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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B9A98 it is the complementary color #C46567. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B9A98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B9A98 shade: #409A93, #51ACA6, #62BEB9, #73D0CC and #84E2DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B9A98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B9A98 shade: #3B9A98, #2A8885, #197672, #08645F and #00524C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B9A98 shade: #3A9B99, #3A9B7F, #3A9B65, #3A9B4B and #449B3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B9A98 shade: #3A9B99, #3A839B, #3A699B, #3A4F9B and #3A3A9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B9A98 shade matches the following richer shades: #3A9B99, #29ACA9, #18BDBA and #06CFCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B9A98 shade: #3A9B99, #4C8988, #5D7878, #6E6767 and #805556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B9A98 shade: #3A9B64, #3A9B7E, #3A9B98, #3A849B and #3A6B9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B9A98 shade: #245F5E, #2F7D7B, #3A9B99, #46B9B6 and #64C4C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B9A98 shade: #3B9A98, #4A3A9B and #9B713A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B9A98 shade: #3B9A98, #983A9B and #9B983A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B9A98 shade: #3B9A98, #4A3A9B, #9B3A3E and #8B9B3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B9A98 shade: #3B9A98, #673A9B, #9B3A3E and #6E9B3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 1 / 40

HEX #3B9A98

RGB 59 154 152

HSL 178.74, 0.45%, 0.42%

LAB 58.33, -27.89, -7.24

 

Complementary color

CMYK 0 / 48 / 47 / 23

HEX #C46567

RGB 196 101 103

HSL 358.74, 0.45%, 0.58%

LAB 54.05, 37.98, 16.33

 

CMYK 58 / 0 / 5 / 40

HEX #409A93

RGB 64 154 147

HSL 175.33, 0.41%, 0.43%

LAB 58.33, -28.35, -4.38

 

CMYK 53 / 0 / 3 / 33

HEX #51ACA6

RGB 81 172 166

HSL 176.04, 0.36%, 0.5%

LAB 64.97, -28.52, -5.2

 

CMYK 48 / 0 / 3 / 25

HEX #62BEB9

RGB 98 190 185

HSL 176.74, 0.41%, 0.56%

LAB 71.5, -28.59, -5.95

 

CMYK 45 / 0 / 2 / 18

HEX #73D0CC

RGB 115 208 204

HSL 177.42, 0.5%, 0.63%

LAB 77.94, -28.6, -6.64

 

CMYK 42 / 0 / 1 / 11

HEX #84E2DF

RGB 132 226 223

HSL 178.09, 0.62%, 0.7%

LAB 84.29, -28.58, -7.29

 

CMYK 62 / 0 / 1 / 40

HEX #3B9A98

RGB 59 154 152

HSL 178.74, 0.45%, 0.42%

LAB 58.33, -27.89, -7.24

 

CMYK 69 / 0 / 2 / 47

HEX #2A8885

RGB 42 136 133

HSL 178.09, 0.53%, 0.35%

LAB 51.6, -27.38, -6.36

 

CMYK 79 / 0 / 3 / 54

HEX #197672

RGB 25 118 114

HSL 177.42, 0.65%, 0.28%

LAB 44.77, -26.56, -5.34

 

CMYK 92 / 0 / 5 / 61

HEX #08645F

RGB 8 100 95

HSL 176.74, 0.85%, 0.21%

LAB 37.83, -25.24, -4.14

 

CMYK 100 / 0 / 7 / 68

HEX #00524C

RGB 0 82 76

HSL 175.61, 1%, 0.16%

LAB 30.77, -23.15, -2.68

 

CMYK 63 / 0 / 1 / 39

HEX #3A9B99

RGB 58 155 153

HSL 178.76, 0.46%, 0.42%

LAB 58.64, -28.27, -7.35

 

CMYK 63 / 0 / 18 / 39

HEX #3A9B7F

RGB 58 155 127

HSL 162.68, 0.46%, 0.42%

LAB 57.92, -35.27, 6.36

 

CMYK 63 / 0 / 35 / 39

HEX #3A9B65

RGB 58 155 101

HSL 146.6, 0.46%, 0.42%

LAB 57.35, -41.15, 20.14

 

