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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D8590 it is the complementary color #627A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D8590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9D8590: #A2858B, #B3979E, #C4A9B1, #D5BBC4 and #E6CDD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D8590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9D8590: #9D8590, #8C737D, #7B616A, #6A4F57 and #593D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

Complementary color

CMYK 20 / 0 / 9 / 52

HEX #627A6F

RGB 98 122 111

HSL 152.5, 0.11%, 0.43%

LAB 49.09, -11.15, 3.14

 

CMYK 0 / 18 / 14 / 36

HEX #A2858B

RGB 162 133 139

HSL 347.59, 0.13%, 0.58%

LAB 58.34, 12.06, 0.94

 

CMYK 0 / 16 / 12 / 30

HEX #B3979E

RGB 179 151 158

HSL 345, 0.16%, 0.65%

LAB 65.11, 11.58, 0.21

 

CMYK 0 / 14 / 10 / 23

HEX #C4A9B1

RGB 196 169 177

HSL 342.22, 0.19%, 0.72%

LAB 71.75, 11.15, -0.48

 

CMYK 0 / 12 / 8 / 16

HEX #D5BBC4

RGB 213 187 196

HSL 339.23, 0.24%, 0.78%

LAB 78.27, 10.76, -1.14

 

CMYK 0 / 11 / 7 / 10

HEX #E6CDD7

RGB 230 205 215

HSL 336, 0.33%, 0.85%

LAB 84.69, 10.4, -1.77

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 0 / 18 / 11 / 45

HEX #8C737D

RGB 140 115 125

HSL 336, 0.1%, 0.5%

LAB 51.06, 11.53, -1.82

 

CMYK 0 / 21 / 14 / 52

HEX #7B616A

RGB 123 97 106

HSL 339.23, 0.12%, 0.43%

LAB 43.95, 12.08, -1.09

 

CMYK 0 / 25 / 18 / 58

HEX #6A4F57

RGB 106 79 87

HSL 342.22, 0.15%, 0.36%

LAB 36.64, 12.72, -0.28

 

CMYK 0 / 31 / 24 / 65

HEX #593D44

RGB 89 61 68

HSL 345, 0.19%, 0.29%

LAB 29.1, 13.48, 0.64

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 0 / 15 / 11 / 38

HEX #9D858C

RGB 157 133 140

HSL 342.5, 0.11%, 0.57%

LAB 57.88, 10.33, -0.36

 

CMYK 0 / 15 / 13 / 38

HEX #9D8588

RGB 157 133 136

HSL 352.5, 0.11%, 0.57%

LAB 57.77, 9.63, 1.78

 

CMYK 0 / 15 / 15 / 38

HEX #9D8685

RGB 157 134 133

HSL 2.5, 0.11%, 0.57%

LAB 57.95, 8.55, 3.77

 

CMYK 0 / 12 / 15 / 38

HEX #9D8A85

RGB 157 138 133

HSL 12.5, 0.11%, 0.57%

LAB 59.01, 6.28, 5.29

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 0 / 15 / 8 / 18

HEX #D0B0BF

RGB 208 176 191

HSL 331.88, 0.25%, 0.75%

LAB 74.96, 14.06, -3.32

 

CMYK 0 / 25 / 0 / 98

HEX #040304

RGB 4 3 4

HSL 300, 0.14%, 0.01%

LAB 0.9, 0.4, -0.29

 

CMYK 0 / 15 / 9 / 78

HEX #372F32

RGB 55 47 50

HSL 337.5, 0.08%, 0.2%

LAB 20.34, 4.25, -0.59

 

CMYK 0 / 15 / 8 / 58

HEX #6A5A61

RGB 106 90 97

HSL 333.75, 0.08%, 0.38%

LAB 39.98, 7.84, -1.61

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 0 / 4 / 15 / 38

HEX #9D9685

RGB 157 150 133

HSL 42.5, 0.11%, 0.57%

LAB 62.23, -0.43, 9.89

 

CMYK 15 / 2 / 0 / 38

HEX #859A9D

RGB 133 154 157

HSL 187.5, 0.11%, 0.57%

LAB 62.11, -6.73, -4.07

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 8 / 0 / 15 / 38

HEX #909D85

RGB 144 157 133

HSL 92.5, 0.11%, 0.57%

LAB 63.12, -9.19, 11

 

CMYK 15 / 8 / 0 / 38

HEX #85909D

RGB 133 144 157

HSL 212.5, 0.11%, 0.57%

LAB 59.31, -1.17, -8.22

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 0 / 4 / 15 / 38

HEX #9D9685

RGB 157 150 133

HSL 42.5, 0.11%, 0.57%

LAB 62.23, -0.43, 9.89

 

CMYK 15 / 0 / 7 / 38

HEX #859D92

RGB 133 157 146

HSL 152.5, 0.11%, 0.57%

LAB 62.66, -10.68, 2.93

 

CMYK 15 / 11 / 0 / 38

HEX #858B9D

RGB 133 139 157

HSL 225, 0.11%, 0.57%

LAB 57.93, 1.66, -10.29

 

CMYK 0 / 15 / 8 / 38

HEX #9D8590

RGB 157 133 144

HSL 332.5, 0.11%, 0.57%

LAB 58, 11.05, -2.5

 

CMYK 1 / 0 / 15 / 38

HEX #9C9D85

RGB 156 157 133

HSL 62.5, 0.11%, 0.57%

LAB 64.06, -4.65, 12.45

 

CMYK 15 / 0 / 7 / 38

HEX #859D92

RGB 133 157 146

HSL 152.5, 0.11%, 0.57%

LAB 62.66, -10.68, 2.93

 

CMYK 15 / 15 / 0 / 38

HEX #86859D

RGB 134 133 157

HSL 242.5, 0.11%, 0.57%

LAB 56.36, 5.44, -12.63

 

Description

Color code: HEX #9D8590 | qconv.com Color code: HEX #9D8590 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 133 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 133 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 8 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 8% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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