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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 34 / 7 it is the complementary color CMYK 82 / 23 / 0 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 34 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 24 / 34 / 7: CMYK 0 / 26 / 37 / 5, CMYK 0 / 22 / 33 / 0, CMYK 0 / 15 / 25 / 0, CMYK 0 / 8 / 18 / 0 and CMYK 0 / 1 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 34 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 24 / 34 / 7: CMYK 0 / 24 / 34 / 7, CMYK 0 / 26 / 37 / 14, CMYK 0 / 29 / 41 / 20, CMYK 0 / 32 / 46 / 27 and CMYK 0 / 36 / 52 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

Complementary color

CMYK 82 / 23 / 0 / 62

HEX #124B62

RGB 18 75 98

HSL 197.25, 0.69%, 0.23%

LAB 29.52, -9.23, -18.62

 

CMYK 0 / 26 / 37 / 5

HEX #F2B498

RGB 242 180 152

HSL 18.67, 0.78%, 0.77%

LAB 78.34, 18.95, 23.09

 

CMYK 0 / 22 / 33 / 0

HEX #FFC6AB

RGB 255 198 171

HSL 19.29, 1%, 0.84%

LAB 84.27, 16.7, 21.34

 

CMYK 0 / 15 / 25 / 0

HEX #FFD8BE

RGB 255 216 190

HSL 24, 1%, 0.87%

LAB 88.96, 9.79, 17.87

 

CMYK 0 / 8 / 18 / 0

HEX #FFEAD1

RGB 255 234 209

HSL 32.61, 1%, 0.91%

LAB 93.76, 3.23, 14.72

 

CMYK 0 / 1 / 11 / 0

HEX #FFFCE4

RGB 255 252 228

HSL 53.33, 1%, 0.95%

LAB 98.62, -2.98, 11.84

 

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

CMYK 0 / 26 / 37 / 14

HEX #DCA28A

RGB 220 162 138

HSL 17.56, 0.54%, 0.7%

LAB 71.48, 18.38, 20.91

 

CMYK 0 / 29 / 41 / 20

HEX #CB9077

RGB 203 144 119

HSL 17.86, 0.45%, 0.63%

LAB 64.94, 19.23, 22.18

 

CMYK 0 / 32 / 46 / 27

HEX #BA7E64

RGB 186 126 100

HSL 18.14, 0.38%, 0.56%

LAB 58.3, 20.2, 23.57

 

CMYK 0 / 36 / 52 / 34

HEX #A96C51

RGB 169 108 81

HSL 18.41, 0.35%, 0.49%

LAB 51.56, 21.32, 25.13

 

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

CMYK 0 / 19 / 34 / 7

HEX #ECC09B

RGB 236 192 155

HSL 27.41, 0.68%, 0.77%

LAB 80.68, 10.65, 24.59

 

CMYK 0 / 13 / 34 / 7

HEX #ECCD9B

RGB 236 205 155

HSL 37.04, 0.68%, 0.77%

LAB 83.89, 3.85, 28.93

 

CMYK 0 / 7 / 34 / 7

HEX #ECDB9B

RGB 236 219 155

HSL 47.41, 0.68%, 0.77%

LAB 87.42, -3.36, 33.63

 

CMYK 0 / 2 / 34 / 7

HEX #ECE89B

RGB 236 232 155

HSL 57.04, 0.68%, 0.77%

LAB 90.74, -9.92, 37.99

 

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

CMYK 0 / 24 / 33 / 87

HEX #211916

RGB 33 25 22

HSL 16.36, 0.2%, 0.11%

LAB 9.61, 3.37, 3.59

 

CMYK 0 / 24 / 33 / 67

HEX #544038

RGB 84 64 56

HSL 17.14, 0.2%, 0.27%

LAB 29, 7.35, 8.22

 

CMYK 0 / 24 / 34 / 47

HEX #876759

RGB 135 103 89

HSL 18.26, 0.21%, 0.44%

LAB 46.41, 10.74, 12.84

 

CMYK 0 / 24 / 34 / 27

HEX #BA8D7B

RGB 186 141 123

HSL 17.14, 0.31%, 0.61%

LAB 62.44, 14.56, 16.22

 

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

CMYK 17 / 0 / 34 / 7

HEX #C5EC9B

RGB 197 236 155

HSL 88.89, 0.68%, 0.77%

LAB 89.03, -26.34, 35.23

 

CMYK 34 / 30 / 0 / 7

HEX #9BA5EC

RGB 155 165 236

HSL 232.59, 0.68%, 0.77%

LAB 69.42, 12.98, -36.76

 

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

CMYK 34 / 0 / 25 / 7

HEX #9BECB2

RGB 155 236 178

HSL 137.04, 0.68%, 0.77%

LAB 87.08, -36.57, 20.45

 

CMYK 25 / 34 / 0 / 7

HEX #B29BEC

RGB 178 155 236

HSL 257.04, 0.68%, 0.77%

LAB 68.73, 25.14, -37.71

 

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

CMYK 17 / 0 / 34 / 7

HEX #C5EC9B

RGB 197 236 155

HSL 88.89, 0.68%, 0.77%

LAB 89.03, -26.34, 35.23

 

CMYK 34 / 10 / 0 / 7

HEX #9BD5EC

RGB 155 213 236

HSL 197.04, 0.68%, 0.77%

LAB 82.17, -13.03, -17.24

 

CMYK 17 / 34 / 0 / 7

HEX #C39BEC

RGB 195 155 236

HSL 269.63, 0.68%, 0.77%

LAB 70.25, 30.17, -35.23

 

CMYK 0 / 24 / 34 / 7

HEX #EDB49D

RGB 237 180 157

HSL 17.25, 0.69%, 0.77%

LAB 77.92, 17.62, 19.75

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 34 / 10 / 0 / 7

HEX #9BD5EC

RGB 155 213 236

HSL 197.04, 0.68%, 0.77%

LAB 82.17, -13.03, -17.24

 

CMYK 7 / 34 / 0 / 7

HEX #DB9BEC

RGB 219 155 236

HSL 287.41, 0.68%, 0.77%

LAB 72.6, 37.46, -31.4

 

Description

Color code: CMYK 0 / 24 / 34 / 7 | qconv.com Color code: CMYK 0 / 24 / 34 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 180 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 180 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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