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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 158 134 it is the complementary color RGB 106 97 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 158 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 158 134 shade: RGB 154 158 129, RGB 171 176 148, RGB 188 194 167, RGB 205 212 186 and RGB 222 230 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 158 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 158 134 shade: RGB 149 158 134, RGB 132 140 115, RGB 115 122 96, RGB 98 104 77 and RGB 81 86 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 158 134 shade: RGB 148 157 133, RGB 155 157 133, RGB 157 153 133, RGB 157 147 133 and RGB 157 140 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 158 134 shade: RGB 148 157 133, RGB 142 157 133, RGB 135 157 133, RGB 133 157 138 and RGB 133 157 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 158 134 shade matches the following richer shades: RGB 148 157 133, RGB 153 175 116, RGB 157 193 98, RGB 162 211 80 and RGB 166 228 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 158 134 shade: RGB 148 157 133, RGB 144 140 151, RGB 139 122 169, RGB 135 104 187 and RGB 131 86 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 158 134 shade: RGB 157 153 133, RGB 155 157 133, RGB 149 157 133, RGB 142 157 133 and RGB 136 157 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 158 134 shade: RGB 107 116 93, RGB 128 138 111, RGB 148 157 133, RGB 168 176 156 and RGB 188 194 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 158 134 shade: RGB 149 158 134, RGB 133 157 147 and RGB 157 133 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 158 134 shade: RGB 149 158 134, RGB 133 149 157 and RGB 157 133 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 158 134 shade: RGB 149 158 134, RGB 133 157 147, RGB 142 133 157 and RGB 157 133 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 158 134 shade: RGB 149 158 134, RGB 133 157 154, RGB 142 133 157 and RGB 157 133 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 15 / 38

HEX #959E86

RGB 149 158 134

HSL 82.5, 0.11%, 0.57%

LAB 63.81, -7.68, 11.46

 

Complementary color

CMYK 12 / 20 / 0 / 53

HEX #6A6179

RGB 106 97 121

HSL 262.5, 0.11%, 0.43%

LAB 42.75, 8.71, -12.16

 

CMYK 3 / 0 / 18 / 38

HEX #9A9E81

RGB 154 158 129

HSL 68.28, 0.13%, 0.56%

LAB 64.09, -6.61, 14.7

 

CMYK 3 / 0 / 16 / 31

HEX #ABB094

RGB 171 176 148

HSL 70.71, 0.15%, 0.64%

LAB 70.77, -6.73, 13.76

 

CMYK 3 / 0 / 14 / 24

HEX #BCC2A7

RGB 188 194 167

HSL 73.33, 0.18%, 0.71%

LAB 77.32, -6.84, 12.89

 

CMYK 3 / 0 / 12 / 17

HEX #CDD4BA

RGB 205 212 186

HSL 76.15, 0.23%, 0.78%

LAB 83.76, -6.93, 12.05

 

CMYK 3 / 0 / 11 / 10

HEX #DEE6CD

RGB 222 230 205

HSL 79.2, 0.33%, 0.85%

LAB 90.11, -7.02, 11.26

 

CMYK 6 / 0 / 15 / 38

HEX #959E86

RGB 149 158 134

HSL 82.5, 0.11%, 0.57%

LAB 63.81, -7.68, 11.46

 

CMYK 6 / 0 / 18 / 45

HEX #848C73

RGB 132 140 115

HSL 79.2, 0.1%, 0.5%

LAB 56.98, -7.62, 12.39

 

CMYK 6 / 0 / 21 / 52

HEX #737A60

RGB 115 122 96

HSL 76.15, 0.12%, 0.43%

LAB 49.99, -7.54, 13.39

 

CMYK 6 / 0 / 26 / 59

HEX #62684D

RGB 98 104 77

HSL 73.33, 0.15%, 0.35%

LAB 42.81, -7.45, 14.48

 

CMYK 6 / 0 / 33 / 66

HEX #51563A

RGB 81 86 58

HSL 70.71, 0.19%, 0.28%

LAB 35.42, -7.33, 15.68

 

CMYK 6 / 0 / 15 / 38

HEX #949D85

RGB 148 157 133

HSL 82.5, 0.11%, 0.57%

LAB 63.43, -7.69, 11.47

 

