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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #701F58 it is the complementary color #8FE0A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #701F58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #701F58 shade: #751F53, #863166, #974379, #A8558C and #B9679F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #701F58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #701F58 shade: #701F58, #5F0D45, #4E0032, #3D001F and #2C000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #701F58 shade: #701F58, #701F42, #701F2C and #701F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #701F58 shade: #701F58, #701F6E, #5C1F70, #461F70 and #301F70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #701F58 shade matches the following richer shades: #701F58, #7C135D and #870861

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #701F58 shade: #701F58, #652A53, #59364F, #4D414A and #424D45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #701F58 shade: #5C1F70, #701F6F, #701F59, #701F43 and #701F2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #701F58 shade: #2F0D25, #50163F, #701F58, #902871 and #B1308B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #701F58 shade: #701F58, #70461F and #1F7067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #701F58 shade: #701F58, #59701F and #1F5970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #701F58 shade: #701F58, #70461F, #1F7036 and #1F4970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #701F58 shade: #701F58, #705E1F, #1F7036 and #1F3070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

Complementary color

CMYK 36 / 0 / 25 / 12

HEX #8FE0A7

RGB 143 224 167

HSL 137.78, 0.57%, 0.72%

LAB 82.88, -36.64, 20.26

 

CMYK 0 / 74 / 29 / 54

HEX #751F53

RGB 117 31 83

HSL 323.72, 0.58%, 0.29%

LAB 27.81, 42.29, -10.7

 

CMYK 0 / 63 / 24 / 47

HEX #863166

RGB 134 49 102

HSL 322.59, 0.46%, 0.36%

LAB 34.45, 42.33, -12.64

 

CMYK 0 / 56 / 20 / 41

HEX #974379

RGB 151 67 121

HSL 321.43, 0.39%, 0.43%

LAB 41.17, 41.86, -14.04

 

CMYK 0 / 49 / 17 / 34

HEX #A8558C

RGB 168 85 140

HSL 320.24, 0.33%, 0.5%

LAB 47.9, 41.17, -15.11

 

CMYK 0 / 44 / 14 / 27

HEX #B9679F

RGB 185 103 159

HSL 319.02, 0.37%, 0.56%

LAB 54.57, 40.41, -15.99

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 86 / 27 / 63

HEX #5F0D45

RGB 95 13 69

HSL 319.02, 0.76%, 0.21%

LAB 20.64, 40.48, -12.62

 

CMYK 0 / 100 / 36 / 69

HEX #4E0032

RGB 78 0 50

HSL 321.54, 1%, 0.15%

LAB 14.68, 37.49, -8.69

 

CMYK 0 / 100 / 49 / 76

HEX #3D001F

RGB 61 0 31

HSL 329.51, 1%, 0.12%

LAB 9.73, 30.99, -2.41

 

CMYK 0 / 100 / 73 / 83

HEX #2C000C

RGB 44 0 12

HSL 343.64, 1%, 0.09%

LAB 5.08, 22.42, 3.06

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 72 / 41 / 56

HEX #701F42

RGB 112 31 66

HSL 334.07, 0.57%, 0.28%

LAB 26.21, 38.59, -1.84

 

CMYK 0 / 72 / 61 / 56

HEX #701F2C

RGB 112 31 44

HSL 350.37, 0.57%, 0.28%

LAB 25.58, 36.42, 12.17

 

CMYK 0 / 72 / 72 / 56

HEX #701F1F

RGB 112 31 31

HSL 0, 0.57%, 0.28%

LAB 25.33, 35.53, 20.52

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 72 / 2 / 56

HEX #701F6E

RGB 112 31 110

HSL 301.48, 0.57%, 0.28%

LAB 28.25, 45.21, -27.68

 

CMYK 18 / 72 / 0 / 56

HEX #5C1F70

RGB 92 31 112

HSL 285.19, 0.57%, 0.28%

LAB 25.03, 40.69, -34.29

 

CMYK 38 / 72 / 0 / 56

HEX #461F70

RGB 70 31 112

HSL 268.89, 0.57%, 0.28%

LAB 21.77, 35.62, -39.72

 

CMYK 57 / 72 / 0 / 56

HEX #301F70

RGB 48 31 112

HSL 252.59, 0.57%, 0.28%

LAB 19.13, 31.22, -44.13

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 85 / 25 / 51

HEX #7C135D

RGB 124 19 93

HSL 317.71, 0.73%, 0.28%

LAB 28.22, 49.45, -16.53

 

CMYK 0 / 94 / 28 / 47

HEX #870861

RGB 135 8 97

HSL 317.95, 0.89%, 0.28%

LAB 29.88, 54.7, -16.41

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 58 / 18 / 60

HEX #652A53

RGB 101 42 83

HSL 318.31, 0.41%, 0.28%

LAB 26.87, 32.09, -12.39

 

