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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 154 61 it is the complementary color RGB 100 101 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 154 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 154 61: RGB 160 154 56, RGB 177 172 75, RGB 194 190 94, RGB 211 208 113 and RGB 228 226 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 154 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 154 61: RGB 155 154 61, RGB 138 136 42, RGB 121 118 23, RGB 104 100 4 and RGB 87 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

Complementary color

CMYK 48 / 48 / 0 / 24

HEX #6465C2

RGB 100 101 194

HSL 239.36, 0.44%, 0.58%

LAB 46.86, 24.69, -49.02

 

CMYK 0 / 4 / 65 / 37

HEX #A09A38

RGB 160 154 56

HSL 56.54, 0.48%, 0.42%

LAB 62.4, -10.19, 50.4

 

CMYK 0 / 3 / 58 / 31

HEX #B1AC4B

RGB 177 172 75

HSL 57.06, 0.4%, 0.49%

LAB 69.01, -10.96, 49.49

 

CMYK 0 / 2 / 52 / 24

HEX #C2BE5E

RGB 194 190 94

HSL 57.6, 0.45%, 0.56%

LAB 75.52, -11.58, 48.39

 

CMYK 0 / 1 / 46 / 17

HEX #D3D071

RGB 211 208 113

HSL 58.16, 0.53%, 0.64%

LAB 81.92, -12.09, 47.23

 

CMYK 0 / 1 / 42 / 11

HEX #E4E284

RGB 228 226 132

HSL 58.75, 0.64%, 0.71%

LAB 88.23, -12.51, 46.06

 

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

CMYK 0 / 1 / 70 / 46

HEX #8A882A

RGB 138 136 42

HSL 58.75, 0.53%, 0.35%

LAB 55.26, -11.22, 48.36

 

CMYK 0 / 2 / 81 / 53

HEX #797617

RGB 121 118 23

HSL 58.16, 0.68%, 0.28%

LAB 48.37, -10.16, 48.35

 

CMYK 0 / 4 / 96 / 59

HEX #686404

RGB 104 100 4

HSL 57.6, 0.93%, 0.21%

LAB 41.32, -8.79, 46.94

 

CMYK 0 / 6 / 100 / 66

HEX #575200

RGB 87 82 0

HSL 56.55, 1%, 0.17%

LAB 34.11, -6.93, 42.01

 

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

CMYK 9 / 0 / 62 / 40

HEX #8C9A3B

RGB 140 154 59

HSL 68.84, 0.45%, 0.42%

LAB 60.78, -18.66, 46.86

 

CMYK 19 / 0 / 62 / 40

HEX #7C9A3B

RGB 124 154 59

HSL 78.95, 0.45%, 0.42%

LAB 59.63, -25.36, 45.26

 

CMYK 30 / 0 / 62 / 40

HEX #6C9A3B

RGB 108 154 59

HSL 89.05, 0.45%, 0.42%

LAB 58.62, -31.7, 43.85

 

CMYK 40 / 0 / 62 / 40

HEX #5C9A3B

RGB 92 154 59

HSL 99.16, 0.45%, 0.42%

LAB 57.75, -37.53, 42.65

 

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

CMYK 0 / 0 / 61 / 19

HEX #CECD51

RGB 206 205 81

HSL 59.52, 0.56%, 0.56%

LAB 80.39, -15.19, 60.02

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 0 / 60 / 79

HEX #353515

RGB 53 53 21

HSL 60, 0.43%, 0.15%

LAB 21.42, -5.48, 19.94

 

CMYK 0 / 1 / 61 / 59

HEX #686729

RGB 104 103 41

HSL 59.05, 0.43%, 0.28%

LAB 42.47, -8.65, 34.36

 

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

CMYK 26 / 62 / 0 / 40

HEX #723B9A

RGB 114 59 154

HSL 274.74, 0.45%, 0.42%

LAB 36.06, 41.77, -42.61

 

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

CMYK 62 / 0 / 1 / 40

HEX #3B9A98

RGB 59 154 152

HSL 178.74, 0.45%, 0.42%

LAB 58.33, -27.89, -7.24

 

CMYK 1 / 62 / 0 / 40

HEX #983B9A

RGB 152 59 154

HSL 298.74, 0.45%, 0.42%

LAB 41.43, 51.55, -33.73

 

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

CMYK 62 / 60 / 0 / 40

HEX #3B3D9A

RGB 59 61 154

HSL 238.74, 0.45%, 0.42%

LAB 30.88, 28.38, -51.25

 

CMYK 0 / 62 / 12 / 40

HEX #9A3B88

RGB 154 59 136

HSL 311.37, 0.45%, 0.42%

LAB 40.86, 48.98, -23.69

 

CMYK 0 / 1 / 61 / 39

HEX #9B9A3D

RGB 155 154 61

HSL 59.36, 0.44%, 0.42%

LAB 62.01, -12.04, 47.64

 

CMYK 62 / 0 / 32 / 40

HEX #3B9A69

RGB 59 154 105

HSL 149.05, 0.45%, 0.42%

LAB 57.13, -39.68, 17.64

 

CMYK 62 / 60 / 0 / 40

HEX #3B3D9A

RGB 59 61 154

HSL 238.74, 0.45%, 0.42%

LAB 30.88, 28.38, -51.25

 

CMYK 0 / 62 / 30 / 40

HEX #9A3B6C

RGB 154 59 108

HSL 329.05, 0.45%, 0.42%

LAB 39.72, 44.82, -8.14

 

Description

Color code: RGB 155 154 61 | qconv.com Color code: RGB 155 154 61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 154 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 154 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 61 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 61% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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