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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #979080 it is the complementary color #686F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #979080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #979080: #9C907B, #ADA28E, #BEB4A1, #CFC6B4 and #E0D8C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #979080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #979080: #979080, #867E6D, #756C5A, #645A47 and #534834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

Complementary color

CMYK 18 / 13 / 0 / 50

HEX #686F7F

RGB 104 111 127

HSL 221.74, 0.1%, 0.45%

LAB 46.77, 0.98, -9.73

 

CMYK 0 / 8 / 21 / 39

HEX #9C907B

RGB 156 144 123

HSL 38.18, 0.14%, 0.55%

LAB 60.29, 0.9, 12.78

 

CMYK 0 / 6 / 18 / 32

HEX #ADA28E

RGB 173 162 142

HSL 38.71, 0.16%, 0.62%

LAB 67.03, 0.6, 11.84

 

CMYK 0 / 5 / 15 / 25

HEX #BEB4A1

RGB 190 180 161

HSL 39.31, 0.18%, 0.69%

LAB 73.65, 0.33, 10.96

 

CMYK 0 / 4 / 13 / 19

HEX #CFC6B4

RGB 207 198 180

HSL 40, 0.22%, 0.76%

LAB 80.15, 0.09, 10.13

 

CMYK 0 / 4 / 11 / 12

HEX #E0D8C7

RGB 224 216 199

HSL 40.8, 0.29%, 0.83%

LAB 86.54, -0.13, 9.35

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 0 / 6 / 19 / 47

HEX #867E6D

RGB 134 126 109

HSL 40.8, 0.1%, 0.48%

LAB 53.05, 0.02, 10.35

 

CMYK 0 / 8 / 23 / 54

HEX #756C5A

RGB 117 108 90

HSL 40, 0.13%, 0.41%

LAB 45.97, 0.33, 11.36

 

CMYK 0 / 10 / 29 / 61

HEX #645A47

RGB 100 90 71

HSL 39.31, 0.17%, 0.34%

LAB 38.68, 0.72, 12.47

 

CMYK 0 / 13 / 37 / 67

HEX #534834

RGB 83 72 52

HSL 38.71, 0.23%, 0.26%

LAB 31.16, 1.22, 13.72

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 0 / 2 / 15 / 41

HEX #979480

RGB 151 148 128

HSL 52.17, 0.1%, 0.55%

LAB 61.06, -2.47, 10.98

 

CMYK 0 / 0 / 15 / 41

HEX #979780

RGB 151 151 128

HSL 60, 0.1%, 0.55%

LAB 61.89, -4.12, 12.14

 

CMYK 3 / 0 / 15 / 41

HEX #939780

RGB 147 151 128

HSL 70.43, 0.1%, 0.55%

LAB 61.56, -5.66, 11.64

 

CMYK 5 / 0 / 15 / 41

HEX #8F9780

RGB 143 151 128

HSL 80.87, 0.1%, 0.55%

LAB 61.25, -7.18, 11.15

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 0 / 4 / 15 / 21

HEX #CAC1AB

RGB 202 193 171

HSL 42.58, 0.23%, 0.73%

LAB 78.25, -0.54, 12.21

 

CMYK 0 / 5 / 15 / 1

HEX #FDF1D6

RGB 253 241 214

HSL 41.54, 0.91%, 0.92%

LAB 95.43, -0.3, 14.48

 

CMYK 0 / 4 / 14 / 81

HEX #312F2A

RGB 49 47 42

HSL 42.86, 0.08%, 0.18%

LAB 19.45, -0.2, 3.53

 

CMYK 0 / 5 / 15 / 61

HEX #645F55

RGB 100 95 85

HSL 40, 0.08%, 0.36%

LAB 40.49, 0.07, 6.43

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 13 / 0 / 15 / 41

HEX #839780

RGB 131 151 128

HSL 112.17, 0.1%, 0.55%

LAB 60.35, -11.67, 9.76

 

CMYK 11 / 15 / 0 / 41

HEX #878097

RGB 135 128 151

HSL 258.26, 0.1%, 0.55%

LAB 54.89, 7.35, -11.38

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 15 / 0 / 5 / 41

HEX #809790

RGB 128 151 144

HSL 161.74, 0.1%, 0.55%

LAB 60.55, -9.58, 0.95

 

CMYK 5 / 15 / 0 / 41

HEX #908097

RGB 144 128 151

HSL 281.74, 0.1%, 0.55%

LAB 55.69, 10.54, -10.1

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 13 / 0 / 15 / 41

HEX #839780

RGB 131 151 128

HSL 112.17, 0.1%, 0.55%

LAB 60.35, -11.67, 9.76

 

CMYK 15 / 10 / 0 / 41

HEX #808897

RGB 128 136 151

HSL 219.13, 0.1%, 0.55%

LAB 56.52, 0.32, -8.99

 

CMYK 1 / 15 / 0 / 41

HEX #958097

RGB 149 128 151

HSL 294.78, 0.1%, 0.55%

LAB 56.15, 12.33, -9.36

 

CMYK 0 / 5 / 15 / 41

HEX #979080

RGB 151 144 128

HSL 41.74, 0.1%, 0.55%

LAB 59.96, -0.25, 9.43

 

CMYK 15 / 0 / 13 / 41

HEX #809784

RGB 128 151 132

HSL 130.43, 0.1%, 0.55%

LAB 60.24, -12, 7.31

 

CMYK 15 / 10 / 0 / 41

HEX #808897

RGB 128 136 151

HSL 219.13, 0.1%, 0.55%

LAB 56.52, 0.32, -8.99

 

CMYK 0 / 15 / 3 / 41

HEX #978093

RGB 151 128 147

HSL 310.43, 0.1%, 0.55%

LAB 56.21, 12.26, -6.93

 

Description

Color code: HEX #979080 | qconv.com Color code: HEX #979080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 144 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 144 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 15 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 15% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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