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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 45 128 it is the complementary color RGB 92 210 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 45 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 163 45 128: RGB 168 45 123, RGB 185 63 142, RGB 202 81 161, RGB 219 99 180 and RGB 236 117 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 45 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 163 45 128: RGB 163 45 128, RGB 146 27 109, RGB 129 9 90, RGB 112 0 71 and RGB 95 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

Complementary color

CMYK 56 / 0 / 40 / 18

HEX #5CD27F

RGB 92 210 127

HSL 137.8, 0.57%, 0.59%

LAB 76.01, -51.34, 31.36

 

CMYK 0 / 73 / 27 / 34

HEX #A82D7B

RGB 168 45 123

HSL 321.95, 0.58%, 0.42%

LAB 40.62, 56.57, -15.86

 

CMYK 0 / 66 / 23 / 27

HEX #B93F8E

RGB 185 63 142

HSL 321.15, 0.49%, 0.49%

LAB 46.74, 56.9, -17.85

 

CMYK 0 / 60 / 20 / 21

HEX #CA51A1

RGB 202 81 161

HSL 320.33, 0.53%, 0.55%

LAB 52.97, 56.74, -19.39

 

CMYK 0 / 55 / 18 / 14

HEX #DB63B4

RGB 219 99 180

HSL 319.5, 0.63%, 0.62%

LAB 59.23, 56.3, -20.62

 

CMYK 0 / 50 / 16 / 7

HEX #EC75C7

RGB 236 117 199

HSL 318.66, 0.76%, 0.69%

LAB 65.5, 55.71, -21.64

 

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

CMYK 0 / 82 / 25 / 43

HEX #921B6D

RGB 146 27 109

HSL 318.66, 0.69%, 0.34%

LAB 33.98, 54.8, -17.62

 

CMYK 0 / 93 / 30 / 49

HEX #81095A

RGB 129 9 90

HSL 319.5, 0.87%, 0.27%

LAB 28.38, 52.33, -14.24

 

CMYK 0 / 100 / 37 / 56

HEX #700047

RGB 112 0 71

HSL 321.96, 1%, 0.22%

LAB 23.34, 47.91, -9.54

 

CMYK 0 / 100 / 45 / 63

HEX #5F0034

RGB 95 0 52

HSL 327.16, 1%, 0.19%

LAB 18.72, 41.85, -3.64

 

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

CMYK 0 / 73 / 33 / 36

HEX #A42C6E

RGB 164 44 110

HSL 327, 0.58%, 0.41%

LAB 39.28, 54.23, -9.88

 

CMYK 0 / 73 / 45 / 36

HEX #A42C5A

RGB 164 44 90

HSL 337, 0.58%, 0.41%

LAB 38.61, 52.05, 1.76

 

CMYK 0 / 73 / 57 / 36

HEX #A42C46

RGB 164 44 70

HSL 347, 0.58%, 0.41%

LAB 38.09, 50.32, 13.75

 

CMYK 0 / 73 / 70 / 36

HEX #A42C32

RGB 164 44 50

HSL 357, 0.58%, 0.41%

LAB 37.71, 49.04, 25.84

 

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

CMYK 0 / 72 / 21 / 16

HEX #D63BA8

RGB 214 59 168

HSL 317.81, 0.65%, 0.54%

LAB 52.12, 69.36, -24.63

 

CMYK 0 / 70 / 20 / 96

HEX #0A0308

RGB 10 3 8

HSL 317.14, 0.54%, 0.03%

LAB 1.33, 2.53, -1.25

 

CMYK 0 / 72 / 21 / 76

HEX #3D1130

RGB 61 17 48

HSL 317.73, 0.56%, 0.15%

LAB 13.27, 25.61, -9.72

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

CMYK 0 / 38 / 73 / 36

HEX #A4662C

RGB 164 102 44

HSL 29, 0.58%, 0.41%

LAB 48.98, 19.85, 41.9

 

CMYK 73 / 0 / 9 / 36

HEX #2CA496

RGB 44 164 150

HSL 173, 0.58%, 0.41%

LAB 61.04, -35.55, -2.15

 

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

CMYK 21 / 0 / 73 / 36

HEX #82A42C

RGB 130 164 44

HSL 77, 0.58%, 0.41%

LAB 62.91, -28.84, 54.99

 

CMYK 73 / 21 / 0 / 36

HEX #2C82A4

RGB 44 130 164

HSL 197, 0.58%, 0.41%

LAB 50.9, -13.89, -25.46

 

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

CMYK 0 / 38 / 73 / 36

HEX #A4662C

RGB 164 102 44

HSL 29, 0.58%, 0.41%

LAB 48.98, 19.85, 41.9

 

CMYK 73 / 0 / 52 / 36

HEX #2CA44E

RGB 44 164 78

HSL 137, 0.58%, 0.41%

LAB 59.56, -51.41, 35.15

 

CMYK 73 / 35 / 0 / 36

HEX #2C6AA4

RGB 44 106 164

HSL 209, 0.58%, 0.41%

LAB 43.54, 0.26, -36.97

 

CMYK 0 / 72 / 21 / 36

HEX #A32D80

RGB 163 45 128

HSL 317.8, 0.57%, 0.41%

LAB 39.95, 55.92, -20.06

 

CMYK 0 / 16 / 73 / 36

HEX #A48A2C

RGB 164 138 44

HSL 47, 0.58%, 0.41%

LAB 58.27, -0.42, 51.37

 

CMYK 73 / 0 / 52 / 36

HEX #2CA44E

RGB 44 164 78

HSL 137, 0.58%, 0.41%

LAB 59.56, -51.41, 35.15

 

CMYK 73 / 57 / 0 / 36

HEX #2C46A4

RGB 44 70 164

HSL 227, 0.58%, 0.41%

LAB 33.13, 23.73, -53.68

 

Description

Color code: RGB 163 45 128 | qconv.com Color code: RGB 163 45 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 45 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 45 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 21 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 21% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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