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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 251 101 it is the complementary color RGB 98 4 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 251 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 157 251 101: RGB 162 251 96, RGB 179 255 115, RGB 196 255 134, RGB 213 255 153 and RGB 230 255 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 251 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 157 251 101: RGB 157 251 101, RGB 140 233 82, RGB 123 215 63, RGB 106 197 44 and RGB 89 179 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

Complementary color

CMYK 36 / 97 / 0 / 40

HEX #62049A

RGB 98 4 154

HSL 277.6, 0.95%, 0.31%

LAB 26.78, 58.61, -57.76

 

CMYK 35 / 0 / 62 / 2

HEX #A2FB60

RGB 162 251 96

HSL 94.45, 0.95%, 0.68%

LAB 90.56, -51.67, 64.07

 

CMYK 30 / 0 / 55 / 0

HEX #B3FF73

RGB 179 255 115

HSL 92.57, 1%, 0.73%

LAB 92.73, -45.9, 58.65

 

CMYK 23 / 0 / 47 / 0

HEX #C4FF86

RGB 196 255 134

HSL 89.26, 1%, 0.76%

LAB 93.87, -38.04, 51.6

 

CMYK 16 / 0 / 40 / 0

HEX #D5FF99

RGB 213 255 153

HSL 84.71, 1%, 0.8%

LAB 95.15, -29.82, 44.35

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAC

RGB 230 255 172

HSL 78.07, 1%, 0.84%

LAB 96.54, -21.34, 37.05

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

CMYK 40 / 0 / 65 / 9

HEX #8CE952

RGB 140 233 82

HSL 96.95, 0.77%, 0.62%

LAB 84.21, -52.67, 62.52

 

CMYK 43 / 0 / 71 / 16

HEX #7BD73F

RGB 123 215 63

HSL 96.32, 0.66%, 0.55%

LAB 77.98, -52.35, 63.02

 

CMYK 46 / 0 / 78 / 23

HEX #6AC52C

RGB 106 197 44

HSL 95.69, 0.63%, 0.47%

LAB 71.68, -51.83, 63

 

CMYK 50 / 0 / 86 / 30

HEX #59B319

RGB 89 179 25

HSL 95.06, 0.75%, 0.4%

LAB 65.31, -51.02, 62.06

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

CMYK 47 / 0 / 60 / 2

HEX #85FB64

RGB 133 251 100

HSL 106.89, 0.95%, 0.69%

LAB 89.35, -60.18, 60.71

 

CMYK 57 / 0 / 60 / 2

HEX #6CFB64

RGB 108 251 100

HSL 116.82, 0.95%, 0.69%

LAB 88.5, -66.63, 59.52

 

CMYK 60 / 0 / 53 / 2

HEX #64FB76

RGB 100 251 118

HSL 127.15, 0.95%, 0.69%

LAB 88.45, -66.33, 51.46

 

CMYK 60 / 0 / 43 / 2

HEX #64FB8F

RGB 100 251 143

HSL 137.09, 0.95%, 0.69%

LAB 88.77, -62.75, 40.02

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

CMYK 38 / 0 / 60 / 82

HEX #1D2F13

RGB 29 47 19

HSL 98.57, 0.42%, 0.13%

LAB 17.18, -13.82, 15.59

 

CMYK 38 / 0 / 60 / 62

HEX #3D6227

RGB 61 98 39

HSL 97.63, 0.43%, 0.27%

LAB 37.62, -24.98, 29

 

CMYK 38 / 0 / 60 / 42

HEX #5D953C

RGB 93 149 60

HSL 97.75, 0.43%, 0.41%

LAB 56.24, -34.84, 40.47

 

CMYK 38 / 0 / 60 / 22

HEX #7DC850

RGB 125 200 80

HSL 97.5, 0.52%, 0.55%

LAB 73.71, -44.13, 51.59

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

CMYK 60 / 0 / 11 / 2

HEX #64FBDF

RGB 100 251 223

HSL 168.87, 0.95%, 0.69%

LAB 90.34, -46.62, 1.46

 

CMYK 0 / 60 / 13 / 2

HEX #FB64DA

RGB 251 100 218

HSL 313.11, 0.95%, 0.69%

LAB 65.5, 70.33, -32.11

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

CMYK 60 / 37 / 0 / 2

HEX #649EFB

RGB 100 158 251

HSL 216.95, 0.95%, 0.69%

LAB 65.06, 8.61, -52.02

 

CMYK 0 / 60 / 37 / 2

HEX #FB649E

RGB 251 100 158

HSL 336.95, 0.95%, 0.69%

LAB 63.42, 62.68, -1.21

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

CMYK 60 / 0 / 11 / 2

HEX #64FBDF

RGB 100 251 223

HSL 168.87, 0.95%, 0.69%

LAB 90.34, -46.62, 1.46

 

CMYK 23 / 60 / 0 / 2

HEX #C164FB

RGB 193 100 251

HSL 276.95, 0.95%, 0.69%

LAB 59.36, 61.86, -60.67

 

CMYK 0 / 60 / 49 / 2

HEX #FB6480

RGB 251 100 128

HSL 348.87, 0.95%, 0.69%

LAB 62.66, 59.77, 14.98

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB65

RGB 157 251 101

HSL 97.6, 0.95%, 0.69%

LAB 90.37, -52.85, 61.72

 

CMYK 60 / 7 / 0 / 2

HEX #64E9FB

RGB 100 233 251

HSL 187.15, 0.95%, 0.69%

LAB 85.98, -31.15, -19.64

 

CMYK 23 / 60 / 0 / 2

HEX #C164FB

RGB 193 100 251

HSL 276.95, 0.95%, 0.69%

LAB 59.36, 61.86, -60.67

 

CMYK 0 / 53 / 60 / 2

HEX #FB7664

RGB 251 118 100

HSL 7.15, 0.95%, 0.69%

LAB 65.27, 49.43, 34.28

 

Description

Color code: RGB 157 251 101 | qconv.com Color code: RGB 157 251 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 251 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 251 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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