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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 0 / 23 / 43 it is the complementary color CMYK 0 / 23 / 0 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 0 / 23 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 0 / 23 / 43: CMYK 19 / 0 / 26 / 43, CMYK 18 / 0 / 23 / 36, CMYK 17 / 0 / 20 / 29, CMYK 16 / 0 / 18 / 22 and CMYK 15 / 0 / 16 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 0 / 23 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 0 / 23 / 43: CMYK 23 / 0 / 23 / 43, CMYK 25 / 0 / 27 / 50, CMYK 28 / 0 / 32 / 57, CMYK 33 / 0 / 40 / 64 and CMYK 40 / 0 / 51 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

Complementary color

CMYK 0 / 23 / 0 / 44

HEX #8F6E8F

RGB 143 110 143

HSL 300, 0.13%, 0.5%

LAB 50.66, 19.03, -13

 

CMYK 19 / 0 / 26 / 43

HEX #75916B

RGB 117 145 107

HSL 104.21, 0.15%, 0.49%

LAB 57.17, -17.41, 17.01

 

CMYK 18 / 0 / 23 / 36

HEX #86A37E

RGB 134 163 126

HSL 107.03, 0.17%, 0.57%

LAB 63.97, -17.27, 15.98

 

CMYK 17 / 0 / 20 / 29

HEX #97B591

RGB 151 181 145

HSL 110, 0.2%, 0.64%

LAB 70.64, -17.15, 15.02

 

CMYK 16 / 0 / 18 / 22

HEX #A8C7A4

RGB 168 199 164

HSL 113.14, 0.24%, 0.71%

LAB 77.19, -17.04, 14.11

 

CMYK 15 / 0 / 16 / 15

HEX #B9D9B7

RGB 185 217 183

HSL 116.47, 0.31%, 0.78%

LAB 83.63, -16.95, 13.26

 

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

CMYK 25 / 0 / 27 / 50

HEX #5F7F5D

RGB 95 127 93

HSL 116.47, 0.15%, 0.43%

LAB 49.98, -18.56, 14.89

 

CMYK 28 / 0 / 32 / 57

HEX #4E6D4A

RGB 78 109 74

HSL 113.14, 0.19%, 0.36%

LAB 42.84, -18.79, 16.04

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 40 / 0 / 51 / 71

HEX #2C4924

RGB 44 73 36

HSL 107.03, 0.34%, 0.21%

LAB 27.92, -19.25, 18.73

 

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

CMYK 24 / 0 / 19 / 44

HEX #6E9074

RGB 110 144 116

HSL 130.59, 0.13%, 0.5%

LAB 56.61, -17.78, 11.07

 

CMYK 24 / 0 / 16 / 44

HEX #6E9079

RGB 110 144 121

HSL 139.41, 0.13%, 0.5%

LAB 56.72, -16.8, 8.39

 

CMYK 24 / 0 / 12 / 44

HEX #6E907F

RGB 110 144 127

HSL 150, 0.13%, 0.5%

LAB 56.87, -15.56, 5.17

 

CMYK 24 / 0 / 8 / 44

HEX #6E9085

RGB 110 144 133

HSL 160.59, 0.13%, 0.5%

LAB 57.03, -14.27, 1.96

 

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

CMYK 23 / 0 / 23 / 23

HEX #97C497

RGB 151 196 151

HSL 120, 0.28%, 0.68%

LAB 75.01, -23.66, 17.86

 

CMYK 23 / 0 / 23 / 3

HEX #BFF7BF

RGB 191 247 191

HSL 120, 0.78%, 0.86%

LAB 92.29, -28.18, 21.28

 

CMYK 23 / 0 / 23 / 83

HEX #212B21

RGB 33 43 33

HSL 120, 0.13%, 0.15%

LAB 16.31, -6.85, 5.11

 

CMYK 22 / 0 / 22 / 63

HEX #495E49

RGB 73 94 73

HSL 120, 0.13%, 0.33%

LAB 37.67, -12.63, 9.48

 

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

CMYK 24 / 5 / 0 / 44

HEX #6E8990

RGB 110 137 144

HSL 192.35, 0.13%, 0.5%

LAB 55.3, -7.91, -6.91

 

CMYK 0 / 24 / 14 / 44

HEX #906E7C

RGB 144 110 124

HSL 335.29, 0.13%, 0.5%

LAB 50.14, 15.81, -2.53

 

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

CMYK 24 / 24 / 0 / 44

HEX #6E6E90

RGB 110 110 144

HSL 240, 0.13%, 0.5%

LAB 47.6, 7.8, -18.53

 

CMYK 0 / 24 / 24 / 44

HEX #906E6E

RGB 144 110 110

HSL 0, 0.13%, 0.5%

LAB 49.75, 13.47, 5.2

 

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

CMYK 24 / 5 / 0 / 44

HEX #6E8990

RGB 110 137 144

HSL 192.35, 0.13%, 0.5%

LAB 55.3, -7.91, -6.91

 

CMYK 0 / 24 / 0 / 44

HEX #906E90

RGB 144 110 144

HSL 300, 0.13%, 0.5%

LAB 50.8, 19.59, -13.37

 

CMYK 0 / 19 / 24 / 44

HEX #90756E

RGB 144 117 110

HSL 12.35, 0.13%, 0.5%

LAB 51.58, 9.4, 7.83

 

CMYK 23 / 0 / 23 / 43

HEX #709170

RGB 112 145 112

HSL 120, 0.13%, 0.5%

LAB 56.94, -18.35, 13.83

 

CMYK 24 / 12 / 0 / 44

HEX #6E7F90

RGB 110 127 144

HSL 210, 0.13%, 0.5%

LAB 52.41, -2.22, -11.24

 

CMYK 0 / 24 / 0 / 44

HEX #906E90

RGB 144 110 144

HSL 300, 0.13%, 0.5%

LAB 50.8, 19.59, -13.37

 

CMYK 0 / 12 / 24 / 44

HEX #907F6E

RGB 144 127 110

HSL 30, 0.13%, 0.5%

LAB 54.27, 3.65, 11.62

 

Description

Color code: CMYK 23 / 0 / 23 / 43 | qconv.com Color code: CMYK 23 / 0 / 23 / 43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 145 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 145 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 23 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 23% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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