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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 0 / 62 / 17 it is the complementary color CMYK 47 / 75 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 0 / 62 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 0 / 62 / 17: CMYK 21 / 0 / 65 / 17, CMYK 20 / 0 / 59 / 10, CMYK 19 / 0 / 54 / 3, CMYK 14 / 0 / 48 / 0 and CMYK 7 / 0 / 41 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 0 / 62 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 0 / 62 / 17: CMYK 23 / 0 / 62 / 17, CMYK 25 / 0 / 69 / 24, CMYK 27 / 0 / 76 / 31, CMYK 29 / 0 / 85 / 38 and CMYK 32 / 0 / 97 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

Complementary color

CMYK 47 / 75 / 0 / 31

HEX #5C2BAF

RGB 92 43 175

HSL 262.27, 0.61%, 0.43%

LAB 32.03, 50.69, -61.9

 

CMYK 21 / 0 / 65 / 17

HEX #A8D44B

RGB 168 212 75

HSL 79.27, 0.61%, 0.56%

LAB 79.57, -34.26, 60.81

 

CMYK 20 / 0 / 59 / 10

HEX #B9E65E

RGB 185 230 94

HSL 79.85, 0.73%, 0.64%

LAB 85.86, -34.57, 60.06

 

CMYK 19 / 0 / 54 / 3

HEX #CAF871

RGB 202 248 113

HSL 80.44, 0.91%, 0.71%

LAB 92.08, -34.8, 59.12

 

CMYK 14 / 0 / 48 / 0

HEX #DBFF84

RGB 219 255 132

HSL 77.56, 1%, 0.76%

LAB 95.26, -29.92, 54.55

 

CMYK 7 / 0 / 41 / 0

HEX #ECFF97

RGB 236 255 151

HSL 70.96, 1%, 0.8%

LAB 96.65, -21.61, 47.54

 

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

CMYK 25 / 0 / 69 / 24

HEX #92C23D

RGB 146 194 61

HSL 81.65, 0.52%, 0.5%

LAB 72.91, -35.45, 58.98

 

CMYK 27 / 0 / 76 / 31

HEX #81B02A

RGB 129 176 42

HSL 81.04, 0.61%, 0.43%

LAB 66.43, -34.97, 59.06

 

CMYK 29 / 0 / 85 / 38

HEX #709E17

RGB 112 158 23

HSL 80.44, 0.75%, 0.35%

LAB 59.85, -34.27, 58.21

 

CMYK 32 / 0 / 97 / 45

HEX #5F8C04

RGB 95 140 4

HSL 79.85, 0.94%, 0.28%

LAB 53.17, -33.32, 55.89

 

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

CMYK 34 / 0 / 63 / 17

HEX #8CD44E

RGB 140 212 78

HSL 92.24, 0.61%, 0.57%

LAB 78, -44.3, 57.43

 

CMYK 44 / 0 / 63 / 17

HEX #76D44E

RGB 118 212 78

HSL 102.09, 0.61%, 0.57%

LAB 76.97, -51.51, 56.01

 

CMYK 55 / 0 / 63 / 17

HEX #60D44E

RGB 96 212 78

HSL 111.94, 0.61%, 0.57%

LAB 76.15, -57.72, 54.86

 

CMYK 63 / 0 / 61 / 17

HEX #4ED452

RGB 78 212 82

HSL 121.79, 0.61%, 0.57%

LAB 75.65, -61.52, 52.44

 

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

CMYK 25 / 0 / 63 / 97

HEX #060803

RGB 6 8 3

HSL 84, 0.45%, 0.02%

LAB 1.98, -1.22, 1.71

 

CMYK 24 / 0 / 63 / 77

HEX #2D3B16

RGB 45 59 22

HSL 82.7, 0.46%, 0.16%

LAB 22.81, -13.01, 20.79

 

CMYK 23 / 0 / 62 / 57

HEX #556E2A

RGB 85 110 42

HSL 82.06, 0.45%, 0.3%

LAB 43.14, -20.93, 34.2

 

CMYK 23 / 0 / 62 / 37

HEX #7CA13D

RGB 124 161 61

HSL 82.2, 0.45%, 0.44%

LAB 61.75, -28.61, 46.7

 

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

CMYK 63 / 0 / 27 / 17

HEX #4ED49A

RGB 78 212 154

HSL 154.03, 0.61%, 0.57%

LAB 76.7, -49.88, 18.15

 

CMYK 2 / 63 / 0 / 17

HEX #CF4ED4

RGB 207 78 212

HSL 297.76, 0.61%, 0.57%

LAB 55.55, 67.34, -44.77

 

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

CMYK 63 / 23 / 0 / 17

HEX #4EA3D4

RGB 78 163 212

HSL 201.94, 0.61%, 0.57%

LAB 63.81, -10.83, -32.59

 

CMYK 0 / 63 / 23 / 17

HEX #D44EA3

RGB 212 78 163

HSL 321.94, 0.61%, 0.57%

LAB 54.12, 61.13, -18.65

 

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

CMYK 63 / 0 / 27 / 17

HEX #4ED49A

RGB 78 212 154

HSL 154.03, 0.61%, 0.57%

LAB 76.7, -49.88, 18.15

 

CMYK 40 / 63 / 0 / 17

HEX #7F4ED4

RGB 127 78 212

HSL 261.94, 0.61%, 0.57%

LAB 45.24, 49.23, -61.86

 

CMYK 0 / 63 / 36 / 17

HEX #D44E88

RGB 212 78 136

HSL 334.03, 0.61%, 0.57%

LAB 53.19, 57.8, -4.11

 

CMYK 23 / 0 / 62 / 17

HEX #A3D450

RGB 163 212 80

HSL 82.27, 0.61%, 0.57%

LAB 79.3, -35.79, 58.38

 

CMYK 63 / 0 / 8 / 17

HEX #4ED4C2

RGB 78 212 194

HSL 171.94, 0.61%, 0.57%

LAB 77.64, -40.44, -1.86

 

CMYK 40 / 63 / 0 / 17

HEX #7F4ED4

RGB 127 78 212

HSL 261.94, 0.61%, 0.57%

LAB 45.24, 49.23, -61.86

 

CMYK 0 / 63 / 55 / 17

HEX #D44E60

RGB 212 78 96

HSL 351.94, 0.61%, 0.57%

LAB 52.16, 53.98, 18.3

 

Description

Color code: CMYK 23 / 0 / 62 / 17 | qconv.com Color code: CMYK 23 / 0 / 62 / 17 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 212 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 212 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 62 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 62% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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