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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 4 / 0 / 29 it is the complementary color CMYK 0 / 14 / 21 / 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 4 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 4 / 0 / 29: CMYK 6 / 1 / 0 / 31, CMYK 6 / 2 / 0 / 24, CMYK 7 / 2 / 0 / 16, CMYK 7 / 2 / 0 / 9 and CMYK 7 / 2 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 4 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 4 / 0 / 29: CMYK 11 / 4 / 0 / 29, CMYK 11 / 4 / 0 / 36, CMYK 11 / 3 / 0 / 44, CMYK 11 / 3 / 0 / 51 and CMYK 11 / 3 / 0 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

Complementary color

CMYK 0 / 14 / 21 / 63

HEX #5E514A

RGB 94 81 74

HSL 21, 0.12%, 0.33%

LAB 35.52, 4.1, 6.09

 

CMYK 6 / 1 / 0 / 31

HEX #A6AEB0

RGB 166 174 176

HSL 192, 0.06%, 0.67%

LAB 70.53, -2.41, -2

 

CMYK 6 / 2 / 0 / 24

HEX #B7C0C3

RGB 183 192 195

HSL 195, 0.09%, 0.74%

LAB 77.11, -2.51, -2.59

 

CMYK 7 / 2 / 0 / 16

HEX #C8D2D6

RGB 200 210 214

HSL 197.14, 0.15%, 0.81%

LAB 83.56, -2.62, -3.16

 

CMYK 7 / 2 / 0 / 9

HEX #D9E4E9

RGB 217 228 233

HSL 198.75, 0.27%, 0.88%

LAB 89.92, -2.72, -3.71

 

CMYK 7 / 2 / 0 / 1

HEX #EAF6FC

RGB 234 246 252

HSL 200, 0.75%, 0.95%

LAB 96.18, -2.82, -4.25

 

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

CMYK 11 / 4 / 0 / 36

HEX #909CA2

RGB 144 156 162

HSL 200, 0.09%, 0.6%

LAB 63.6, -3.02, -4.6

 

CMYK 11 / 3 / 0 / 44

HEX #7F8A8F

RGB 127 138 143

HSL 198.75, 0.07%, 0.53%

LAB 56.75, -2.93, -4.04

 

CMYK 11 / 3 / 0 / 51

HEX #6E787C

RGB 110 120 124

HSL 197.14, 0.06%, 0.46%

LAB 49.74, -2.85, -3.47

 

CMYK 11 / 3 / 0 / 59

HEX #5D6669

RGB 93 102 105

HSL 195, 0.06%, 0.39%

LAB 42.54, -2.77, -2.88

 

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

CMYK 11 / 6 / 0 / 29

HEX #A0AAB4

RGB 160 170 180

HSL 210, 0.12%, 0.67%

LAB 69.13, -1.47, -6.34

 

CMYK 11 / 7 / 0 / 29

HEX #A0A7B4

RGB 160 167 180

HSL 219, 0.12%, 0.67%

LAB 68.32, 0.17, -7.54

 

CMYK 11 / 9 / 0 / 29

HEX #A0A3B4

RGB 160 163 180

HSL 231, 0.12%, 0.67%

LAB 67.25, 2.37, -9.13

 

CMYK 11 / 11 / 0 / 29

HEX #A1A0B4

RGB 161 160 180

HSL 243, 0.12%, 0.67%

LAB 66.53, 4.37, -10.2

 

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

CMYK 11 / 4 / 0 / 9

HEX #CEDFE8

RGB 206 223 232

HSL 200.77, 0.36%, 0.86%

LAB 87.84, -3.89, -6.34

 

CMYK 11 / 4 / 0 / 89

HEX #191B1C

RGB 25 27 28

HSL 200, 0.06%, 0.1%

LAB 9.6, -0.68, -1.02

 

CMYK 11 / 4 / 0 / 69

HEX #464C4F

RGB 70 76 79

HSL 200, 0.06%, 0.29%

LAB 31.89, -1.72, -2.61

 

CMYK 11 / 4 / 0 / 49

HEX #747D82

RGB 116 125 130

HSL 201.43, 0.06%, 0.48%

LAB 51.83, -2.26, -3.87

 

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

CMYK 5 / 11 / 0 / 29

HEX #ABA0B4

RGB 171 160 180

HSL 273, 0.12%, 0.67%

LAB 67.35, 7.8, -8.89

 

CMYK 0 / 1 / 11 / 29

HEX #B4B3A0

RGB 180 179 160

HSL 57, 0.12%, 0.67%

LAB 72.55, -3, 9.83

 

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

CMYK 0 / 11 / 4 / 29

HEX #B4A0AD

RGB 180 160 173

HSL 321, 0.12%, 0.67%

LAB 67.92, 9.62, -4.06

 

CMYK 4 / 0 / 11 / 29

HEX #ADB4A0

RGB 173 180 160

HSL 81, 0.12%, 0.67%

LAB 72.27, -6.1, 9.36

 

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

CMYK 5 / 11 / 0 / 29

HEX #ABA0B4

RGB 171 160 180

HSL 273, 0.12%, 0.67%

LAB 67.35, 7.8, -8.89

 

CMYK 0 / 7 / 11 / 29

HEX #B4A7A0

RGB 180 167 160

HSL 21, 0.12%, 0.67%

LAB 69.38, 3.47, 5.3

 

CMYK 6 / 0 / 11 / 29

HEX #A9B4A0

RGB 169 180 160

HSL 93, 0.12%, 0.67%

LAB 71.97, -7.55, 8.89

 

CMYK 11 / 4 / 0 / 29

HEX #A1AEB5

RGB 161 174 181

HSL 201, 0.12%, 0.67%

LAB 70.31, -3.1, -5.14

 

CMYK 2 / 11 / 0 / 29

HEX #B1A0B4

RGB 177 160 180

HSL 291, 0.12%, 0.67%

LAB 67.86, 9.89, -8.07

 

CMYK 0 / 7 / 11 / 29

HEX #B4A7A0

RGB 180 167 160

HSL 21, 0.12%, 0.67%

LAB 69.38, 3.47, 5.3

 

CMYK 9 / 0 / 11 / 29

HEX #A3B4A0

RGB 163 180 160

HSL 111, 0.12%, 0.67%

LAB 71.53, -9.7, 8.21

 

Description

Color code: CMYK 11 / 4 / 0 / 29 | qconv.com Color code: CMYK 11 / 4 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 174 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 174 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 4 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 4% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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