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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 16 / 39 / 40 it is the complementary color CMYK 37 / 22 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 16 / 39 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 16 / 39 / 40: CMYK 0 / 18 / 44 / 38, CMYK 0 / 16 / 39 / 31, CMYK 0 / 14 / 34 / 25, CMYK 0 / 12 / 31 / 18 and CMYK 0 / 11 / 27 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 16 / 39 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 16 / 39 / 40: CMYK 0 / 16 / 39 / 40, CMYK 0 / 18 / 46 / 47, CMYK 0 / 22 / 54 / 53, CMYK 0 / 26 / 65 / 60 and CMYK 0 / 33 / 80 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

Complementary color

CMYK 37 / 22 / 0 / 36

HEX #667EA2

RGB 102 126 162

HSL 216, 0.24%, 0.52%

LAB 52.24, 0.58, -22.02

 

CMYK 0 / 18 / 44 / 38

HEX #9E8158

RGB 158 129 88

HSL 35.14, 0.28%, 0.48%

LAB 55.76, 5.45, 26.39

 

CMYK 0 / 16 / 39 / 31

HEX #AF936B

RGB 175 147 107

HSL 35.29, 0.3%, 0.55%

LAB 62.54, 4.76, 25.09

 

CMYK 0 / 14 / 34 / 25

HEX #C0A57E

RGB 192 165 126

HSL 35.45, 0.34%, 0.62%

LAB 69.2, 4.17, 23.89

 

CMYK 0 / 12 / 31 / 18

HEX #D1B791

RGB 209 183 145

HSL 35.63, 0.41%, 0.69%

LAB 75.74, 3.67, 22.77

 

CMYK 0 / 11 / 27 / 11

HEX #E2C9A4

RGB 226 201 164

HSL 35.81, 0.52%, 0.76%

LAB 82.18, 3.24, 21.72

 

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

CMYK 0 / 18 / 46 / 47

HEX #886F4A

RGB 136 111 74

HSL 35.81, 0.3%, 0.41%

LAB 48.38, 4.61, 24.28

 

CMYK 0 / 22 / 54 / 53

HEX #775D37

RGB 119 93 55

HSL 35.63, 0.37%, 0.34%

LAB 41.26, 5.5, 25.73

 

CMYK 0 / 26 / 65 / 60

HEX #664B24

RGB 102 75 36

HSL 35.45, 0.48%, 0.27%

LAB 33.95, 6.65, 27.29

 

CMYK 0 / 33 / 80 / 67

HEX #553911

RGB 85 57 17

HSL 35.29, 0.67%, 0.2%

LAB 26.44, 8.21, 28.72

 

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

CMYK 0 / 9 / 38 / 41

HEX #978A5D

RGB 151 138 93

HSL 46.55, 0.24%, 0.48%

LAB 57.6, -1.99, 25.88

 

CMYK 0 / 3 / 38 / 41

HEX #97935D

RGB 151 147 93

HSL 55.86, 0.24%, 0.48%

LAB 60.1, -6.93, 29.13

 

CMYK 4 / 0 / 38 / 41

HEX #91975D

RGB 145 151 93

HSL 66.21, 0.24%, 0.48%

LAB 60.73, -11.58, 29.84

 

CMYK 10 / 0 / 38 / 41

HEX #88975D

RGB 136 151 93

HSL 75.52, 0.24%, 0.48%

LAB 60.03, -15.26, 28.79

 

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

CMYK 0 / 16 / 39 / 20

HEX #CCAC7C

RGB 204 172 124

HSL 36, 0.44%, 0.64%

LAB 72.09, 4.99, 29.02

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 16 / 39 / 80

HEX #332B1F

RGB 51 43 31

HSL 36, 0.24%, 0.16%

LAB 18.06, 1.44, 9.18

 

CMYK 0 / 16 / 39 / 60

HEX #66563E

RGB 102 86 62

HSL 36, 0.24%, 0.32%

LAB 37.53, 2.73, 16.43

 

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

CMYK 31 / 0 / 38 / 41

HEX #68975D

RGB 104 151 93

HSL 108.62, 0.24%, 0.48%

LAB 57.91, -27.51, 25.63

 

CMYK 31 / 38 / 0 / 41

HEX #685D97

RGB 104 93 151

HSL 251.38, 0.24%, 0.48%

LAB 42.77, 18.12, -30.22

 

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

CMYK 38 / 0 / 15 / 41

HEX #5D9780

RGB 93 151 128

HSL 156.21, 0.24%, 0.48%

LAB 58.05, -24.42, 6.17

 

CMYK 15 / 38 / 0 / 41

HEX #805D97

RGB 128 93 151

HSL 276.21, 0.24%, 0.48%

LAB 45.15, 25.66, -26.33

 

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

CMYK 31 / 0 / 38 / 41

HEX #68975D

RGB 104 151 93

HSL 108.62, 0.24%, 0.48%

LAB 57.91, -27.51, 25.63

 

CMYK 38 / 23 / 0 / 41

HEX #5D7497

RGB 93 116 151

HSL 216.21, 0.24%, 0.48%

LAB 48.33, 0.78, -21.66

 

CMYK 7 / 38 / 0 / 41

HEX #8C5D97

RGB 140 93 151

HSL 288.62, 0.24%, 0.48%

LAB 46.5, 29.57, -24.14

 

CMYK 0 / 16 / 39 / 40

HEX #99815D

RGB 153 129 93

HSL 36, 0.24%, 0.48%

LAB 55.34, 3.9, 22.94

 

CMYK 38 / 0 / 35 / 41

HEX #5D9762

RGB 93 151 98

HSL 125.17, 0.24%, 0.48%

LAB 57.41, -30.42, 22.11

 

CMYK 38 / 23 / 0 / 41

HEX #5D7497

RGB 93 116 151

HSL 216.21, 0.24%, 0.48%

LAB 48.33, 0.78, -21.66

 

CMYK 0 / 38 / 4 / 41

HEX #975D91

RGB 151 93 145

HSL 306.21, 0.24%, 0.48%

LAB 47.56, 32.03, -18.82

 

Description

Color code: CMYK 0 / 16 / 39 / 40 | qconv.com Color code: CMYK 0 / 16 / 39 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 129 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 129 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 39 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 39% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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