CMYK 63 / 0 / 52 / 39

HEX #3A9B4B

RGB 58 155 75

HSL 130.52, 0.46%, 0.42%

LAB 56.93, -45.74, 33.51

 

CMYK 56 / 0 / 63 / 39

HEX #449B3A

RGB 68 155 58

HSL 113.81, 0.46%, 0.42%

LAB 57.05, -45.47, 42.05

 

CMYK 63 / 0 / 1 / 39

HEX #3A9B99

RGB 58 155 153

HSL 178.76, 0.46%, 0.42%

LAB 58.64, -28.27, -7.35

 

CMYK 63 / 15 / 0 / 39

HEX #3A839B

RGB 58 131 155

HSL 194.85, 0.46%, 0.42%

LAB 51.27, -15.15, -19.63

 

CMYK 63 / 32 / 0 / 39

HEX #3A699B

RGB 58 105 155

HSL 210.93, 0.46%, 0.42%

LAB 43.31, 0.04, -31.97

 

CMYK 63 / 49 / 0 / 39

HEX #3A4F9B

RGB 58 79 155

HSL 227.01, 0.46%, 0.42%

LAB 35.71, 16.7, -44.05

 

CMYK 63 / 63 / 0 / 39

HEX #3A3A9B

RGB 58 58 155

HSL 240, 0.46%, 0.42%

LAB 30.14, 30.49, -53.06

 

CMYK 63 / 0 / 1 / 39

HEX #3A9B99

RGB 58 155 153

HSL 178.76, 0.46%, 0.42%

LAB 58.64, -28.27, -7.35

 

CMYK 76 / 0 / 2 / 33

HEX #29ACA9

RGB 41 172 169

HSL 178.63, 0.62%, 0.42%

LAB 64.03, -34.16, -8.37

 

CMYK 87 / 0 / 2 / 26

HEX #18BDBA

RGB 24 189 186

HSL 178.91, 0.77%, 0.42%

LAB 69.57, -38.37, -9.56

 

CMYK 97 / 0 / 2 / 19

HEX #06CFCB

RGB 6 207 203

HSL 178.81, 0.94%, 0.42%

LAB 75.44, -42.11, -10.06

 

CMYK 63 / 0 / 1 / 39

HEX #3A9B99

RGB 58 155 153

HSL 178.76, 0.46%, 0.42%

LAB 58.64, -28.27, -7.35

 

CMYK 45 / 0 / 1 / 46

HEX #4C8988

RGB 76 137 136

HSL 179.02, 0.29%, 0.42%

LAB 53.17, -19.97, -5.64

 

CMYK 23 / 0 / 0 / 53

HEX #5D7878

RGB 93 120 120

HSL 180, 0.13%, 0.42%

LAB 48.41, -9.71, -3.21

 

CMYK 0 / 6 / 6 / 57

HEX #6E6767

RGB 110 103 103

HSL 0, 0.03%, 0.42%

LAB 44.23, 2.75, 0.98

 

CMYK 0 / 34 / 33 / 50

HEX #805556

RGB 128 85 86

HSL 358.6, 0.2%, 0.42%

LAB 40.83, 18.03, 6.72

 

CMYK 63 / 0 / 35 / 39

HEX #3A9B64

RGB 58 155 100

HSL 145.98, 0.46%, 0.42%

LAB 57.33, -41.35, 20.67

 

CMYK 63 / 0 / 19 / 39

HEX #3A9B7E

RGB 58 155 126

HSL 162.06, 0.46%, 0.42%

LAB 57.89, -35.51, 6.89

 

CMYK 63 / 0 / 2 / 39

HEX #3A9B98

RGB 58 155 152

HSL 178.14, 0.46%, 0.42%

LAB 58.61, -28.56, -6.82

 

CMYK 63 / 15 / 0 / 39

HEX #3A849B

RGB 58 132 155

HSL 194.23, 0.46%, 0.42%

LAB 51.57, -15.7, -19.16

 

