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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 199 169 it is the complementary color RGB 93 56 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 199 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 162 199 169: RGB 167 199 164, RGB 184 217 183, RGB 201 235 202, RGB 218 253 221 and RGB 235 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 199 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 162 199 169: RGB 162 199 169, RGB 145 181 150, RGB 128 163 131, RGB 111 145 112 and RGB 94 127 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

Complementary color

CMYK 0 / 40 / 8 / 64

HEX #5D3856

RGB 93 56 86

HSL 311.35, 0.25%, 0.29%

LAB 28.97, 21.64, -11.25

 

CMYK 16 / 0 / 18 / 22

HEX #A7C7A4

RGB 167 199 164

HSL 114.86, 0.24%, 0.71%

LAB 77.13, -17.39, 14.01

 

CMYK 15 / 0 / 16 / 15

HEX #B8D9B7

RGB 184 217 183

HSL 118.24, 0.31%, 0.78%

LAB 83.57, -17.29, 13.16

 

CMYK 14 / 0 / 14 / 8

HEX #C9EBCA

RGB 201 235 202

HSL 121.76, 0.46%, 0.85%

LAB 89.91, -17.2, 12.34

 

CMYK 14 / 0 / 13 / 1

HEX #DAFDDD

RGB 218 253 221

HSL 125.14, 0.9%, 0.92%

LAB 96.15, -17.13, 11.56

 

CMYK 8 / 0 / 6 / 0

HEX #EBFFF0

RGB 235 255 240

HSL 135, 1%, 0.96%

LAB 98.22, -9.21, 4.93

 

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

CMYK 20 / 0 / 17 / 29

HEX #91B596

RGB 145 181 150

HSL 128.33, 0.2%, 0.64%

LAB 70.36, -18.35, 11.84

 

CMYK 21 / 0 / 20 / 36

HEX #80A383

RGB 128 163 131

HSL 125.14, 0.16%, 0.57%

LAB 63.69, -18.52, 12.75

 

CMYK 23 / 0 / 23 / 43

HEX #6F9170

RGB 111 145 112

HSL 121.76, 0.13%, 0.5%

LAB 56.88, -18.71, 13.73

 

CMYK 26 / 0 / 27 / 50

HEX #5E7F5D

RGB 94 127 93

HSL 118.24, 0.15%, 0.43%

LAB 49.92, -18.93, 14.79

 

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

CMYK 19 / 0 / 12 / 22

HEX #A2C7AF

RGB 162 199 175

HSL 141.08, 0.25%, 0.71%

LAB 77.06, -17.08, 7.96

 

CMYK 19 / 0 / 9 / 22

HEX #A2C7B5

RGB 162 199 181

HSL 150.81, 0.25%, 0.71%

LAB 77.2, -15.92, 4.94

 

CMYK 19 / 0 / 6 / 22

HEX #A2C7BB

RGB 162 199 187

HSL 160.54, 0.25%, 0.71%

LAB 77.35, -14.72, 1.92

 

CMYK 19 / 0 / 3 / 22

HEX #A2C7C1

RGB 162 199 193

HSL 170.27, 0.25%, 0.71%

LAB 77.51, -13.49, -1.09

 

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

CMYK 18 / 0 / 15 / 2

HEX #CCFAD4

RGB 204 250 212

HSL 130.43, 0.82%, 0.89%

LAB 94.3, -21.8, 13.43

 

CMYK 20 / 0 / 15 / 82

HEX #252E27

RGB 37 46 39

HSL 133.33, 0.11%, 0.16%

LAB 17.89, -5.64, 3.23

 

CMYK 19 / 0 / 15 / 62

HEX #4F6152

RGB 79 97 82

HSL 130, 0.1%, 0.35%

LAB 39.28, -10.18, 6.3

 

CMYK 19 / 0 / 15 / 42

HEX #78947E

RGB 120 148 126

HSL 132.86, 0.12%, 0.53%

LAB 58.68, -14.41, 8.41

 

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

CMYK 19 / 7 / 0 / 22

HEX #A2B9C7

RGB 162 185 199

HSL 202.7, 0.25%, 0.71%

LAB 73.87, -4.86, -9.71

 

CMYK 0 / 19 / 15 / 22

HEX #C7A2AA

RGB 199 162 170

HSL 347.03, 0.25%, 0.71%

LAB 70.1, 14.89, 1.01

 

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

CMYK 15 / 19 / 0 / 22

HEX #A9A2C7

RGB 169 162 199

HSL 251.35, 0.25%, 0.71%

LAB 68.31, 9.99, -18.01

 

CMYK 0 / 15 / 19 / 22

HEX #C7A9A2

RGB 199 169 162

HSL 11.35, 0.25%, 0.71%

LAB 71.64, 9.8, 7.66

 

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

CMYK 19 / 7 / 0 / 22

HEX #A2B9C7

RGB 162 185 199

HSL 202.7, 0.25%, 0.71%

LAB 73.87, -4.86, -9.71

 

CMYK 0 / 19 / 4 / 22

HEX #C7A2C0

RGB 199 162 192

HSL 311.35, 0.25%, 0.71%

LAB 70.72, 18.71, -10.25

 

CMYK 0 / 12 / 19 / 22

HEX #C7B0A2

RGB 199 176 162

HSL 22.7, 0.25%, 0.71%

LAB 73.42, 6.01, 10.19

 

CMYK 19 / 0 / 15 / 22

HEX #A2C7A9

RGB 162 199 169

HSL 131.35, 0.25%, 0.71%

LAB 76.92, -18.2, 10.99

 

CMYK 19 / 13 / 0 / 22

HEX #A2AEC7

RGB 162 174 199

HSL 220.54, 0.25%, 0.71%

LAB 70.92, 1.1, -14.13

 

CMYK 0 / 19 / 4 / 22

HEX #C7A2C0

RGB 199 162 192

HSL 311.35, 0.25%, 0.71%

LAB 70.72, 18.71, -10.25

 

CMYK 0 / 6 / 19 / 22

HEX #C7BBA2

RGB 199 187 162

HSL 40.54, 0.25%, 0.71%

LAB 76.25, 0.12, 14.19

 

Description

Color code: RGB 162 199 169 | qconv.com Color code: RGB 162 199 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 199 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 199 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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