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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 107 86 it is the complementary color RGB 91 148 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 107 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 107 86: RGB 169 107 81, RGB 186 125 100, RGB 203 143 119, RGB 220 161 138 and RGB 237 179 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 107 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 107 86: RGB 164 107 86, RGB 147 89 67, RGB 130 71 48, RGB 113 53 29 and RGB 96 35 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

Complementary color

CMYK 46 / 12 / 0 / 34

HEX #5B94A9

RGB 91 148 169

HSL 196.15, 0.31%, 0.51%

LAB 58.29, -12.92, -16.85

 

CMYK 0 / 37 / 52 / 34

HEX #A96B51

RGB 169 107 81

HSL 17.73, 0.35%, 0.49%

LAB 51.32, 21.89, 24.82

 

CMYK 0 / 33 / 46 / 27

HEX #BA7D64

RGB 186 125 100

HSL 17.44, 0.38%, 0.56%

LAB 58.06, 20.76, 23.25

 

CMYK 0 / 30 / 41 / 20

HEX #CB8F77

RGB 203 143 119

HSL 17.14, 0.45%, 0.63%

LAB 64.7, 19.78, 21.85

 

CMYK 0 / 27 / 37 / 14

HEX #DCA18A

RGB 220 161 138

HSL 16.83, 0.54%, 0.7%

LAB 71.24, 18.92, 20.58

 

CMYK 0 / 24 / 34 / 7

HEX #EDB39D

RGB 237 179 157

HSL 16.5, 0.69%, 0.77%

LAB 77.69, 18.15, 19.42

 

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

CMYK 0 / 39 / 54 / 42

HEX #935943

RGB 147 89 67

HSL 16.5, 0.37%, 0.42%

LAB 43.88, 21.5, 22.78

 

CMYK 0 / 45 / 63 / 49

HEX #824730

RGB 130 71 48

HSL 16.83, 0.46%, 0.35%

LAB 36.87, 22.91, 24.71

 

CMYK 0 / 53 / 74 / 56

HEX #71351D

RGB 113 53 29

HSL 17.14, 0.59%, 0.28%

LAB 29.78, 24.56, 26.95

 

CMYK 0 / 64 / 90 / 62

HEX #60230A

RGB 96 35 10

HSL 17.44, 0.81%, 0.21%

LAB 22.69, 26.38, 28.9

 

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

CMYK 0 / 27 / 47 / 36

HEX #A37756

RGB 163 119 86

HSL 25.71, 0.31%, 0.49%

LAB 53.66, 13.05, 24.87

 

CMYK 0 / 19 / 47 / 36

HEX #A38456

RGB 163 132 86

HSL 35.84, 0.31%, 0.49%

LAB 57.04, 5.69, 29.24

 

CMYK 0 / 11 / 47 / 36

HEX #A39156

RGB 163 145 86

HSL 45.97, 0.31%, 0.49%

LAB 60.52, -1.53, 33.64

 

CMYK 0 / 3 / 47 / 36

HEX #A39E56

RGB 163 158 86

HSL 56.1, 0.31%, 0.49%

LAB 64.09, -8.57, 38.04

 

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

CMYK 0 / 35 / 47 / 16

HEX #D78C71

RGB 215 140 113

HSL 15.88, 0.56%, 0.64%

LAB 65.28, 25.56, 26.19

 

CMYK 0 / 36 / 45 / 96

HEX #0B0706

RGB 11 7 6

HSL 12, 0.29%, 0.03%

LAB 2.13, 0.91, 0.75

 

CMYK 0 / 35 / 47 / 76

HEX #3E2821

RGB 62 40 33

HSL 14.48, 0.31%, 0.19%

LAB 18.59, 9.27, 8.77

 

CMYK 0 / 35 / 48 / 56

HEX #714A3B

RGB 113 74 59

HSL 16.67, 0.31%, 0.34%

LAB 35.45, 14.67, 15.71

 

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

CMYK 22 / 0 / 47 / 36

HEX #7FA356

RGB 127 163 86

HSL 88.05, 0.31%, 0.49%

LAB 62.83, -25.82, 35.88

 

CMYK 47 / 41 / 0 / 36

HEX #5660A3

RGB 86 96 163

HSL 232.21, 0.31%, 0.49%

LAB 42.75, 14.76, -37.5

 

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

CMYK 47 / 0 / 35 / 36

HEX #56A36A

RGB 86 163 106

HSL 135.58, 0.31%, 0.49%

LAB 60.97, -36.69, 22.44

 

CMYK 35 / 47 / 0 / 36

HEX #6A56A3

RGB 106 86 163

HSL 255.58, 0.31%, 0.49%

LAB 41.79, 26.31, -38.92

 

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

CMYK 22 / 0 / 47 / 36

HEX #7FA356

RGB 127 163 86

HSL 88.05, 0.31%, 0.49%

LAB 62.83, -25.82, 35.88

 

CMYK 47 / 12 / 0 / 36

HEX #568FA3

RGB 86 143 163

HSL 195.58, 0.31%, 0.49%

LAB 56.35, -13.14, -16.39

 

CMYK 25 / 47 / 0 / 36

HEX #7A56A3

RGB 122 86 163

HSL 268.05, 0.31%, 0.49%

LAB 43.42, 30.84, -36.24

 

CMYK 0 / 35 / 48 / 36

HEX #A46B56

RGB 164 107 86

HSL 16.15, 0.31%, 0.49%

LAB 50.78, 20.29, 21.11

 

CMYK 36 / 0 / 47 / 36

HEX #68A356

RGB 104 163 86

HSL 105.97, 0.31%, 0.49%

LAB 61.49, -34.22, 33.93

 

CMYK 47 / 12 / 0 / 36

HEX #568FA3

RGB 86 143 163

HSL 195.58, 0.31%, 0.49%

LAB 56.35, -13.14, -16.39

 

CMYK 11 / 47 / 0 / 36

HEX #9156A3

RGB 145 86 163

HSL 285.97, 0.31%, 0.49%

LAB 46.07, 37.66, -31.88

 

Description

Color code: RGB 164 107 86 | qconv.com Color code: RGB 164 107 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 107 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 107 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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