CMYK 63 / 31 / 0 / 39

HEX #3A6B9B

RGB 58 107 155

HSL 209.69, 0.46%, 0.42%

LAB 43.92, -1.19, -31.02

 

CMYK 62 / 0 / 1 / 63

HEX #245F5E

RGB 36 95 94

HSL 178.98, 0.45%, 0.26%

LAB 36.68, -19.11, -5.16

 

CMYK 62 / 0 / 2 / 51

HEX #2F7D7B

RGB 47 125 123

HSL 178.46, 0.45%, 0.34%

LAB 47.88, -23.96, -6.01

 

CMYK 63 / 0 / 1 / 39

HEX #3A9B99

RGB 58 155 153

HSL 178.76, 0.46%, 0.42%

LAB 58.64, -28.27, -7.35

 

CMYK 62 / 0 / 2 / 27

HEX #46B9B6

RGB 70 185 182

HSL 178.43, 0.45%, 0.5%

LAB 69.02, -32.53, -8.08

 

CMYK 49 / 0 / 1 / 23

HEX #64C4C2

RGB 100 196 194

HSL 178.75, 0.45%, 0.58%

LAB 73.6, -28.74, -7.74

 

CMYK 62 / 0 / 1 / 40

HEX #3B9A98

RGB 59 154 152

HSL 178.74, 0.45%, 0.42%

LAB 58.33, -27.89, -7.24

 

CMYK 52 / 63 / 0 / 39

HEX #4A3A9B

RGB 74 58 155

HSL 249.9, 0.46%, 0.42%

LAB 31.46, 33.45, -50.86

 

CMYK 0 / 27 / 63 / 39

HEX #9B713A

RGB 155 113 58

HSL 34.02, 0.46%, 0.42%

LAB 50.79, 10.45, 36.49

 

CMYK 62 / 0 / 1 / 40

HEX #3B9A98

RGB 59 154 152

HSL 178.74, 0.45%, 0.42%

LAB 58.33, -27.89, -7.24

 

CMYK 2 / 63 / 0 / 39

HEX #983A9B

RGB 152 58 155

HSL 298.14, 0.46%, 0.42%

LAB 41.32, 52.17, -34.5

 

CMYK 0 / 2 / 63 / 39

HEX #9B983A

RGB 155 152 58

HSL 58.14, 0.46%, 0.42%

LAB 61.42, -11.19, 48.35

 

CMYK 62 / 0 / 1 / 40

HEX #3B9A98

RGB 59 154 152

HSL 178.74, 0.45%, 0.42%

LAB 58.33, -27.89, -7.24

 

CMYK 52 / 63 / 0 / 39

HEX #4A3A9B

RGB 74 58 155

HSL 249.9, 0.46%, 0.42%

LAB 31.46, 33.45, -50.86

 

CMYK 0 / 63 / 60 / 39

HEX #9B3A3E

RGB 155 58 62

HSL 357.53, 0.46%, 0.42%

LAB 38.45, 40.8, 18.99

 

CMYK 10 / 0 / 63 / 39

HEX #8B9B3A

RGB 139 155 58

HSL 69.9, 0.46%, 0.42%

LAB 60.99, -19.68, 47.51

 

CMYK 62 / 0 / 1 / 40

HEX #3B9A98

RGB 59 154 152

HSL 178.74, 0.45%, 0.42%

LAB 58.33, -27.89, -7.24

 

CMYK 34 / 63 / 0 / 39

HEX #673A9B

RGB 103 58 155

HSL 267.84, 0.46%, 0.42%

LAB 34.55, 39.87, -45.7

 

CMYK 0 / 63 / 60 / 39

HEX #9B3A3E

RGB 155 58 62

HSL 357.53, 0.46%, 0.42%

LAB 38.45, 40.8, 18.99

 

CMYK 29 / 0 / 63 / 39

HEX #6E9B3A

RGB 110 155 58

HSL 87.84, 0.46%, 0.42%

LAB 59.03, -31.5, 44.81

 

Description

Color code: HEX #3B9A98 | qconv.com Color code: HEX #3B9A98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 154 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 154 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 1 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 1% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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