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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 129 94 it is the complementary color RGB 101 126 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 129 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 154 129 94: RGB 159 129 89, RGB 176 147 108, RGB 193 165 127, RGB 210 183 146 and RGB 227 201 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 129 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 154 129 94: RGB 154 129 94, RGB 137 111 75, RGB 120 93 56, RGB 103 75 37 and RGB 86 57 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

 

Complementary color

CMYK 37 / 22 / 0 / 37

HEX #657EA1

RGB 101 126 161

HSL 215, 0.24%, 0.51%

LAB 52.13, 0.01, -21.61

 

CMYK 0 / 19 / 44 / 38

HEX #9F8159

RGB 159 129 89

HSL 34.29, 0.28%, 0.49%

LAB 55.88, 5.99, 26

 

CMYK 0 / 16 / 39 / 31

HEX #B0936C

RGB 176 147 108

HSL 34.41, 0.3%, 0.56%

LAB 62.66, 5.29, 24.71

 

CMYK 0 / 15 / 34 / 24

HEX #C1A57F

RGB 193 165 127

HSL 34.55, 0.35%, 0.63%

LAB 69.31, 4.7, 23.51

 

CMYK 0 / 13 / 30 / 18

HEX #D2B792

RGB 210 183 146

HSL 34.69, 0.42%, 0.7%

LAB 75.85, 4.19, 22.4

 

CMYK 0 / 11 / 27 / 11

HEX #E3C9A5

RGB 227 201 165

HSL 34.84, 0.53%, 0.77%

LAB 82.28, 3.75, 21.36

 

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

SW® 6138

CMYK 0 / 19 / 45 / 46

HEX #896F4B

RGB 137 111 75

HSL 34.84, 0.29%, 0.42%

LAB 48.51, 5.16, 23.88

 

CMYK 0 / 23 / 53 / 53

HEX #785D38

RGB 120 93 56

HSL 34.69, 0.36%, 0.35%

LAB 41.39, 6.06, 25.34

 

CMYK 0 / 27 / 64 / 60

HEX #674B25

RGB 103 75 37

HSL 34.55, 0.47%, 0.27%

LAB 34.09, 7.21, 26.91

 

CMYK 0 / 34 / 79 / 66

HEX #563912

RGB 86 57 18

HSL 34.41, 0.65%, 0.2%

LAB 26.59, 8.77, 28.4

 

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

SW® 6138

CMYK 0 / 10 / 39 / 40

HEX #9A8B5E

RGB 154 139 94

HSL 45, 0.24%, 0.49%

LAB 58.17, -1.16, 26.13

 

CMYK 0 / 3 / 39 / 40

HEX #9A955E

RGB 154 149 94

HSL 55, 0.24%, 0.49%

LAB 60.93, -6.65, 29.71

 

CMYK 3 / 0 / 39 / 40

HEX #959A5E

RGB 149 154 94

HSL 65, 0.24%, 0.49%

LAB 61.92, -11.41, 30.89

 

CMYK 10 / 0 / 39 / 40

HEX #8B9A5E

RGB 139 154 94

HSL 75, 0.24%, 0.49%

LAB 61.14, -15.49, 29.73

 

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

SW® 6138

CMYK 0 / 16 / 39 / 20

HEX #CDAC7D

RGB 205 172 125

HSL 35.25, 0.44%, 0.65%

LAB 72.2, 5.51, 28.66

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 0 / 15 / 38 / 80

HEX #342C20

RGB 52 44 32

HSL 36, 0.24%, 0.16%

LAB 18.52, 1.42, 9.15

 

CMYK 0 / 17 / 39 / 60

HEX #67563F

RGB 103 86 63

HSL 34.5, 0.24%, 0.33%

LAB 37.66, 3.32, 16.01

 

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

SW® 6138

CMYK 31 / 0 / 39 / 40

HEX #6B9A5E

RGB 107 154 94

HSL 107, 0.24%, 0.49%

LAB 59.02, -27.75, 26.56

 

CMYK 32 / 39 / 0 / 40

HEX #695E9A

RGB 105 94 154

HSL 251, 0.24%, 0.49%

LAB 43.27, 18.62, -31.22

 

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

SW® 6138

CMYK 39 / 0 / 16 / 40

HEX #5E9A81

RGB 94 154 129

HSL 155, 0.24%, 0.49%

LAB 59.04, -25.41, 7.03

 

CMYK 16 / 39 / 0 / 40

HEX #815E9A

RGB 129 94 154

HSL 275, 0.24%, 0.49%

LAB 45.64, 26.08, -27.34

 

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

SW® 6138

CMYK 31 / 0 / 39 / 40

HEX #6B9A5E

RGB 107 154 94

HSL 107, 0.24%, 0.49%

LAB 59.02, -27.75, 26.56

 

CMYK 39 / 23 / 0 / 40

HEX #5E779A

RGB 94 119 154

HSL 215, 0.24%, 0.49%

LAB 49.38, 0.14, -21.79

 

CMYK 8 / 39 / 0 / 40

HEX #8D5E9A

RGB 141 94 154

HSL 287, 0.24%, 0.49%

LAB 46.98, 29.96, -25.17

 

CMYK 0 / 16 / 39 / 40

HEX #9A815E

RGB 154 129 94

HSL 35, 0.24%, 0.49%

LAB 55.46, 4.45, 22.55

SW® 6138

CMYK 39 / 0 / 36 / 40

HEX #5E9A63

RGB 94 154 99

HSL 125, 0.24%, 0.49%

LAB 58.41, -31.35, 22.91

 

CMYK 39 / 23 / 0 / 40

HEX #5E779A

RGB 94 119 154

HSL 215, 0.24%, 0.49%

LAB 49.38, 0.14, -21.79

 

CMYK 0 / 39 / 3 / 40

HEX #9A5E95

RGB 154 94 149

HSL 305, 0.24%, 0.49%

LAB 48.32, 33.23, -20

 

Description

Color code: RGB 154 129 94 | qconv.com Color code: RGB 154 129 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 129 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 129 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 39 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 39% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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