CMYK 0 / 39 / 11 / 65

HEX #59364F

RGB 89 54 79

HSL 317.14, 0.24%, 0.28%

LAB 27.65, 19.95, -8.74

 

CMYK 0 / 16 / 4 / 70

HEX #4D414A

RGB 77 65 74

HSL 315, 0.08%, 0.28%

LAB 29.04, 7, -3.53

 

CMYK 14 / 0 / 10 / 70

HEX #424D45

RGB 66 77 69

HSL 136.36, 0.08%, 0.28%

LAB 31.57, -6.23, 3.27

 

CMYK 18 / 72 / 0 / 56

HEX #5C1F70

RGB 92 31 112

HSL 285.19, 0.57%, 0.28%

LAB 25.03, 40.69, -34.29

 

CMYK 0 / 72 / 1 / 56

HEX #701F6F

RGB 112 31 111

HSL 300.74, 0.57%, 0.28%

LAB 28.31, 45.39, -28.23

 

CMYK 0 / 72 / 21 / 56

HEX #701F59

RGB 112 31 89

HSL 317.04, 0.57%, 0.28%

LAB 27.15, 41.71, -15.76

 

CMYK 0 / 72 / 40 / 56

HEX #701F43

RGB 112 31 67

HSL 333.33, 0.57%, 0.28%

LAB 26.24, 38.71, -2.46

 

CMYK 0 / 72 / 59 / 56

HEX #701F2E

RGB 112 31 46

HSL 348.89, 0.57%, 0.28%

LAB 25.63, 36.59, 10.88

 

CMYK 0 / 72 / 21 / 82

HEX #2F0D25

RGB 47 13 37

HSL 317.65, 0.57%, 0.12%

LAB 9.2, 20.83, -8.07

 

CMYK 0 / 73 / 21 / 69

HEX #50163F

RGB 80 22 63

HSL 317.59, 0.57%, 0.2%

LAB 18.53, 31.93, -11.96

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 72 / 22 / 44

HEX #902871

RGB 144 40 113

HSL 317.88, 0.57%, 0.36%

LAB 35.28, 50.61, -18.19

 

CMYK 0 / 73 / 21 / 31

HEX #B1308B

RGB 177 48 139

HSL 317.67, 0.57%, 0.44%

LAB 43.25, 59.98, -21.51

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 38 / 72 / 56

HEX #70461F

RGB 112 70 31

HSL 28.89, 0.57%, 0.28%

LAB 33.82, 14.14, 30.26

 

CMYK 72 / 0 / 8 / 56

HEX #1F7067

RGB 31 112 103

HSL 173.33, 0.57%, 0.28%

LAB 42.55, -26.11, -2

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 21 / 0 / 72 / 56

HEX #59701F

RGB 89 112 31

HSL 77.04, 0.57%, 0.28%

LAB 43.96, -21.15, 40.24

 

CMYK 72 / 21 / 0 / 56

HEX #1F5970

RGB 31 89 112

HSL 197.04, 0.57%, 0.28%

LAB 35.21, -10.55, -18.58

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 38 / 72 / 56

HEX #70461F

RGB 112 70 31

HSL 28.89, 0.57%, 0.28%

LAB 33.82, 14.14, 30.26

 

CMYK 72 / 0 / 52 / 56

HEX #1F7036

RGB 31 112 54

HSL 137.04, 0.57%, 0.28%

LAB 41.45, -37.78, 25.28

 

CMYK 72 / 35 / 0 / 56

HEX #1F4970

RGB 31 73 112

HSL 208.89, 0.57%, 0.28%

LAB 29.98, -0.51, -26.76

 

CMYK 0 / 72 / 21 / 56

HEX #701F58

RGB 112 31 88

HSL 317.78, 0.57%, 0.28%

LAB 27.1, 41.56, -15.17

 

CMYK 0 / 16 / 72 / 56

HEX #705E1F

RGB 112 94 31

HSL 46.67, 0.57%, 0.28%

LAB 40.49, -0.33, 37.33

 

CMYK 72 / 0 / 52 / 56

HEX #1F7036

RGB 31 112 54

HSL 137.04, 0.57%, 0.28%

LAB 41.45, -37.78, 25.28

 

CMYK 72 / 57 / 0 / 56

HEX #1F3070

RGB 31 48 112

HSL 227.41, 0.57%, 0.28%

LAB 22.21, 16.79, -39.17

 

Description

Color code: HEX #701F58 | qconv.com Color code: HEX #701F58 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 31 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 31 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 21 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 21% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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