CMYK 1 / 0 / 15 / 38

HEX #9B9D85

RGB 155 157 133

HSL 65, 0.11%, 0.57%

LAB 63.98, -5.03, 12.33

 

CMYK 0 / 3 / 15 / 38

HEX #9D9985

RGB 157 153 133

HSL 50, 0.11%, 0.57%

LAB 63.05, -2.08, 11.04

 

CMYK 0 / 6 / 15 / 38

HEX #9D9385

RGB 157 147 133

HSL 35, 0.11%, 0.57%

LAB 61.42, 1.24, 8.73

 

CMYK 0 / 11 / 15 / 38

HEX #9D8C85

RGB 157 140 133

HSL 17.5, 0.11%, 0.57%

LAB 59.54, 5.15, 6.05

 

CMYK 6 / 0 / 15 / 38

HEX #949D85

RGB 148 157 133

HSL 82.5, 0.11%, 0.57%

LAB 63.43, -7.69, 11.47

 

CMYK 10 / 0 / 15 / 38

HEX #8E9D85

RGB 142 157 133

HSL 97.5, 0.11%, 0.57%

LAB 62.98, -9.93, 10.77

 

CMYK 14 / 0 / 15 / 38

HEX #879D85

RGB 135 157 133

HSL 115, 0.11%, 0.57%

LAB 62.47, -12.5, 9.99

 

CMYK 15 / 0 / 12 / 38

HEX #859D8A

RGB 133 157 138

HSL 132.5, 0.11%, 0.57%

LAB 62.45, -12.27, 7.14

 

CMYK 15 / 0 / 8 / 38

HEX #859D90

RGB 133 157 144

HSL 147.5, 0.11%, 0.57%

LAB 62.6, -11.09, 3.98

 

CMYK 6 / 0 / 15 / 38

HEX #949D85

RGB 148 157 133

HSL 82.5, 0.11%, 0.57%

LAB 63.43, -7.69, 11.47

 

CMYK 13 / 0 / 34 / 31

HEX #99AF74

RGB 153 175 116

HSL 82.37, 0.27%, 0.57%

LAB 68.53, -17.9, 27.8

 

CMYK 19 / 0 / 49 / 24

HEX #9DC162

RGB 157 193 98

HSL 82.74, 0.43%, 0.57%

LAB 73.67, -27.51, 43.6

 

CMYK 23 / 0 / 62 / 17

HEX #A2D350

RGB 162 211 80

HSL 82.44, 0.6%, 0.57%

LAB 78.95, -35.71, 57.98

 

CMYK 27 / 0 / 73 / 11

HEX #A6E43E

RGB 166 228 62

HSL 82.41, 0.75%, 0.57%

LAB 83.94, -42.98, 70.02

 

CMYK 6 / 0 / 15 / 38

HEX #949D85

RGB 148 157 133

HSL 82.5, 0.11%, 0.57%

LAB 63.43, -7.69, 11.47

 

CMYK 5 / 7 / 0 / 41

HEX #908C97

RGB 144 140 151

HSL 261.82, 0.05%, 0.57%

LAB 58.9, 3.66, -5.31

 

CMYK 18 / 28 / 0 / 34

HEX #8B7AA9

RGB 139 122 169

HSL 261.7, 0.21%, 0.57%

LAB 54.32, 16.28, -22.64

 

CMYK 28 / 44 / 0 / 27

HEX #8768BB

RGB 135 104 187

HSL 262.41, 0.38%, 0.57%

LAB 50.26, 30.03, -39.38

 

CMYK 36 / 58 / 0 / 20

HEX #8356CC

RGB 131 86 204

HSL 262.88, 0.54%, 0.57%

LAB 46.76, 43.67, -54.78

 

CMYK 0 / 3 / 15 / 38

HEX #9D9985

RGB 157 153 133

HSL 50, 0.11%, 0.57%

LAB 63.05, -2.08, 11.04

 

CMYK 1 / 0 / 15 / 38

HEX #9B9D85

RGB 155 157 133

HSL 65, 0.11%, 0.57%

LAB 63.98, -5.03, 12.33

 

