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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 111 70 it is the complementary color RGB 117 144 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 111 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 138 111 70: RGB 143 111 65, RGB 160 129 84, RGB 177 147 103, RGB 194 165 122 and RGB 211 183 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 111 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 138 111 70: RGB 138 111 70, RGB 121 93 51, RGB 104 75 32, RGB 87 57 13 and RGB 70 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

Complementary color

CMYK 37 / 22 / 0 / 27

HEX #7590B9

RGB 117 144 185

HSL 216.18, 0.33%, 0.59%

LAB 59.19, 0.77, -24.44

 

CMYK 0 / 22 / 55 / 44

HEX #8F6F41

RGB 143 111 65

HSL 35.38, 0.38%, 0.41%

LAB 49, 6.8, 30.26

 

CMYK 0 / 19 / 48 / 37

HEX #A08154

RGB 160 129 84

HSL 35.53, 0.31%, 0.48%

LAB 55.9, 5.88, 28.82

 

CMYK 0 / 17 / 42 / 31

HEX #B19367

RGB 177 147 103

HSL 35.68, 0.32%, 0.55%

LAB 62.67, 5.12, 27.49

 

CMYK 0 / 15 / 37 / 24

HEX #C2A57A

RGB 194 165 122

HSL 35.83, 0.37%, 0.62%

LAB 69.32, 4.49, 26.24

 

CMYK 0 / 13 / 33 / 17

HEX #D3B78D

RGB 211 183 141

HSL 36, 0.44%, 0.69%

LAB 75.85, 3.95, 25.08

 

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

CMYK 0 / 23 / 58 / 53

HEX #795D33

RGB 121 93 51

HSL 36, 0.41%, 0.34%

LAB 41.43, 6.04, 28.26

 

CMYK 0 / 28 / 69 / 59

HEX #684B20

RGB 104 75 32

HSL 35.83, 0.53%, 0.27%

LAB 34.15, 7.32, 29.78

 

CMYK 0 / 34 / 85 / 66

HEX #57390D

RGB 87 57 13

HSL 35.68, 0.74%, 0.2%

LAB 26.68, 9.02, 30.96

 

CMYK 0 / 44 / 100 / 73

HEX #462700

RGB 70 39 0

HSL 33.43, 1%, 0.14%

LAB 19.03, 11.33, 27.65

 

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

CMYK 0 / 12 / 50 / 45

HEX #8B7A46

RGB 139 122 70

HSL 45.22, 0.33%, 0.41%

LAB 51.67, -0.8, 30.73

 

CMYK 0 / 4 / 50 / 45

HEX #8B8646

RGB 139 134 70

HSL 55.65, 0.33%, 0.41%

LAB 55.05, -7.5, 34.87

 

CMYK 5 / 0 / 50 / 45

HEX #848B46

RGB 132 139 70

HSL 66.09, 0.33%, 0.41%

LAB 55.9, -13.25, 35.75

 

CMYK 14 / 0 / 50 / 45

HEX #788B46

RGB 120 139 70

HSL 76.52, 0.33%, 0.41%

LAB 54.97, -18.33, 34.4

 

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

CMYK 0 / 20 / 49 / 26

HEX #BD9860

RGB 189 152 96

HSL 36.13, 0.41%, 0.56%

LAB 65.06, 6.68, 34.56

 

CMYK 0 / 20 / 49 / 6

HEX #F0C17A

RGB 240 193 122

HSL 36.1, 0.8%, 0.71%

LAB 80.78, 8.21, 41.93

 

CMYK 0 / 19 / 50 / 86

HEX #241D12

RGB 36 29 18

HSL 36.67, 0.33%, 0.11%

LAB 11.26, 1.35, 8.6

 

CMYK 0 / 20 / 49 / 66

HEX #57462C

RGB 87 70 44

HSL 36.28, 0.33%, 0.26%

LAB 30.85, 3.31, 18.37

 

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

CMYK 40 / 0 / 50 / 45

HEX #538B46

RGB 83 139 70

HSL 108.7, 0.33%, 0.41%

LAB 52.67, -32.53, 31.06

 

CMYK 40 / 50 / 0 / 45

HEX #53468B

RGB 83 70 139

HSL 251.3, 0.33%, 0.41%

LAB 34.16, 23.09, -36.7

 

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

CMYK 50 / 0 / 20 / 45

HEX #468B6F

RGB 70 139 111

HSL 155.65, 0.33%, 0.41%

LAB 52.86, -28.85, 8.34

 

CMYK 20 / 50 / 0 / 45

HEX #6F468B

RGB 111 70 139

HSL 275.65, 0.33%, 0.41%

LAB 37.16, 31.14, -31.75

 

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

CMYK 40 / 0 / 50 / 45

HEX #538B46

RGB 83 139 70

HSL 108.7, 0.33%, 0.41%

LAB 52.67, -32.53, 31.06

 

CMYK 50 / 30 / 0 / 45

HEX #46618B

RGB 70 97 139

HSL 216.52, 0.33%, 0.41%

LAB 40.76, 2.36, -26.35

 

CMYK 10 / 50 / 0 / 45

HEX #7D468B

RGB 125 70 139

HSL 287.83, 0.33%, 0.41%

LAB 38.91, 35.37, -28.88

 

CMYK 0 / 20 / 49 / 46

HEX #8A6F46

RGB 138 111 70

HSL 36.18, 0.33%, 0.41%

LAB 48.53, 5.06, 26.77

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 50 / 30 / 0 / 45

HEX #46618B

RGB 70 97 139

HSL 216.52, 0.33%, 0.41%

LAB 40.76, 2.36, -26.35

 

CMYK 0 / 50 / 5 / 45

HEX #8B4684

RGB 139 70 132

HSL 306.09, 0.33%, 0.41%

LAB 40.47, 38.33, -22.03

 

Description

Color code: RGB 138 111 70 | qconv.com Color code: RGB 138 111 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 111 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 111 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 49 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 49% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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