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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 139 127 it is the complementary color RGB 104 116 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 139 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 151 139 127: RGB 156 139 122, RGB 173 157 141, RGB 190 175 160, RGB 207 193 179 and RGB 224 211 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 139 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 151 139 127: RGB 151 139 127, RGB 134 121 108, RGB 117 103 89, RGB 100 85 70 and RGB 83 67 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

Complementary color

CMYK 19 / 9 / 0 / 50

HEX #687480

RGB 104 116 128

HSL 210, 0.1%, 0.45%

LAB 48.25, -1.73, -8.1

 

CMYK 0 / 11 / 22 / 39

HEX #9C8B7A

RGB 156 139 122

HSL 30, 0.15%, 0.55%

LAB 58.92, 3.54, 11.42

 

CMYK 0 / 9 / 18 / 32

HEX #AD9D8D

RGB 173 157 141

HSL 30, 0.16%, 0.62%

LAB 65.69, 3.18, 10.49

 

CMYK 0 / 8 / 16 / 25

HEX #BEAFA0

RGB 190 175 160

HSL 30, 0.19%, 0.69%

LAB 72.33, 2.86, 9.62

 

CMYK 0 / 7 / 14 / 19

HEX #CFC1B3

RGB 207 193 179

HSL 30, 0.23%, 0.76%

LAB 78.85, 2.57, 8.81

 

CMYK 0 / 6 / 12 / 12

HEX #E0D3C6

RGB 224 211 198

HSL 30, 0.3%, 0.83%

LAB 85.26, 2.31, 8.03

 

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

CMYK 0 / 10 / 19 / 47

HEX #86796C

RGB 134 121 108

HSL 30, 0.11%, 0.47%

LAB 51.64, 2.72, 8.94

 

CMYK 0 / 12 / 24 / 54

HEX #756759

RGB 117 103 89

HSL 30, 0.14%, 0.4%

LAB 44.52, 3.11, 9.93

 

CMYK 0 / 15 / 30 / 61

HEX #645546

RGB 100 85 70

HSL 30, 0.18%, 0.33%

LAB 37.2, 3.6, 11.04

 

CMYK 0 / 19 / 39 / 67

HEX #534333

RGB 83 67 51

HSL 30, 0.24%, 0.26%

LAB 29.64, 4.23, 12.31

 

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 0 / 3 / 15 / 41

HEX #979380

RGB 151 147 128

HSL 49.57, 0.1%, 0.55%

LAB 60.79, -1.92, 10.59

 

CMYK 0 / 0 / 15 / 41

HEX #979780

RGB 151 151 128

HSL 60, 0.1%, 0.55%

LAB 61.89, -4.12, 12.14

 

CMYK 3 / 0 / 15 / 41

HEX #939780

RGB 147 151 128

HSL 70.43, 0.1%, 0.55%

LAB 61.56, -5.66, 11.64

 

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

CMYK 0 / 8 / 16 / 21

HEX #CABAAA

RGB 202 186 170

HSL 30, 0.23%, 0.73%

LAB 76.42, 3.02, 10.15

 

CMYK 0 / 8 / 16 / 1

HEX #FDE9D5

RGB 253 233 213

HSL 30, 0.91%, 0.91%

LAB 93.44, 3.62, 12.17

 

CMYK 0 / 8 / 16 / 81

HEX #312D29

RGB 49 45 41

HSL 30, 0.09%, 0.18%

LAB 18.76, 0.94, 3.23

 

CMYK 0 / 8 / 16 / 61

HEX #645C54

RGB 100 92 84

HSL 30, 0.09%, 0.36%

LAB 39.59, 1.7, 5.76

 

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

CMYK 11 / 0 / 15 / 41

HEX #879780

RGB 135 151 128

HSL 101.74, 0.1%, 0.55%

LAB 60.64, -10.19, 10.21

 

CMYK 13 / 15 / 0 / 41

HEX #838097

RGB 131 128 151

HSL 247.83, 0.1%, 0.55%

LAB 54.55, 5.96, -11.92

 

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

CMYK 15 / 0 / 7 / 41

HEX #80978C

RGB 128 151 140

HSL 151.3, 0.1%, 0.55%

LAB 60.44, -10.4, 3.07

 

CMYK 7 / 15 / 0 / 41

HEX #8C8097

RGB 140 128 151

HSL 271.3, 0.1%, 0.55%

LAB 55.33, 9.11, -10.68

 

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

CMYK 11 / 0 / 15 / 41

HEX #879780

RGB 135 151 128

HSL 101.74, 0.1%, 0.55%

LAB 60.64, -10.19, 10.21

 

CMYK 15 / 7 / 0 / 41

HEX #808C97

RGB 128 140 151

HSL 208.7, 0.1%, 0.55%

LAB 57.64, -1.96, -7.33

 

CMYK 5 / 15 / 0 / 41

HEX #908097

RGB 144 128 151

HSL 281.74, 0.1%, 0.55%

LAB 55.69, 10.54, -10.1

 

CMYK 0 / 8 / 16 / 41

HEX #978B7F

RGB 151 139 127

HSL 30, 0.1%, 0.55%

LAB 58.58, 2.38, 8.03

 

CMYK 15 / 0 / 15 / 41

HEX #809780

RGB 128 151 128

HSL 120, 0.1%, 0.55%

LAB 60.14, -12.76, 9.43

 

CMYK 15 / 7 / 0 / 41

HEX #808C97

RGB 128 140 151

HSL 208.7, 0.1%, 0.55%

LAB 57.64, -1.96, -7.33

 

CMYK 0 / 15 / 0 / 41

HEX #978097

RGB 151 128 151

HSL 300, 0.1%, 0.55%

LAB 56.34, 13.05, -9.05

 

Description

Color code: RGB 151 139 127 | qconv.com Color code: RGB 151 139 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 139 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 139 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 16 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 16% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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