D2

RGB 250 225 210

HSL 22.5, 0.8%, 0.9%

LAB 91.16, 6.2, 10.45

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 24 / 0 / 44 / 5

HEX #B6F188

RGB 182 241 136

HSL 93.71, 0.79%, 0.74%

LAB 89.22, -36.4, 44.69

 

CMYK 44 / 42 / 0 / 5

HEX #888CF1

RGB 136 140 241

HSL 237.71, 0.79%, 0.74%

LAB 61.95, 23.79, -51.34

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 44 / 0 / 27 / 5

HEX #88F1AF

RGB 136 241 175

HSL 142.29, 0.79%, 0.74%

LAB 87.6, -44.7, 22.59

 

CMYK 27 / 44 / 0 / 5

HEX #AF88F1

RGB 175 136 241

HSL 262.29, 0.79%, 0.74%

LAB 64.22, 36.15, -47.54

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 24 / 0 / 44 / 5

HEX #B6F188

RGB 182 241 136

HSL 93.71, 0.79%, 0.74%

LAB 89.22, -36.4, 44.69

 

CMYK 44 / 16 / 0 / 5

HEX #88CBF1

RGB 136 203 241

HSL 201.71, 0.79%, 0.74%

LAB 78.63, -11.44, -25.37

 

CMYK 19 / 44 / 0 / 5

HEX #C488F1

RGB 196 136 241

HSL 274.29, 0.79%, 0.74%

LAB 66.29, 41.95, -44.15

 

CMYK 0 / 27 / 44 / 5

HEX #F1AF88

RGB 241 175 136

HSL 22.29, 0.79%, 0.74%

LAB 76.76, 19.45, 29.49

 

CMYK 38 / 0 / 44 / 5

HEX #96F188

RGB 150 241 136

HSL 112, 0.79%, 0.74%

LAB 87.57, -46.93, 42.25

 

CMYK 44 / 16 / 0 / 5

HEX #88CBF1

RGB 136 203 241

HSL 201.71, 0.79%, 0.74%

LAB 78.63, -11.44, -25.37

 

CMYK 6 / 44 / 0 / 5

HEX #E388F1

RGB 227 136 241

HSL 292, 0.79%, 0.74%

LAB 69.68, 50.77, -38.6

 

Description

Color code: HEX #F1AF88 | qconv.com Color code: HEX #F1AF88 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 175 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 175 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 44 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 44% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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