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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 91 55 it is the complementary color RGB 194 164 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 91 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 61 91 55: RGB 66 91 50, RGB 83 109 69, RGB 100 127 88, RGB 117 145 107 and RGB 134 163 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 91 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 61 91 55: RGB 61 91 55, RGB 44 73 36, RGB 27 55 17, RGB 10 37 0 and RGB 0 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

Complementary color

CMYK 3 / 18 / 0 / 22

HEX #C2A4C8

RGB 194 164 200

HSL 290, 0.25%, 0.71%

LAB 71, 17.41, -14.3

 

CMYK 27 / 0 / 45 / 64

HEX #425B32

RGB 66 91 50

HSL 96.59, 0.29%, 0.28%

LAB 35.73, -17.86, 20.65

 

CMYK 24 / 0 / 37 / 57

HEX #536D45

RGB 83 109 69

HSL 99, 0.22%, 0.35%

LAB 43.07, -17.71, 19.33

 

CMYK 21 / 0 / 31 / 50

HEX #647F58

RGB 100 127 88

HSL 101.54, 0.18%, 0.42%

LAB 50.21, -17.56, 18.12

 

CMYK 19 / 0 / 26 / 43

HEX #75916B

RGB 117 145 107

HSL 104.21, 0.15%, 0.49%

LAB 57.17, -17.41, 17.01

 

CMYK 18 / 0 / 23 / 36

HEX #86A37E

RGB 134 163 126

HSL 107.03, 0.17%, 0.57%

LAB 63.97, -17.27, 15.98

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 40 / 0 / 51 / 71

HEX #2C4924

RGB 44 73 36

HSL 107.03, 0.34%, 0.21%

LAB 27.92, -19.25, 18.73

 

CMYK 51 / 0 / 69 / 78

HEX #1B3711

RGB 27 55 17

HSL 104.21, 0.53%, 0.14%

LAB 20.07, -19.3, 20.17

 

CMYK 73 / 0 / 100 / 85

HEX #0A2500

RGB 10 37 0

HSL 103.78, 1%, 0.07%

LAB 11.88, -18.96, 17.24

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 40 / 0 / 40 / 64

HEX #375C37

RGB 55 92 55

HSL 120, 0.25%, 0.29%

LAB 35.48, -21.81, 17.24

 

CMYK 40 / 0 / 34 / 64

HEX #375C3D

RGB 55 92 61

HSL 129.73, 0.25%, 0.29%

LAB 35.6, -20.67, 13.78

 

CMYK 40 / 0 / 27 / 64

HEX #375C43

RGB 55 92 67

HSL 139.46, 0.25%, 0.29%

LAB 35.74, -19.42, 10.3

 

CMYK 40 / 0 / 21 / 64

HEX #375C49

RGB 55 92 73

HSL 149.19, 0.25%, 0.29%

LAB 35.88, -18.07, 6.81

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 33 / 0 / 39 / 44

HEX #5F8E56

RGB 95 142 86

HSL 110.36, 0.25%, 0.45%

LAB 54.5, -27.4, 24.9

 

CMYK 33 / 0 / 39 / 24

HEX #81C175

RGB 129 193 117

HSL 110.53, 0.38%, 0.61%

LAB 72.29, -35.15, 31.94

 

CMYK 33 / 0 / 40 / 4

HEX #A4F493

RGB 164 244 147

HSL 109.48, 0.82%, 0.77%

LAB 89.25, -42.32, 39.15

 

CMYK 33 / 0 / 40 / 84

HEX #1B2818

RGB 27 40 24

HSL 108.75, 0.25%, 0.13%

LAB 14.49, -9.59, 8.79

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 40 / 1 / 0 / 64

HEX #375B5C

RGB 55 91 92

HSL 181.62, 0.25%, 0.29%

LAB 36.11, -12.59, -4.67

 

CMYK 0 / 40 / 17 / 64

HEX #5C374C

RGB 92 55 76

HSL 325.95, 0.25%, 0.29%

LAB 28.19, 19.93, -5.9

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 40 / 34 / 0 / 64

HEX #373D5C

RGB 55 61 92

HSL 230.27, 0.25%, 0.29%

LAB 26.51, 6.28, -19.29

 

CMYK 0 / 40 / 34 / 64

HEX #5C373D

RGB 92 55 61

HSL 350.27, 0.25%, 0.29%

LAB 27.69, 17.4, 3.25

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 40 / 1 / 0 / 64

HEX #375B5C

RGB 55 91 92

HSL 181.62, 0.25%, 0.29%

LAB 36.11, -12.59, -4.67

 

CMYK 7 / 40 / 0 / 64

HEX #56375C

RGB 86 55 92

HSL 290.27, 0.25%, 0.29%

LAB 28.07, 20.97, -16.62

 

CMYK 0 / 39 / 40 / 64

HEX #5C3837

RGB 92 56 55

HSL 1.62, 0.25%, 0.29%

LAB 27.79, 15.9, 7.34

 

CMYK 33 / 0 / 40 / 64

HEX #3D5B37

RGB 61 91 55

HSL 110, 0.25%, 0.29%

LAB 35.5, -19.04, 17.32

 

CMYK 40 / 13 / 0 / 64

HEX #37505C

RGB 55 80 92

HSL 199.46, 0.25%, 0.29%

LAB 32.53, -6.02, -10.04

 

CMYK 7 / 40 / 0 / 64

HEX #56375C

RGB 86 55 92

HSL 290.27, 0.25%, 0.29%

LAB 28.07, 20.97, -16.62

 

CMYK 0 / 27 / 40 / 64

HEX #5C4337

RGB 92 67 55

HSL 19.46, 0.25%, 0.29%

LAB 30.8, 8.97, 11.5

 

Description

Color code: RGB 61 91 55 | qconv.com Color code: RGB 61 91 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 91 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 91 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 40 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 40% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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