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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 139 76 it is the complementary color RGB 185 116 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 139 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 70 139 76: RGB 75 139 71, RGB 92 157 90, RGB 109 175 109, RGB 126 193 128 and RGB 143 211 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 139 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 70 139 76: RGB 70 139 76, RGB 53 121 57, RGB 36 103 38, RGB 19 85 19 and RGB 2 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

Complementary color

CMYK 0 / 37 / 3 / 27

HEX #B974B3

RGB 185 116 179

HSL 305.22, 0.33%, 0.59%

LAB 58.09, 36.92, -22.18

 

CMYK 46 / 0 / 49 / 45

HEX #4B8B47

RGB 75 139 71

HSL 116.47, 0.32%, 0.41%

LAB 52.3, -35.02, 30

 

CMYK 41 / 0 / 43 / 38

HEX #5C9D5A

RGB 92 157 90

HSL 118.21, 0.27%, 0.48%

LAB 59.09, -34.87, 28.66

 

CMYK 38 / 0 / 38 / 31

HEX #6DAF6D

RGB 109 175 109

HSL 120, 0.29%, 0.56%

LAB 65.76, -34.65, 27.39

 

CMYK 35 / 0 / 34 / 24

HEX #7EC180

RGB 126 193 128

HSL 121.79, 0.35%, 0.63%

LAB 72.32, -34.41, 26.19

 

CMYK 32 / 0 / 30 / 17

HEX #8FD393

RGB 143 211 147

HSL 123.53, 0.44%, 0.69%

LAB 78.77, -34.16, 25.07

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 56 / 0 / 53 / 53

HEX #357939

RGB 53 121 57

HSL 123.53, 0.39%, 0.34%

LAB 45.26, -35.78, 28.52

 

CMYK 65 / 0 / 63 / 60

HEX #246726

RGB 36 103 38

HSL 121.79, 0.48%, 0.27%

LAB 38.23, -35.45, 29.94

 

CMYK 78 / 0 / 78 / 67

HEX #135513

RGB 19 85 19

HSL 120, 0.63%, 0.2%

LAB 31.07, -34.45, 31.03

 

CMYK 97 / 0 / 100 / 74

HEX #024300

RGB 2 67 0

HSL 118.21, 1%, 0.13%

LAB 23.76, -32.61, 31.38

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 50 / 0 / 37 / 45

HEX #468B57

RGB 70 139 87

HSL 134.78, 0.33%, 0.41%

LAB 52.35, -33.87, 21.28

 

CMYK 50 / 0 / 29 / 45

HEX #468B62

RGB 70 139 98

HSL 144.35, 0.33%, 0.41%

LAB 52.56, -31.71, 15.37

 

CMYK 50 / 0 / 21 / 45

HEX #468B6E

RGB 70 139 110

HSL 154.78, 0.33%, 0.41%

LAB 52.83, -29.08, 8.88

 

CMYK 50 / 0 / 13 / 45

HEX #468B79

RGB 70 139 121

HSL 164.35, 0.33%, 0.41%

LAB 53.11, -26.44, 2.93

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 49 / 0 / 45 / 25

HEX #60BE68

RGB 96 190 104

HSL 125.11, 0.42%, 0.56%

LAB 69.69, -45.89, 34.97

 

CMYK 50 / 0 / 45 / 5

HEX #79F184

RGB 121 241 132

HSL 125.5, 0.81%, 0.71%

LAB 86.33, -55.73, 42.37

 

CMYK 49 / 0 / 46 / 85

HEX #132514

RGB 19 37 20

HSL 123.33, 0.32%, 0.11%

LAB 12.68, -12.06, 9.03

 

CMYK 50 / 0 / 45 / 65

HEX #2C5830

RGB 44 88 48

HSL 125.45, 0.33%, 0.26%

LAB 33.41, -24.86, 18.59

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 50 / 14 / 0 / 45

HEX #46778B

RGB 70 119 139

HSL 197.39, 0.33%, 0.41%

LAB 47.44, -10.78, -16.04

 

CMYK 0 / 50 / 35 / 45

HEX #8B465B

RGB 139 70 91

HSL 341.74, 0.33%, 0.41%

LAB 38.94, 31.73, 1.09

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 46 / 50 / 0 / 45

HEX #4B468B

RGB 75 70 139

HSL 244.35, 0.33%, 0.41%

LAB 33.44, 20.99, -37.89

 

CMYK 0 / 46 / 50 / 45

HEX #8B4B46

RGB 139 75 70

HSL 4.35, 0.33%, 0.41%

LAB 39.52, 26.43, 15

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 50 / 14 / 0 / 45

HEX #46778B

RGB 70 119 139

HSL 197.39, 0.33%, 0.41%

LAB 47.44, -10.78, -16.04

 

CMYK 0 / 50 / 4 / 45

HEX #8B4685

RGB 139 70 133

HSL 305.22, 0.33%, 0.41%

LAB 40.51, 38.52, -22.57

 

CMYK 0 / 36 / 50 / 45

HEX #8B5946

RGB 139 89 70

HSL 16.52, 0.33%, 0.41%

LAB 42.88, 18.36, 19.49

 

CMYK 50 / 0 / 45 / 45

HEX #468B4C

RGB 70 139 76

HSL 125.22, 0.33%, 0.41%

LAB 52.16, -35.77, 27.09

 

CMYK 50 / 29 / 0 / 45

HEX #46628B

RGB 70 98 139

HSL 215.65, 0.33%, 0.41%

LAB 41.06, 1.74, -25.88

 

CMYK 0 / 50 / 4 / 45

HEX #8B4685

RGB 139 70 133

HSL 305.22, 0.33%, 0.41%

LAB 40.51, 38.52, -22.57

 

CMYK 0 / 21 / 50 / 45

HEX #8B6E46

RGB 139 110 70

HSL 34.78, 0.33%, 0.41%

LAB 48.36, 6.08, 26.59

 

Description

Color code: RGB 70 139 76 | qconv.com Color code: RGB 70 139 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 139 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 139 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 45 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 45% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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