CMYK 5 / 0 / 15 / 38

HEX #959D85

RGB 149 157 133

HSL 80, 0.11%, 0.57%

LAB 63.51, -7.31, 11.59

 

CMYK 10 / 0 / 15 / 38

HEX #8E9D85

RGB 142 157 133

HSL 97.5, 0.11%, 0.57%

LAB 62.98, -9.93, 10.77

 

CMYK 13 / 0 / 15 / 38

HEX #889D85

RGB 136 157 133

HSL 112.5, 0.11%, 0.57%

LAB 62.54, -12.13, 10.1

 

CMYK 8 / 0 / 20 / 55

HEX #6B745D

RGB 107 116 93

HSL 83.48, 0.11%, 0.41%

LAB 47.5, -7.89, 11.59

 

CMYK 7 / 0 / 20 / 46

HEX #808A6F

RGB 128 138 111

HSL 82.22, 0.11%, 0.49%

LAB 56, -8.75, 13.26

 

CMYK 6 / 0 / 15 / 38

HEX #949D85

RGB 148 157 133

HSL 82.5, 0.11%, 0.57%

LAB 63.43, -7.69, 11.47

 

CMYK 5 / 0 / 11 / 31

HEX #A8B09C

RGB 168 176 156

HSL 84, 0.11%, 0.65%

LAB 70.72, -6.49, 9.28

 

CMYK 3 / 0 / 8 / 24

HEX #BCC2B3

RGB 188 194 179

HSL 84, 0.11%, 0.73%

LAB 77.6, -4.8, 6.82

 

CMYK 6 / 0 / 15 / 38

HEX #959E86

RGB 149 158 134

HSL 82.5, 0.11%, 0.57%

LAB 63.81, -7.68, 11.46

 

CMYK 15 / 0 / 6 / 38

HEX #859D93

RGB 133 157 147

HSL 155, 0.11%, 0.57%

LAB 62.68, -10.48, 2.4

 

CMYK 0 / 15 / 0 / 38

HEX #9D859D

RGB 157 133 157

HSL 300, 0.11%, 0.57%

LAB 58.39, 13.52, -9.38

 

CMYK 6 / 0 / 15 / 38

HEX #959E86

RGB 149 158 134

HSL 82.5, 0.11%, 0.57%

LAB 63.81, -7.68, 11.46

 

CMYK 15 / 5 / 0 / 38

HEX #85959D

RGB 133 149 157

HSL 200, 0.11%, 0.57%

LAB 60.71, -3.97, -6.15

 

CMYK 0 / 15 / 5 / 38

HEX #9D8595

RGB 157 133 149

HSL 320, 0.11%, 0.57%

LAB 58.14, 11.98, -5.16

 

CMYK 6 / 0 / 15 / 38

HEX #959E86

RGB 149 158 134

HSL 82.5, 0.11%, 0.57%

LAB 63.81, -7.68, 11.46

 

CMYK 15 / 0 / 6 / 38

HEX #859D93

RGB 133 157 147

HSL 155, 0.11%, 0.57%

LAB 62.68, -10.48, 2.4

 

CMYK 10 / 15 / 0 / 38

HEX #8E859D

RGB 142 133 157

HSL 262.5, 0.11%, 0.57%

LAB 57.04, 8.21, -11.55

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 6 / 0 / 15 / 38

HEX #959E86

RGB 149 158 134

HSL 82.5, 0.11%, 0.57%

LAB 63.81, -7.68, 11.46

 

CMYK 15 / 0 / 2 / 38

HEX #859D9A

RGB 133 157 154

HSL 172.5, 0.11%, 0.57%

LAB 62.87, -9.01, -1.26

 

CMYK 10 / 15 / 0 / 38

HEX #8E859D

RGB 142 133 157

HSL 262.5, 0.11%, 0.57%

LAB 57.04, 8.21, -11.55

 

CMYK 0 / 15 / 13 / 38

HEX #9D8589

RGB 157 133 137

HSL 350, 0.11%, 0.57%

LAB 57.8, 9.8, 1.24

 

Description

Color code: RGB 149 158 134 | qconv.com Color code: RGB 149 158 134 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 158 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 158 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 15 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 15% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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