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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 161 174 179 it is the complementary color RGB 94 81 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 161 174 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 161 174 179: RGB 166 174 174, RGB 183 192 193, RGB 200 210 212, RGB 217 228 231 and RGB 234 246 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 161 174 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 161 174 179: RGB 161 174 179, RGB 144 156 160, RGB 127 138 141, RGB 110 120 122 and RGB 93 102 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

Complementary color

CMYK 0 / 14 / 19 / 63

HEX #5E514C

RGB 94 81 76

HSL 16.67, 0.11%, 0.33%

LAB 35.57, 4.45, 4.92

 

CMYK 5 / 0 / 0 / 32

HEX #A6AEAE

RGB 166 174 174

HSL 180, 0.05%, 0.67%

LAB 70.48, -2.8, -0.98

 

CMYK 5 / 1 / 0 / 24

HEX #B7C0C1

RGB 183 192 193

HSL 186, 0.07%, 0.74%

LAB 77.05, -2.9, -1.59

 

CMYK 6 / 1 / 0 / 17

HEX #C8D2D4

RGB 200 210 212

HSL 190, 0.12%, 0.81%

LAB 83.51, -3, -2.17

 

CMYK 6 / 1 / 0 / 9

HEX #D9E4E7

RGB 217 228 231

HSL 192.86, 0.23%, 0.88%

LAB 89.86, -3.1, -2.74

 

CMYK 6 / 2 / 0 / 2

HEX #EAF6FA

RGB 234 246 250

HSL 195, 0.62%, 0.95%

LAB 96.12, -3.19, -3.29

 

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

CMYK 10 / 2 / 0 / 37

HEX #909CA0

RGB 144 156 160

HSL 195, 0.08%, 0.6%

LAB 63.54, -3.44, -3.56

 

CMYK 10 / 2 / 0 / 45

HEX #7F8A8D

RGB 127 138 141

HSL 192.86, 0.06%, 0.53%

LAB 56.7, -3.36, -2.98

 

CMYK 10 / 2 / 0 / 52

HEX #6E787A

RGB 110 120 122

HSL 190, 0.05%, 0.45%

LAB 49.68, -3.29, -2.38

 

CMYK 10 / 1 / 0 / 60

HEX #5D6667

RGB 93 102 103

HSL 186, 0.05%, 0.38%

LAB 42.47, -3.22, -1.75

 

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

CMYK 11 / 4 / 0 / 29

HEX #A1ACB4

RGB 161 172 180

HSL 205.26, 0.11%, 0.67%

LAB 69.74, -2.22, -5.43

 

CMYK 11 / 7 / 0 / 29

HEX #A1A8B4

RGB 161 168 180

HSL 217.89, 0.11%, 0.67%

LAB 68.66, -0.04, -7.02

 

CMYK 11 / 8 / 0 / 29

HEX #A1A5B4

RGB 161 165 180

HSL 227.37, 0.11%, 0.67%

LAB 67.86, 1.6, -8.21

 

CMYK 11 / 10 / 0 / 29

HEX #A1A2B4

RGB 161 162 180

HSL 236.84, 0.11%, 0.67%

LAB 67.06, 3.26, -9.4

 

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

CMYK 10 / 3 / 0 / 10

HEX #CFE0E6

RGB 207 224 230

HSL 195.65, 0.32%, 0.86%

LAB 88.11, -4.48, -4.88

 

CMYK 12 / 4 / 0 / 90

HEX #17191A

RGB 23 25 26

HSL 200, 0.06%, 0.1%

LAB 8.59, -0.68, -1.03

 

CMYK 10 / 3 / 0 / 70

HEX #454B4D

RGB 69 75 77

HSL 195, 0.05%, 0.29%

LAB 31.42, -1.96, -2.03

 

CMYK 10 / 3 / 0 / 50

HEX #737C80

RGB 115 124 128

HSL 198.46, 0.05%, 0.48%

LAB 51.4, -2.48, -3.33

 

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

CMYK 6 / 11 / 0 / 29

HEX #AAA1B4

RGB 170 161 180

HSL 268.42, 0.11%, 0.67%

LAB 67.52, 6.9, -8.63

 

CMYK 0 / 2 / 11 / 29

HEX #B4B1A1

RGB 180 177 161

HSL 50.53, 0.11%, 0.67%

LAB 72.04, -1.77, 8.56

 

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

CMYK 0 / 11 / 3 / 29

HEX #B4A1AF

RGB 180 161 175

HSL 315.79, 0.11%, 0.67%

LAB 68.23, 9.44, -4.71

 

CMYK 3 / 0 / 11 / 29

HEX #AFB4A1

RGB 175 180 161

HSL 75.79, 0.11%, 0.67%

LAB 72.45, -5.2, 9.09

 

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

CMYK 6 / 11 / 0 / 29

HEX #AAA1B4

RGB 170 161 180

HSL 268.42, 0.11%, 0.67%

LAB 67.52, 6.9, -8.63

 

CMYK 0 / 8 / 11 / 29

HEX #B4A6A1

RGB 180 166 161

HSL 15.79, 0.11%, 0.67%

LAB 69.15, 4.19, 4.4

 

CMYK 5 / 0 / 11 / 29

HEX #ABB4A1

RGB 171 180 161

HSL 88.42, 0.11%, 0.67%

LAB 72.14, -6.65, 8.61

 

CMYK 10 / 3 / 0 / 30

HEX #A1AEB3

RGB 161 174 179

HSL 196.67, 0.11%, 0.67%

LAB 70.25, -3.51, -4.12

 

CMYK 3 / 11 / 0 / 29

HEX #AFA1B4

RGB 175 161 180

HSL 284.21, 0.11%, 0.67%

LAB 67.95, 8.63, -7.96

 

CMYK 0 / 8 / 11 / 29

HEX #B4A6A1

RGB 180 166 161

HSL 15.79, 0.11%, 0.67%

LAB 69.15, 4.19, 4.4

 

CMYK 8 / 0 / 11 / 29

HEX #A5B4A1

RGB 165 180 161

HSL 107.37, 0.11%, 0.67%

LAB 71.7, -8.8, 7.92

 

Description

Color code: RGB 161 174 179 | qconv.com Color code: RGB 161 174 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 174 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 174 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 3 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 3% 0% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - Facturación Electrón...
Link: http://facturacion.esavdoc.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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